Antique Pair Grand Tour Ashford Specimen Marble Obelisks C.1890

A stunning antique pair of Grand Tour Ashford and specimen marble obelisks dating from the late 19th century.

The pair are carved from the finest Ashford marble with geometric  panels and specimen marble spires each inlaid with a single flower specimen on tapering bodies raised on  square stepped marble bases.

Add some Grand Tour flair to your home with these lovely obelisks.

Condition:

In good condition. As antique items, the obelisks show signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, they display beautifully.

Dimensions in cm:

Height 26 cm x Width 7.5 cm x Depth 7.5 cm

Dimensions in inches:

Height 10 inches x Width 3 inches x Depth 3 inches

Ashford Black Marble is the name given to a dark limestone, quarried from mines near Ashford-in-the-Water, in Derbyshire, England. Once cut, turned and polished, its shiny black surface is highly decorative. Ashford Black Marble is a very fine-grained sedimentary rock, and is not a true marble in the geological sense. It can be cut and inlaid with other decorative stones and minerals, using a technique known as pietra dura.

The Grand Tour

was the traditional trip of Europe undertaken by mainly upper-class European young men of means. The custom flourished from about 1660 until the advent of large-scale rail transit in the 1840s, and was associated with a standard itinerary.

It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on the Continent, and from the second half of the 18th century some South American, U.S., and other overseas youth joined in. The tradition was extended to include more of the middle class after rail and steamship travel made the journey less of a burden.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a knowledgeable guide or tutor.

The Grand Tour not only provided a liberal education but allowed those who could afford it the opportunity to buy things otherwise unavailable at home, and it thus increased participants' prestige and standing. Grand Tourists would return with crates of art, books, pictures, sculpture, and items of culture, which would be displayed in libraries, cabinets, gardens, and drawing rooms, as well as the galleries built purposely for their display; The Grand Tour became a symbol of wealth and freedom.

Obelisks

were prominent in the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveller, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the "Unfinished Obelisk" found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt.

The earliest temple obelisk still in its original position is the 68-foot (20.7 m) 120-metric-ton red granite Obelisk of Senusret I of the XIIth Dynasty at Al-Matariyyah in modern Heliopolis.

The obelisk symbolized the sun god Ra, and during the brief religious reformation of Akhenaten was said to be a petrified ray of the Aten, the sundisk. It was also thought that the god existed within the structure.

Our reference: A5433