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Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street
Jason Clarke Antiques
for sale €3,504     $3,804
£2,995
Jason Clarke Antiques

Jason Clarke Antiques

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Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

18th century
Description

For sale, an Eighteenth Century mahogany cased wall thermometer by George Adams of Fleet Street.

Comprised of a mahogany frame with glazed front with an 11” silvered thermometer scale

This early example from perhaps the most pre-eminent maker of this period has an 11” silvered scale with Fahrenheit readings to the left, measuring from -10 to 140 degrees. The right-hand side is engraved with simple guidance for the observer marking various points including “Freezing, Temperate, Summer Heat, Blood Heat and Fever Heat”. The thermometer is fixed to the scale by two brass clasps and can be removed for separate use by means of a removable at the top of the frame. It is completed with the famous makers name engraved to the top, “Adams, Fleet Street, London.”

The scale is enclosed within a mahogany case with glazed front and graduated mahogany pagoda style top with back board of the case extending further behind to form an eyelet for wall hanging.

Thermometers of this age are extraordinarily rare, to find one by George Adams is an absolute pleasure.

The Adams dynasty needs little introduction, a family who began their success in the early Eighteenth Century. George Adams Senior was born in Fleet Street, London in 1709 to Morris and Mary Adams. His Father was a freeman of London, belonging to the Loriner’s Company and although he was a liveryman, was actually a cook by trade. At the age of fifteen (1724), George was apprenticed to a James Parker, a mathematical instrument maker of the Grocer’s Company for a premium of £20. His initial two years were not without difficulty as his father Morris died the following year leaving George, his mother Mary and two further children without support and the following year also saw the death of his master. By good fortune, George was turned over to a new master Thomas Heath who had by then been trading on The Strand for just six years but ran a successful and enterprising establishment and his adverts from the period attest to the wide range of instruments that the young Adams would have been tasked to manufacture. On completion of his seven-year tenure, he chose to continue his work for Heath, only being granted his freedom of the Grocer’s Company in 1733 by which point his mother had also passed away. It is likely then that the proceeds of his parent’s estate were the catalyst for George Adams to begin trading in his own right.

The establishment of his business at the sign of Tycho Brahe’s Head on Fleet Street was close to his home in Shoe Lane but he joined a community of already established scientific instrument makers in that area and could guarantee a certain amount of passing trade from the positioning. He also kept up his ties with Thomas Heath which is evidenced from dual advertisements that were taken out by the pair in the mid-1730’s. His prominence as an instrument maker really took off in the 1740’s where he began to undertake work for both The Board of Ordnance and The East India Company. It was also the decade in which the microscope began to ascend in its popularity and Adams, seeing an opportunity, undertook to write the first of his two famous publications. This initial publication, “Micrographia Illustrata” was introduced in 1746 at the same time as his New Universal Microscope and must have been timed to support his instrument’s release to the market but the book was in its majority a compilation of many previously known publications but served to provide his audience with instruction and a full account of the possible uses to which this instrument could be applied.

Tragedy struck Adams again in the same year with his wife Ann’s death, leaving him with two young daughters and records of his duties as churchwarden would suggest that he threw himself into both business and civic duties for the following two years until he finally remarried to Ann Dudley in 1748,

Physical Dimensions
Height
39cm (15.35")
Width
5.5cm (2.17")
Depth
3cm (1.18")
Declaration

Jason Clarke Antiques has dated this Antique Mahogany Wall Thermometer to the 1750s.

Reference Numbers
Sellingantiques Reference
SA1206438
Description
For sale, an Eighteenth Century mahogany cased wall thermometer by George Adams of Fleet Street.

Comprised of a mahogany frame with glazed front with an 11” silvered thermometer scale

This early example from perhaps the most pre-eminent maker of this period has an 11” silvered scale with Fahrenheit readings to the left, measuring from -10 to 140 degrees.
Jason Clarke Antiques

The right-hand side is engraved with simple guidance for the observer marking various points including “Freezing, Temperate, Summer Heat, Blood Heat and Fever Heat”. The thermometer is fixed to the scale by two brass clasps and can be removed for separate use by means of a removable at the top of the frame. It is completed with the famous makers name engraved to the top, “Adams, Fleet Street, London.”

fig 1. An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
fig 1. Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

The scale is enclosed within a mahogany case with glazed front and graduated mahogany pagoda style top with back board of the case extending further behind to form an eyelet for wall hanging.

Thermometers of this age are extraordinarily rare, to find one by George Adams is an absolute pleasure.

fig 2. An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
fig 2. Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

The Adams dynasty needs little introduction, a family who began their success in the early Eighteenth Century. George Adams Senior was born in Fleet Street, London in 1709 to Morris and Mary Adams. His Father was a freeman of London, belonging to the Loriner’s Company and although he was a liveryman, was actually a cook by trade. At the age of fifteen (1724), George was apprenticed to a James Parker, a mathematical instrument maker of the Grocer’s Company for a premium of £20. His initial two years were not without difficulty as his father Morris died the following year leaving George, his mother Mary and two further children without support and the following year also saw the death of his master. By good fortune, George was turned over to a new master Thomas Heath who had by then been trading on The Strand for just six years but ran a successful and enterprising establishment and his adverts from the period attest to the wide range of instruments that the young Adams would have been tasked to manufacture. On completion of his seven-year tenure, he chose to continue his work for Heath, only being granted his freedom of the Grocer’s Company in 1733 by which point his mother had also passed away. It is likely then that the proceeds of his parent’s estate were the catalyst for George Adams to begin trading in his own right.

fig 3. An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
fig 3. Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

The establishment of his business at the sign of Tycho Brahe’s Head on Fleet Street was close to his home in Shoe Lane but he joined a community of already established scientific instrument makers in that area and could guarantee a certain amount of passing trade from the positioning. He also kept up his ties with Thomas Heath which is evidenced from dual advertisements that were taken out by the pair in the mid-1730’s. His prominence as an instrument maker really took off in the 1740’s where he began to undertake work for both The Board of Ordnance and The East India Company. It was also the decade in which the microscope began to ascend in its popularity and Adams, seeing an opportunity, undertook to write the first of his two famous publications. This initial publication, “Micrographia Illustrata” was introduced in 1746 at the same time as his New Universal Microscope and must have been timed to support his instrument’s release to the market but the book was in its majority a compilation of many previously known publications but served to provide his audience with instruction and a full account of the possible uses to which this instrument could be applied.

fig 4. An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
fig 4. Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

Tragedy struck Adams again in the same year with his wife Ann’s death, leaving him with two young daughters and records of his duties as churchwarden would suggest that he threw himself into both business and civic duties for the following two years until he finally remarried to Ann Dudley in 1748,

Height
39cm (15.35")
Width
5.5cm (2.17")
Depth
3cm (1.18")
Date of Manufacture

Jason Clarke Antiques has dated this Antique Mahogany Wall Thermometer to the 1750s.

Reference Numbers
Sellingantiques Ref
SA1206438
Jason Clarke Antiques
Jason Clarke Antiques
Sellingantiques verified Since Jul 2015
Dealer Profile

You can view the stock and full dealer information on the Jason Clarke Antiques Profile Page

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An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
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Archive I An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.

Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street

Archive II An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View II
Archive III An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View III
Archive IV An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View IV
Archive V An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View V
Archive VI An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View VI
Archive VII An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View VII
Archive VIII An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube. View VIII
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Telephone 07815 046645
Location
Newbury
Berkshire
United Kingdom
Verified Since Jul 2015
Items For Sale 82
Items Sold 605
Jason Clarke Antiques
Jason Clarke Antiques
Verified Since Jul 2015
View Dealer Info
Location: Newbury, Berkshire, United Kingdom
Verified
Jul 2015
For Sale
82
Sold
605
An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
Eighteenth Century Mahogany Cased Wall Thermometer by George Adams of Fleet Street
Ref: SA1206438
An 18th-century vertical mahogany cased wall thermometer with an engraved scale plate and glass capillary tube.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

An 18th-century cased wall thermometer is a precision measuring instrument housed within a decorative wooden enclosure, designed to monitor indoor temperatures during the Georgian era.

These instruments were predominantly constructed using dense hardwoods such as mahogany or walnut, featuring glass capillary tubes filled with liquid and engraved metal or paper scale plates.

Authentic period examples feature hand-engraved maker signatures, mercury or spirit-filled blown glass tubes, period-correct joinery, and natural age-related oxidisation on the metal scales.

Designers frequently position these slender vertical instruments in narrow alcoves, gallery walls, or study spaces to add architectural interest and historical context.

Keep the wood nourished with high-grade beeswax polish, avoid direct sunlight or extreme temperature fluctuations, and ensure the instrument remains mounted securely in an upright position.
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