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ID #SA1140157
FOR SALE
£58,500
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Huge Japanese Silk Textile Goose in Flight
Steve Sly Japanese Works of Art
for sale €68,445     $74,295
£58,500
Steve Sly Japanese Works of Art

Steve Sly Japanese Works of Art

Sellingantiques Verified Since Jan 2012
Browse dealers 29 items
  • About Us
    Specialists in japanese works of art from the meiji period 1868-1912
  • Trade Associations
    Steve Sly Japanese Works of Art is a registered member of BADA 
Id #SA1140157
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Huge Japanese Silk Textile Goose in Flight

19th century
Description

As part of our Japanese works of art collection we are delighted to offer this large scale framed Meiji Period (1868-1912) signed silk textile, the Kyoto artist has rendered a very large scale textile of a goose in flight above a lakeside setting, the vibrantly coloured goose apparently coming in to land upon a lake surrounded by finely stitched rushes and ferns, the gooses neck stretching as its eyes look for the perfect landing spot, the birds feathers and facial features beautifully hand stitched to an exacting standard of workmanship. This charming textile is signed in a large stitched seal that simply reads as"Benten Kyoto" the textile is complete within its original silk backed black lacquer glazed frame , it was not unusual for such large textiles to be removed from the frames and rolled up for easy transportation for export.

Provenance : 

This large and imposing textile has been hanging in an old baronial house in the south of Germany.

Literature :

The name on the seal Benten , does not lead us to the name of a particular embroiderer and is more widely recognised as the name of the Goddess of music and arts , one of the seven lucky Gods of Japan . However further extensive research on this textile leads us to a company formed in Kyoto in 1898 by the name of Benten Goshi Kaisha, a limited partnership formed between embroidery houses and other traders, apparently partly funded by the Kyoto Hotel Group and in particular the largest hotel in Kyoto at that time The Yaamirou Hotel, commonly referred to as the Yaami, the company was set up at an initial cost of 250,000 Jpy . It is evident that our seal Benten Kyoto is representing this company.

It makes total commercial sense that the finest artisans needed exclusive access to the wealthiest tourists, and in turn the hotels could harness these tourists for longer stays and certainly more profitable visits , especially if between them they had guides working on commission bringing the visitors to the hotel, where traders selling and generally promoting the wares of Kyoto from within their building presumably worked on a profit share basis , a kind of closed shop cartel that benefited the tour guides, the hotel group, the Benten company and the Kyoto economy as a whole.

One of the best known and most powerful Kyoto based embroidery companies was the Takashimaya company, then headed up by the third generation sons Shinshichi III & IV alongside Utako, the daughter of Shinshichi I .

It is recorded in : Threads of Silk and Gold, ornamental textiles from Meiji Japan, Hiroko T. McDermott and Dr Clare Pollard Ashmolean museum Oxford , that during this turbulant period of the Meiji restoration the Takashimaya shop had burnt down, thankfully the stock was in a fireproof store and was salvaged, this enabled Shinshichi II his wife Utako and the next generation of five sons to continue trading , perhaps this fire triggered their investment into the incorporation of the Benten Goshi Kaisha company, in conjunction with the Kyoto hotel group and other selected Kyoto traders. It would certainly make commercial sense, as this would have provided the Takashimaya company with immediate access to highly desirable premises as well as to wealthy tourists, however it is also recorded in the Kyoto hotel archives that the Yaamirou hotel sadly suffered from a devastating fire on the 25th of March 1899, when it burnt to the ground. We cannot be certain of the timings or the collaboration, if any, and it is possible that these unfortunate events were years apart, and under different generations of the Shinshichi dynasty.

What we can say with a degree of certainty following further research of the Kyoto hotel group archives records, is that following this devastating fire some of the most powerful Kyoto businesses and traders submitted a business plan to the mayor of Kyoto to rebuild

Physical Dimensions
Height
210cm (82.68")
Width
156cm (61.42")
Depth
12cm (4.72")
Declaration

Steve Sly Japanese Works of Art has dated this Japanese Silk Embroidery Textile to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1140157
Dealers Notes

Available during usual business hours 7 days a week by prior appointment only.

Available out of hours for general enquiries : sales@stagsheadantiques.com or steve@steveslyjapaneseart.com

Tel 07774-635918

Description
As part of our Japanese works of art collection we are delighted to offer this large scale framed Meiji Period (1868-1912) signed silk textile, the Kyoto artist has rendered a very large scale textile of a goose in flight above a lakeside setting, the vibrantly coloured goose apparently coming in to land upon a lake surrounded by finely stitched rushes and ferns, the gooses neck stretching as its eyes look for the perfect landing spot, the birds feathers and facial features beautifully hand stitched to an exacting standard of workmanship. This charming textile is signed in a large stitched seal that simply reads as"Benten Kyoto" the textile is complete within its original silk backed black lacquer glazed frame , it was not unusual for such large textiles to be removed from the frames and rolled up for easy transportation for export.
fig 1. A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
fig 1. Huge Japanese Silk Textile Goose in Flight

Provenance : 

This large and imposing textile has been hanging in an old baronial house in the south of Germany.

Literature :

The name on the seal Benten , does not lead us to the name of a particular embroiderer and is more widely recognised as the name of the Goddess of music and arts , one of the seven lucky Gods of Japan.
Steve Sly Japanese Works of Art

. However further extensive research on this textile leads us to a company formed in Kyoto in 1898 by the name of Benten Goshi Kaisha, a limited partnership formed between embroidery houses and other traders, apparently partly funded by the Kyoto Hotel Group and in particular the largest hotel in Kyoto at that time The Yaamirou Hotel, commonly referred to as the Yaami, the company was set up at an initial cost of 250,000 Jpy . It is evident that our seal Benten Kyoto is representing this company.

fig 2. A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
fig 2. Huge Japanese Silk Textile Goose in Flight

It makes total commercial sense that the finest artisans needed exclusive access to the wealthiest tourists, and in turn the hotels could harness these tourists for longer stays and certainly more profitable visits , especially if between them they had guides working on commission bringing the visitors to the hotel, where traders selling and generally promoting the wares of Kyoto from within their building presumably worked on a profit share basis , a kind of closed shop cartel that benefited the tour guides, the hotel group, the Benten company and the Kyoto economy as a whole.

fig 3. A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
fig 3. Huge Japanese Silk Textile Goose in Flight

One of the best known and most powerful Kyoto based embroidery companies was the Takashimaya company, then headed up by the third generation sons Shinshichi III & IV alongside Utako, the daughter of Shinshichi I .

fig 4. A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
fig 4. Huge Japanese Silk Textile Goose in Flight

It is recorded in : Threads of Silk and Gold, ornamental textiles from Meiji Japan, Hiroko T. McDermott and Dr Clare Pollard Ashmolean museum Oxford , that during this turbulant period of the Meiji restoration the Takashimaya shop had burnt down, thankfully the stock was in a fireproof store and was salvaged, this enabled Shinshichi II his wife Utako and the next generation of five sons to continue trading , perhaps this fire triggered their investment into the incorporation of the Benten Goshi Kaisha company, in conjunction with the Kyoto hotel group and other selected Kyoto traders. It would certainly make commercial sense, as this would have provided the Takashimaya company with immediate access to highly desirable premises as well as to wealthy tourists, however it is also recorded in the Kyoto hotel archives that the Yaamirou hotel sadly suffered from a devastating fire on the 25th of March 1899, when it burnt to the ground. We cannot be certain of the timings or the collaboration, if any, and it is possible that these unfortunate events were years apart, and under different generations of the Shinshichi dynasty.

fig 5. A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
fig 5. Huge Japanese Silk Textile Goose in Flight

What we can say with a degree of certainty following further research of the Kyoto hotel group archives records, is that following this devastating fire some of the most powerful Kyoto businesses and traders submitted a business plan to the mayor of Kyoto to rebuild

Height
210cm (82.68")
Width
156cm (61.42")
Depth
12cm (4.72")
Date of Manufacture

Steve Sly Japanese Works of Art has dated this Japanese Silk Embroidery Textile to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1140157
Steve Sly Japanese Works of Art
Steve Sly Japanese Works of Art
Sellingantiques verified Since Jan 2012

Specialists in japanese works of art from the meiji period 1868-1912

Dealer Profile

You can view the stock and full dealer information on the Steve Sly Japanese Works of Art Profile Page

Trade Associations

Steve Sly Japanese Works of Art is a registered member of BADA 

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A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
1 / 6
Archive I A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.

Huge Japanese Silk Textile Goose in Flight

Archive II A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background. View II
Archive III A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background. View III
Archive IV A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background. View IV
Archive V A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background. View V
Archive VI A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background. View VI
Enlarged Archival View
Telephone 07774 635918
Location
Stags Head Antiques Ltd
Bournemouth
Dorset
United Kingdom
Verified Since Jan 2012
Items For Sale 29
Items Sold 1,666
Steve Sly Japanese Works of Art
Steve Sly Japanese Works of Art
Verified Since Jan 2012
View Dealer Info
Location: Stags Head Antiques Ltd, Bournemouth , Dorset, United Kingdom
Verified
Jan 2012
For Sale
29
Sold
1,666
A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
Huge Japanese Silk Textile Goose In Flight
Ref: SA1140157
A large framed Japanese silk embroidery panel depicting a goose flying over a marsh with reeds against a neutral cream background.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Japanese silk embroidery, or Shisho, developed over centuries as a highly refined textile art form, reaching a peak during the Meiji and Taisho periods when master embroiderers produced painterly textile panels depicting natural wildlife and landscapes for domestic display and export.

These artworks were constructed using untwisted and fine-twisted silk threads stitched onto a woven silk background, often finished with silk brocade mounting fabrics and set into polished wooden frames.

Authentic period pieces exhibit subtle directional stitch work to catch the light, multi-tonal hand-dyed silk threads, an integrated red artist seal or signature, and traditional silk brocade mountings behind non-reflective glass.

Mount the artwork as a single statement piece above a sideboard or console table, pairing its neutral tones with natural wood furniture, muted wall colours, and subtle brass accents to complement both minimalist and traditional schemes.

Position the frame away from direct sunlight and artificial heat sources to prevent silk fading and fiber degradation, and ensure the glass incorporates UV filtering while maintaining a stable, low-humidity environment.
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