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ID #SA1094849
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Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817
Sold by Wigs on the Green
sold SA1094849
Sorry, but this item has been sold.
Wigs on the Green

Wigs on the Green

Sellingantiques Verified Since May 2020
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    Small portraiture of character & historical interest
Id #SA1094849
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Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817

19th century
Sold 25 September 2024 · Wigs on the Green
This “Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817” found a buyer.

It was listed by Wigs on the Green. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Delicately painted in 1817 on the reverse side of convex glass, this portrait depicts Barbara Isted wearing a sprigged dress with a multi-tiered lace fill-in and a frilly cap. Barbara was born in 1761 and was christened on 22 September that year, the day of King George III’s coronation. Her father was a vicar and a close friend of Samuel Johnson who wrote of him – he is ‘a man out of whose company I never go without having learned something’.

Barbara married well, her husband being Sir Samuel Isted of Ecton Hall, Northamptonshire. Together they assembled a fine library and entertained lavishly. On one occasion over five hundred people, rich and poor, enjoyed ‘as comfortable a dinner as was ever cooked’ on their front lawn with dancing, rustic games and a firework display, all to celebrate peace. Barbara and Samuel had two children: their daughter died at just two years of age whilst their son and heir was born deaf and dumb.

With nice costume detailing, the silhouette has a small area of paint loss to the cap though this is not at all a detraction. Gibbs’ silhouettes were originally backed with wax but this often cracked becoming unsightly. Here the wax has been replaced with archival card. The silhouette is housed in the original papier-mâché frame with the artist’s small trade label reverse. There is also an old hand-written label, as shown.

Bedfordshire-born Hinton Gibbs took up silhouette painting whilst pursuing a career in the militia. His painting subsequently became a full-time occupation upon his discharge from the militia in 1815. Gibbs moved around the country, advertising locally as he went, and found plenty of work. He was later joined in the business by one of his daughters. A full account of Hinton Gibbs’ career can be enjoyed at www.wigsonthegreen.co.uk/hinton-gibbs-miss-gibbs/

Framed Size: 144 x 118mm

Provenance: Mary Orlebar, the sitter's valued friend

Date of Manufacture

Wigs on the Green has dated this Georgian Glass Silhouette Portrait to the Regency era.

Physical Dimensions
Height
14cm (5.51")
Width
12cm (4.72")
Reference Numbers
Sellingantiques Reference
SA1094849
Dealers Internal Reference
7597
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Delicately painted in 1817 on the reverse side of convex glass, this portrait depicts Barbara Isted wearing a sprigged dress with a multi-tiered lace fill-in and a frilly cap.
“
Barbara was born in 1761 and was christened on 22 September that year, the day of King George III’s coronation.
Wigs on the Green

Her father was a vicar and a close friend of Samuel Johnson who wrote of him – he is ‘a man out of whose company I never go without having learned something’.

fig 1. An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger.
fig 1. Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817

Barbara married well, her husband being Sir Samuel Isted of Ecton Hall, Northamptonshire. Together they assembled a fine library and entertained lavishly. On one occasion over five hundred people, rich and poor, enjoyed ‘as comfortable a dinner as was ever cooked’ on their front lawn with dancing, rustic games and a firework display, all to celebrate peace. Barbara and Samuel had two children: their daughter died at just two years of age whilst their son and heir was born deaf and dumb.

fig 2. An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger.
fig 2. Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817

With nice costume detailing, the silhouette has a small area of paint loss to the cap though this is not at all a detraction. Gibbs’ silhouettes were originally backed with wax but this often cracked becoming unsightly. Here the wax has been replaced with archival card. The silhouette is housed in the original papier-mâché frame with the artist’s small trade label reverse. There is also an old hand-written label, as shown.

Bedfordshire-born Hinton Gibbs took up silhouette painting whilst pursuing a career in the militia. His painting subsequently became a full-time occupation upon his discharge from the militia in 1815. Gibbs moved around the country, advertising locally as he went, and found plenty of work. He was later joined in the business by one of his daughters. A full account of Hinton Gibbs’ career can be enjoyed at www.wigsonthegreen.co.uk/hinton-gibbs-miss-gibbs/

Framed Size: 144 x 118mm

Provenance: Mary Orlebar, the sitter's valued friend

Date of Manufacture

Wigs on the Green has dated this Georgian Glass Silhouette Portrait to the Regency era.

Height
14cm (5.51")
Width
12cm (4.72")
Reference Numbers
Sellingantiques Ref
SA1094849
Dealers Internal Ref
7597
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger. SOLD6+ MONTHS AGO
1 / 3
Archive I An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger. SOLD6+ MONTHS AGO

Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817

Archive II An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger. View II
Archive III An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger. View III
Enlarged Archival View
Telephone 07962 257915
Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 83
Items Sold 319
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
83
Sold
319
An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger.
Hinton Gibbs, Silhouette on Glass of Mrs Isted 1817
Ref: SA1094849
An oval reverse glass silhouette portrait of a woman in profile, mounted in a rectangular black wooden frame with a brass bezel and a decorative metal hanger.
Detail View 1
Detail View 2
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWall Art
  • Period19th century
  • StyleGeorgian
  • MaterialGlass, Brass, Wood
  • ColourBlack
  • MotifsProfile portrait, Oval aperture, Brass bezel, Decorative hanger
  • SizeH 14 cm (6 in) x W 12 cm (5 in)

Preserve antique glass silhouettes by keeping them out of direct sunlight to prevent fading of the background paper or pigments, and maintain stable indoor humidity levels to protect the historic framing materials.

These pieces work exceptionally well when grouped together in a gallery wall arrangement using narrow wall spaces, or displayed individually on small plate stands within study or library settings to add historic character and graphic contrast.

Authentic pieces often feature period-correct convex glass, hand-turned or cast brass bezels, aged backing materials such as split pine or card, and occasional artist signatures or inscriptions written in period iron gall ink on the reverse.

Traditional silhouettes from the Georgian era typically utilised glass, black enamel or pigment, fine brass or papier-mache frames, and occasionally highlighted details rendered in gold leaf, watercolour, or crushed pearl.

Reverse glass silhouettes, popular during the late 18th and early 19th centuries, involved painting or applying black pigment directly onto the reverse side of a glass panel, often highlighted with fine silver or gold details to create a three-dimensional effect against a light background.
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