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Antique Pair French Duck Egg Bleu Sevres Urns 19th C
Sold by Regent Antiques
sold SA873436
Sorry, but this item has been sold.
Regent Antiques

Regent Antiques

Sellingantiques Verified Since Sep 2016
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    We specialise in english and continental furniture, silver, porcelain and decorative items.
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Id #SA873436
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Antique Pair French Duck Egg Bleu Sevres Urns 19th C

19th century
Sold 31 July 2026 · Regent Antiques
This “Antique Pair French Duck Egg Bleu Sevres Urns 19th C ” found a buyer.

It was listed by Regent Antiques. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This is a beautiful antique pair of French Sevres porcelain twin masque head handled lidded urns with dome lids, in the Louis XV manner, Circa 1870 in date.

The vases with a duck egg bleu ground are superbly decorated with oval panels of busts of period ladys on one side with colourful flowers on the other, within gilt foliate scroll handles suspending gilt floral garlands.

They are raised on foliate shaped square gilt plinth bases with

They are delightful objects which will look fabulous in any surrounding.

Condition:

In really good condition with no chips, cracks or signs of repair. As antique items, the vases show signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, the vases display beautifully.

Dimensions in cm:

Height 41 x Width 14 x Depth 11

Dimensions in inches:

Height 1 foot, 4 inches x Width 5 inches x Depth 4 inches

Sevres Porcelain traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738.

French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles.

From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed.

The Sevres Porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest.

Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devastation of the new French Republic.

About the time when Napoleon Bonaparte named himself Emperor of France (1804), a new director was named for the Sevres Porcelain Manufactory. Alexandre Brongniart, highly educated in many fields, resurrected Sevres Porcelain. Soft-paste porcelain was eliminated altogether thank

Date of Manufacture

Regent Antiques has dated these French Sevres Urns to the 19th Century.

Physical Dimensions
Height
41cm (16.14")
Width
14cm (5.51")
Depth
11cm (4.33")
Reference Numbers
Sellingantiques Reference
SA873436
Dealers Internal Reference
A2441
Description
This is a beautiful antique pair of French Sevres porcelain twin masque head handled lidded urns with dome lids, in the Louis XV manner, Circa 1870 in date.

The vases with a duck egg bleu ground are superbly decorated with oval panels of busts of period ladys on one side with colourful flowers on the other, within gilt foliate scroll handles suspending gilt floral garlands.

fig 1. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 1. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

They are raised on foliate shaped square gilt plinth bases with

They are delightful objects which will look fabulous in any surrounding.

Condition:

In really good condition with no chips, cracks or signs of repair.

“
As antique items, the vases show signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, the vases display beautifully.
Regent Antiques
fig 2. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 2. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

Dimensions in cm:

Height 41 x Width 14 x Depth 11

Dimensions in inches:

Height 1 foot, 4 inches x Width 5 inches x Depth 4 inches

Sevres Porcelain traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738.

fig 3. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 3. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles.

fig 4. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 4. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed.

fig 5. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 5. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

The Sevres Porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest.

fig 6. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 6. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devastation of the new French Republic.

fig 7. A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
fig 7. Antique Pair French Duck Egg Bleu Sevres Urns 19th C

About the time when Napoleon Bonaparte named himself Emperor of France (1804), a new director was named for the Sevres Porcelain Manufactory. Alexandre Brongniart, highly educated in many fields, resurrected Sevres Porcelain. Soft-paste porcelain was eliminated altogether thank

Date of Manufacture

Regent Antiques has dated these French Sevres Urns to the 19th Century.

Height
41cm (16.14")
Width
14cm (5.51")
Depth
11cm (4.33")
Reference Numbers
Sellingantiques Ref
SA873436
Dealers Internal Ref
A2441
Regent Antiques
Regent Antiques
Sellingantiques verified Since Sep 2016

We specialise in english and continental furniture, silver, porcelain and decorative items.

Dealer Profile

You can view the stock and full dealer information on the Regent Antiques Profile Page

Trade Associations

Regent Antiques is a registered member of LAPADA  CINOA

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SAVE
A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. SOLD31 JUL 26
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Archive I A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. SOLD31 JUL 26

Antique Pair French Duck Egg Bleu Sevres Urns 19th C

Archive II A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View II
Archive III A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View III
Archive IV A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View IV
Archive V A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View V
Archive VI A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View VI
Archive VII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View VII
Archive VIII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View VIII
Archive IX A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View IX
Archive X A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View X
Archive XI A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XI
Archive XII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XII
Archive XIII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XIII
Archive XIV A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XIV
Archive XV A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XV
Archive XVI A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XVI
Archive XVII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XVII
Archive XVIII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XVIII
Archive XIX A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XIX
Archive XX A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XX
Archive XXI A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XXI
Archive XXII A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts. View XXII
Enlarged Archival View
Location
Manor Warehouse
318 Green Lanes
London
N4 1BX
United Kingdom
Verified Since Sep 2016
Items For Sale 649
Items Sold 2,735
Regent Antiques
Regent Antiques
Verified Since Sep 2016
View Dealer Info
Location: Manor Warehouse, 318 Green Lanes, London, N4 1BX, United Kingdom
Verified
Sep 2016
For Sale
649
Sold
2,735
A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
Antique Pair French Duck Egg Bleu Sevres Urns 19th C
Ref: SA873436
A pair of nineteenth-century French porcelain urns featuring duck egg blue bodies, hand-painted female portraits within gilded cartouches, and ornate ormolu mounts.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectVases & Urns
  • Period19th century
  • StyleFrench Chateau
  • MaterialPorcelain, Gilt-Bronze
  • ColourBlue
  • MotifsHand-painted portraits, Floral garlands, Ormolu mounts, Gilded cartouches
  • SizeH 41 cm (16 in) x W 14 cm (6 in) x D 11 cm (4 in)

Sevres porcelain originates from the renowned French manufactory established in the 18th century under the patronage of Louis XV and Madame de Pompadour, becoming celebrated for its luxurious decorative items and distinctive ground colours.

These pieces are crafted from hard-paste or soft-paste porcelain, featuring hand-painted enamel portraits and floral motifs, complemented by cast and chased gilt-bronze or ormolu mounts.

Authenticity is typically verified by examining underglaze blue cipher marks, overglaze decorator signatures, the quality of the hand-painting, and the precision of the gilt-bronze mounts characteristic of the period.

They function as striking focal points when placed on a classical mantelpiece, a polished sideboard, or a dedicated display console, contrasting effectively against minimalist contemporary backdrops.

Maintain them by dusting gently with a soft, dry cloth, avoiding chemical cleaning agents, and keeping them out of direct sunlight to protect the fragile enamel and gilding.
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