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Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint
Gertrude Antiques
sold SA541853
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Gertrude Antiques

Sellingantiques Verified Since Dec 2016
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Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint

19th century
Description

With the heavy competition for miniature portraits and profiles, even the name of portraiture began to change – from its origins of “shadow portraits”, which was the common name, to the newly exotic name of profile portraits, or “Silhouettes”.

The word silhouette is derived from the name of Étienne de Silhouette, a French finance minister who, in 1759, was forced by France's credit crisis during the Seven Years' War to impose severe economic demands upon the French people, particularly the wealthy. Because of de Silhouette's austere economies, his name became synonymous with anything done or made cheaply and so with these outline portraits. Prior to the advent of photography, Silhouette profiles cut from black card were the cheapest way of recording a person's appearance.

The term silhouette, although existing from the 18th century, was not applied to the art of portrait-making until the 19th century. In the 18th and early 19th century, “profiles” or “shades” as they were called were made by one of three methods:

1. painted on ivory, plaster, paper, card, or in reverse on glass;

2. “hollow-cut” where the negative image was traced and then cut away from light coloured paper which was then laid atop a dark background; and

3. “cut and paste” where the figure was cut out of dark paper (usually free-hand) and then pasted onto a light background.

Photography was developed in 1829, and improved steadily and enthusiastically. When portrait photography became possible around 1840, Silhouette portraiture was on a downhill slide. “From today, painting is dead!” exclaimed Paul Delaroche (1839). But Silhouettes were not really “dead” when photography was invented – many eminent citizens still enjoyed their own portraits created in profile.

This Silhouette is held in a black lacquered and gilt metal frame with an oval glass, and has an acorn decorated hanging ring.

This Silhouette is in good condition commensurate with its age.

About the Date of Manufacture

As hand-written on the reverse of the Silhouette, it would appear to have been created in about 1820-1830.

All of the items that we advertise for sale have been as accurately described as possible and are in excellent condition, unless otherwise stated. Please note that we are also able to arrange a full shipping service for our customers.

We offer a 14 day returns policy. In the unlikely event that you are not completely satisfied with your purchase we will issue a full refund of the purchase price less the return transport costs with an approved courier once an item is received by us in the same condition as it was originally dispatched.

We look forward to being of service.

Physical Dimensions
Height
13cm (5.12")
Width
11cm (4.33")
Depth
2cm (0.79")
Declaration

Gertrude Antiques has dated this piece to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA541853
Dealers Internal Reference
10154
Description
With the heavy competition for miniature portraits and profiles, even the name of portraiture began to change – from its origins of “shadow portraits”, which was the common name, to the newly exotic name of profile portraits, or “Silhouettes”.

The word silhouette is derived from the name of Étienne de Silhouette, a French finance minister who, in 1759, was forced by France's credit crisis during the Seven Years' War to impose severe economic demands upon the French people, particularly the wealthy.

Because of de Silhouette's austere economies, his name became synonymous with anything done or made cheaply and so with these outline portraits.
Gertrude Antiques

Prior to the advent of photography, Silhouette profiles cut from black card were the cheapest way of recording a person's appearance.

fig 1. Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
fig 1. Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint

The term silhouette, although existing from the 18th century, was not applied to the art of portrait-making until the 19th century. In the 18th and early 19th century, “profiles” or “shades” as they were called were made by one of three methods:

fig 2. Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
fig 2. Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint

1. painted on ivory, plaster, paper, card, or in reverse on glass;

2. “hollow-cut” where the negative image was traced and then cut away from light coloured paper which was then laid atop a dark background; and

fig 3. Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
fig 3. Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint

3. “cut and paste” where the figure was cut out of dark paper (usually free-hand) and then pasted onto a light background.

Photography was developed in 1829, and improved steadily and enthusiastically. When portrait photography became possible around 1840, Silhouette portraiture was on a downhill slide. “From today, painting is dead!” exclaimed Paul Delaroche (1839). But Silhouettes were not really “dead” when photography was invented – many eminent citizens still enjoyed their own portraits created in profile.

This Silhouette is held in a black lacquered and gilt metal frame with an oval glass, and has an acorn decorated hanging ring.

This Silhouette is in good condition commensurate with its age.

About the Date of Manufacture

As hand-written on the reverse of the Silhouette, it would appear to have been created in about 1820-1830.

All of the items that we advertise for sale have been as accurately described as possible and are in excellent condition, unless otherwise stated. Please note that we are also able to arrange a full shipping service for our customers.

We offer a 14 day returns policy. In the unlikely event that you are not completely satisfied with your purchase we will issue a full refund of the purchase price less the return transport costs with an approved courier once an item is received by us in the same condition as it was originally dispatched.

We look forward to being of service.

Height
13cm (5.12")
Width
11cm (4.33")
Depth
2cm (0.79")
Date of Manufacture

Gertrude Antiques has dated this piece to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA541853
Dealers Internal Ref
10154
Gertrude Antiques
Sellingantiques verified Since Dec 2016
Dealer Profile

You can view the stock and full dealer information on the Gertrude Antiques Profile Page

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Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
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Archive I Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint

Early 19th Century Silhouette of a Victorian Lady Heightened with Gilt Paint

Archive II Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint View II
Archive III Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint View III
Archive IV Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint View IV
Enlarged Archival View
Telephone 07786 022 538
Location
East Sussex
United Kingdom
Verified Since Dec 2016
Items For Sale 74
Items Sold 126
Gertrude Antiques
Verified Since Dec 2016
View Dealer Info
Location: East Sussex, United Kingdom
Verified
Dec 2016
For Sale
74
Sold
126
Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
Ref: SA541853
Early 19th Century Silhouette of a Victorian Lady heightened with gilt paint
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