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Early 20th Century Clown Shoes
For sale by The House of Antiques
for sale €1,463     $1,588
£1,250
The House of Antiques

The House of Antiques

Sellingantiques Verified Since Nov 2022
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Id #SA1233993
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Early 20th Century Clown Shoes

1900 - 1920
Description

Len “Spider” Austin The drunken clown shoes

A genuine pair of leather clown's shoes, these were made by Anello & Davide; shoemakers to the ballet, dance and theatrical world from their shop at 96 Charing Cross Road (so pre-1965 when they moved to Drury Lane). Anello & Davide boast an incredible list of clientele with customers including The Beatles, Queen Elizabeth II, Mick Jagger, David Bailey and many more besides ...

This pair were almost certainly a unique production, dated circa 1940 to 1950s. The iconic Circus shoe bulbous toe has a zippered front (part of an act) and the heel a locking mechanism that would have engaged with a cleat on the stage to allow extreme leans (a similar set up used by Michael Jackson for the Smooth Criminal performances) ... Finished in a striking black and white leather, laced high with an additional strap around the ankle - presumably to aid with the leaning when locked in! They would have undoubtedly cost a pretty penny to have made and the subsequent care is evident; despite being well used they're in excellent condition with their lasts still in place.

Len 'Spider' Austin is likely to be the original owner of the boots. Spider was from a big family of clowns; his father was Albert Austin and his mother Adelaide Ginnett. He was in Paris for many years at the famous Jerome Medrano Circus. One of acts was "booze-a-phone" where he would get drunk and end up playing the bottles; the drunken act would involve extreme leaning facilitated by the heel of the shoes!

Len 'Spider' Austin was a British circus clown known for his multi-decade career in traditional circus performance, his roots in a prominent circus family, and his international work, particularly in France alongside renowned clowns. Born Leonard Austin on 28 May 1915 in a circus wagon, he was the son of the white-face clown "Bandbox" Austin and Adelaide Ginnett, a former bareback rider from a long-established circus lineage. Nicknamed "Spider" for his tall, spare frame, he began performing in the ring at age seven with his father and later frequently partnered with his older brother Albert "Alby" Austin. His early career included appearances at Blackpool Tower Circus and Belle Vue Circus in Manchester during the 1930s, with a planned season at Bertram Mills Circus at Olympia interrupted by the outbreak of World War II.

During the war he volunteered for pilot training but was rejected due to colour blindness, instead working as a driver for the Air Ministry while performing when possible at open rings. In the post-war years he became a regular performer with Bertram Mills and Chipperfield's circuses, later joining Billy Russell's Circus, Kelvin Hall Circus, Lord George Sanger's Circus, and Robert Fossett's Circus. A highlight of his career came in Paris at Jerome Medrano's circus in Montmartre; in the 1953–54 seasons he led a troupe of young British clowns and, following the sudden death of star clown Rhum, was selected to take over Rhum's famous "Adam and Eve" sketch. He returned to Medrano in 1959 and also performed at Cirque Bouglione.

Austin appeared alongside Buster Keaton during the latter's circus engagements in Paris and later featured as himself in the 1987 television documentary Buster Keaton: A Hard Act to Follow. He retired from regular performing in 1969, though he made occasional gala appearances, including a final clown performance at an International Clowns' Convention in Bognor Regis playing his "Boozerphone" instrument. [1] Austin, whose wife Hazel (a former Bluebell dancer) died in 1988, lived in Wickford, Essex, after retirement and worked in a hospital boiler house. He died on 7 December 2000 at age 85, leaving a legacy continued by his son and grandson in the circus ring.

Dimensions per shoe.

Height: 22cm (8.5")

Width: 13cm (5")

Depth: 36 cm (14")

Details

Date: Mid 20th C

Physical Dimensions
Height
22cm (8.66")
Width
13cm (5.12")
Depth
36cm (14.17")
Declaration

The House of Antiques has dated these Antique Leather Clown Boots to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1233993
Dealers Internal Reference
clown shoes
Description
Len “Spider” Austin The drunken clown shoes

A genuine pair of leather clown's shoes, these were made by Anello & Davide; shoemakers to the ballet, dance and theatrical world from their shop at 96 Charing Cross Road (so pre-1965 when they moved to Drury Lane).

Anello & Davide boast an incredible list of clientele with customers including The Beatles, Queen Elizabeth II, Mick Jagger, David Bailey and many more besides.
The House of Antiques

...

fig 1. A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
fig 1. Early 20th Century Clown Shoes

This pair were almost certainly a unique production, dated circa 1940 to 1950s. The iconic Circus shoe bulbous toe has a zippered front (part of an act) and the heel a locking mechanism that would have engaged with a cleat on the stage to allow extreme leans (a similar set up used by Michael Jackson for the Smooth Criminal performances) ... Finished in a striking black and white leather, laced high with an additional strap around the ankle - presumably to aid with the leaning when locked in! They would have undoubtedly cost a pretty penny to have made and the subsequent care is evident; despite being well used they're in excellent condition with their lasts still in place.

fig 2. A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
fig 2. Early 20th Century Clown Shoes

Len 'Spider' Austin is likely to be the original owner of the boots. Spider was from a big family of clowns; his father was Albert Austin and his mother Adelaide Ginnett. He was in Paris for many years at the famous Jerome Medrano Circus. One of acts was "booze-a-phone" where he would get drunk and end up playing the bottles; the drunken act would involve extreme leaning facilitated by the heel of the shoes!

fig 3. A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
fig 3. Early 20th Century Clown Shoes

Len 'Spider' Austin was a British circus clown known for his multi-decade career in traditional circus performance, his roots in a prominent circus family, and his international work, particularly in France alongside renowned clowns. Born Leonard Austin on 28 May 1915 in a circus wagon, he was the son of the white-face clown "Bandbox" Austin and Adelaide Ginnett, a former bareback rider from a long-established circus lineage. Nicknamed "Spider" for his tall, spare frame, he began performing in the ring at age seven with his father and later frequently partnered with his older brother Albert "Alby" Austin. His early career included appearances at Blackpool Tower Circus and Belle Vue Circus in Manchester during the 1930s, with a planned season at Bertram Mills Circus at Olympia interrupted by the outbreak of World War II.

fig 4. A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
fig 4. Early 20th Century Clown Shoes

During the war he volunteered for pilot training but was rejected due to colour blindness, instead working as a driver for the Air Ministry while performing when possible at open rings. In the post-war years he became a regular performer with Bertram Mills and Chipperfield's circuses, later joining Billy Russell's Circus, Kelvin Hall Circus, Lord George Sanger's Circus, and Robert Fossett's Circus. A highlight of his career came in Paris at Jerome Medrano's circus in Montmartre; in the 1953–54 seasons he led a troupe of young British clowns and, following the sudden death of star clown Rhum, was selected to take over Rhum's famous "Adam and Eve" sketch. He returned to Medrano in 1959 and also performed at Cirque Bouglione.

fig 5. A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
fig 5. Early 20th Century Clown Shoes

Austin appeared alongside Buster Keaton during the latter's circus engagements in Paris and later featured as himself in the 1987 television documentary Buster Keaton: A Hard Act to Follow. He retired from regular performing in 1969, though he made occasional gala appearances, including a final clown performance at an International Clowns' Convention in Bognor Regis playing his "Boozerphone" instrument. [1] Austin, whose wife Hazel (a former Bluebell dancer) died in 1988, lived in Wickford, Essex, after retirement and worked in a hospital boiler house. He died on 7 December 2000 at age 85, leaving a legacy continued by his son and grandson in the circus ring.

Dimensions per shoe.

Height: 22cm (8.5")

Width: 13cm (5")

Depth: 36 cm (14")

Details

Date: Mid 20th C

Height
22cm (8.66")
Width
13cm (5.12")
Depth
36cm (14.17")
Date of Manufacture

The House of Antiques has dated these Antique Leather Clown Boots to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1233993
Dealers Internal Ref
clown shoes
The House of Antiques
The House of Antiques
Sellingantiques verified Since Nov 2022
Dealer Profile

You can view the stock and full dealer information on the The House of Antiques Profile Page

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A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
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Archive I A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.

Early 20th Century Clown Shoes

Archive II A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View II
Archive III A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View III
Archive IV A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View IV
Archive V A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View V
Archive VI A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View VI
Archive VII A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View VII
Archive VIII A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View VIII
Archive IX A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View IX
Archive X A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View X
Archive XI A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View XI
Archive XII A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers. View XII
Enlarged Archival View
Telephone 07568 151 752
Location
22 Goodmayes Lane
Ilford
Essex
IG3 9NZ
United Kingdom
Verified Since Nov 2022
Items For Sale 138
Items Sold 11
The House of Antiques
The House of Antiques
Verified Since Nov 2022
View Dealer Info
Location: 22 Goodmayes Lane, Ilford, Essex, IG3 9NZ, United Kingdom
Verified
Nov 2022
For Sale
138
Sold
11
A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
Early 20th Century Clown shoes
Ref: SA1233993
A pair of early 20th-century black and white leather clown boots featuring exaggerated toe boxes, lace-up fronts, buckled straps, toe zippers, and fitted wooden boot stretchers.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectTheatrical Footwear
  • Period1900 - 1920
  • StyleEarly 20th Century
  • MaterialLeather, Wood, Metal
  • ColourBlack and White
  • MotifsExaggerated toe box, Lace-up eyelets, Buckled ankle strap, Wooden boot trees
  • SizeH 22 cm (9 in) x W 13 cm (5 in) x D 36 cm (14 in)

This pair of theatrical clown boots from the early 20th century, dated circa 1920, stems from the professional wardrobe of Len "Spider" Austin. Fabricated by Anello & Davide, the construction combines black and white leather with metal hardware and fitted wooden boot stretchers featuring turned finial handles at the top. The footwear displays an exaggerated, bulbous toe box with a zippered front, grey lace-up fronts through metal eyelets, and an intersecting buckled ankle strap in white leather over the black base. Visible signs of age and stage use appear across the creased leather surfaces and worn edges. Each boot measures 36 cm deep, 13 cm wide, and 22 cm high. Suitable for display within a domestic interior, the boots sit appropriately upon a bookshelf as a sculptural conversation piece within a study or living area. The theatrical design brings historical performance character to an eclectic shelf display, positioned alongside books or small curiosities.

Oversized footwear became a staple of theatrical and circus clown costumes in the 19th and early 20th centuries to accentuate physical comedy and exaggerated movement. These specialised boots were custom-crafted by bootmakers using durable leather to withstand rigorous performance.

Antique clown footwear was primarily constructed from natural leather uppers, stiffened toe caps, stacked leather soles, and metal hardware such as eyelets, buckles, and zippers. Wooden boot stretchers or wooden trees were often inserted to help maintain the exaggerated shape during storage.

Authentic historical pieces display signs of genuine wear, patination on the leather, hand-stitched or heavy-duty machine seams, and period-accurate hardware like brass eyelets or early zip fasteners. Look for wooden lasts, bespoke internal reinforcement, and structural proportions designed specifically for theatrical use rather than everyday wear.

These items serve as striking conversational focal points when styled on a bookshelf, open shelving unit, or inside a glass display cabinet within eclectic, Maximalist, or Dark Academia settings. Grouping them with historical theatrical photography or antique oddities enhances their narrative impact.

Keep the footwear in a climate-controlled environment away from direct sunlight and heat sources to prevent the leather from drying or cracking. Apply a neutral, museum-quality leather conditioner sparingly, and retain the wooden internal forms to support the structure without forcing the material.
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