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Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert
Knight Fine Antiques and Collectables
for sale €878     $953
£750
Knight Fine Antiques and Collectables

Knight Fine Antiques and Collectables

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Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert

19th century
Description

A Gillows Late Victorian Golden Oak Desk Chair attributed to Bruce James Talbert. This fine chair has a carved back with detailed geometric designs, turned legs, a carved finial on top of both sides, a great condition upholstered brown seat and carved detailing throughout.

Stamped “T 4369”, the coding system was a traditional stamp by Gillows on most pieces of furniture from 1870s onwards. The “T” is unique, most Gillows pieces, traditionally have a L, for Lancashire or London, before the stock numbers, but there have been a rare few pieces made by Gillows with different letters for example chairs with “C” to start with. These pieces with original letting are believed to either be by specific workshops, cabinet makers or designers within the firm. Not only does the design attribute to Bruce James Talbert work, but we believe the T, for Talbert, signifies a piece made or designed by him.

Gillows of Lancaster and London (Gillow & Co):

By the mid-18th century the firm was one of the leading cabinet-makers in Lancaster. They had a reputation for manufacturing very high quality furniture. By the end of the 1700s most of the firm's partners were based in London. The firm merged with a Liverpool firm in 1897 to form Waring & Gillow.

Bruce James Talbert:

Bruce James Talbert (1838 – 28 January 1881) was a Scottish architect, interior designer and author, best known for his furniture designs. He moved to London in 1866 to design furniture for Holland & Sons. The following year his Reformed Gothic furniture won a silver medal at the 1867 Paris Exhibition. In 1868 he became a designer for Gillows of Lancaster and London. He also designed metalwork, tiles, stained glass, textiles, and wallpaper. His work with Gillows was displayed at numerous international exhibitions, including the International Exhibition of 1873, and his designs in the Medieval and Jacobean styles were imitated by many cabinet making firms. His designs tended to be highly detailed, including bold geometric inlaid patterns, intricately carved squares of boxwood and rows of small turned spindles.

Dimensions:

Height - 108cm

Width - 58cm

Depth - 60.5cm

Seat Height - 50cm

Disclaimer:

All pieces are restored and checked over by our expert restorer to ensure quality. However, it's essential to acknowledge that antique furniture may still retain characteristic signs of age, including historic marks, imperfections, repairs, and alterations, which only add to the character and story of the piece. We will share pictures of any known imperfections. Any pieces found to have word worm whether old or new will be treated, meaning all pieces are ready to go in your home.

Physical Dimensions
Height
108cm (42.52")
Width
58cm (22.83")
Depth
60.5cm (23.82")
Declaration

Knight Fine Antiques and Collectables has dated this Victorian Carved Oak Armchair to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1214182
Dealers Notes

Delivery:

Free UK mainland delivery (excluding Scottish islands and other UK islands).

International delivery available — please contact us or request a quote.

Description
A Gillows Late Victorian Golden Oak Desk Chair attributed to Bruce James Talbert.
This fine chair has a carved back with detailed geometric designs, turned legs, a carved finial on top of both sides, a great condition upholstered brown seat and carved detailing throughout.
Knight Fine Antiques and Collectables
fig 1. A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
fig 1. Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert

Stamped “T 4369”, the coding system was a traditional stamp by Gillows on most pieces of furniture from 1870s onwards. The “T” is unique, most Gillows pieces, traditionally have a L, for Lancashire or London, before the stock numbers, but there have been a rare few pieces made by Gillows with different letters for example chairs with “C” to start with. These pieces with original letting are believed to either be by specific workshops, cabinet makers or designers within the firm. Not only does the design attribute to Bruce James Talbert work, but we believe the T, for Talbert, signifies a piece made or designed by him.

fig 2. A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
fig 2. Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert

Gillows of Lancaster and London (Gillow & Co):

By the mid-18th century the firm was one of the leading cabinet-makers in Lancaster. They had a reputation for manufacturing very high quality furniture. By the end of the 1700s most of the firm's partners were based in London. The firm merged with a Liverpool firm in 1897 to form Waring & Gillow.

fig 3. A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
fig 3. Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert

Bruce James Talbert:

Bruce James Talbert (1838 – 28 January 1881) was a Scottish architect, interior designer and author, best known for his furniture designs. He moved to London in 1866 to design furniture for Holland & Sons. The following year his Reformed Gothic furniture won a silver medal at the 1867 Paris Exhibition. In 1868 he became a designer for Gillows of Lancaster and London. He also designed metalwork, tiles, stained glass, textiles, and wallpaper. His work with Gillows was displayed at numerous international exhibitions, including the International Exhibition of 1873, and his designs in the Medieval and Jacobean styles were imitated by many cabinet making firms. His designs tended to be highly detailed, including bold geometric inlaid patterns, intricately carved squares of boxwood and rows of small turned spindles.

fig 4. A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
fig 4. Gillows Victorian Carved Golden Oak Desk Chair Attributed to Bruce James Talbert

Dimensions:

Height - 108cm

Width - 58cm

Depth - 60.5cm

Seat Height - 50cm

Disclaimer:

All pieces are restored and checked over by our expert restorer to ensure quality. However, it's essential to acknowledge that antique furniture may still retain characteristic signs of age, including historic marks, imperfections, repairs, and alterations, which only add to the character and story of the piece. We will share pictures of any known imperfections. Any pieces found to have word worm whether old or new will be treated, meaning all pieces are ready to go in your home.

Height
108cm (42.52")
Width
58cm (22.83")
Depth
60.5cm (23.82")
Date of Manufacture

Knight Fine Antiques and Collectables has dated this Victorian Carved Oak Armchair to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1214182
Knight Fine Antiques and Collectables
Knight Fine Antiques and Collectables
Sellingantiques verified Since Aug 2024
Dealer Profile

You can view the stock and full dealer information on the Knight Fine Antiques and Collectables Profile Page

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A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
1 / 12
Archive I A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.

Gillows Victorian Carved Golden Oak Desk Chair attributed to Bruce James Talbert

Archive II A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View II
Archive III A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View III
Archive IV A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View IV
Archive V A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View V
Archive VI A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View VI
Archive VII A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View VII
Archive VIII A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View VIII
Archive IX A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View IX
Archive X A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View X
Archive XI A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View XI
Archive XII A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat. View XII
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United Kingdom
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Knight Fine Antiques and Collectables
Verified Since Aug 2024
View Dealer Info
Location: West Norfolk, United Kingdom
Verified
Aug 2024
For Sale
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A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
Gillows Victorian Carved Golden Oak Desk Chair attributed to Bruce James Talbert
Ref: SA1214182
A Victorian carved golden oak armchair featuring a pierced vertical slat backrest, sculpted armrests, turned legs, and a brown leather seat.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Gothic Revival seating from the Victorian era typically features architectural elements such as tracery, carved scrollwork, geometric piercing, and sturdy oak construction influenced by medieval aesthetics.

High-grade hardwoods like solid oak, walnut, or mahogany formed the frame, while natural leather or woven textiles were commonly selected for seat upholstery.

Authentication involves examining maker stamps or die-cut signatures along drawer edges or under seat rails, along with analyzing joinery techniques, timber quality, and period-specific carving profiles.

Position the chair alongside a minimalist desk or in a library corner to create visual contrast against modern wall finishes and clean-lined architecture.

Dust regularly using a soft dry cloth and apply a natural beeswax polish along the wood grain, while keeping leather elements conditioned and isolated from direct heat sources.
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