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A Restauration Giltwood Fauteuil from the Palais De Tuileries, Circa 1815, by Jacob-desmalter
Christopher Tombs Antiques Ltd
for sale €17,492     $18,987
£14,950

Christopher Tombs Antiques Ltd

Sellingantiques Verified Since Oct 2010
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A Restauration Giltwood Fauteuil from the Palais De Tuileries, Circa 1815, by Jacob-desmalter

19th century
Description

This Chair is a variation on a well-known design produced by Jacob-Desmalter for several commissions during the Empire period. The most notable examples are held by the Mobilier National (GMT-8532-001) and were created for the Emperor’s First Salon in 1808. Consistent between models are the flat, rectilinear surfaces with applied rosettes and palmettes, and particularly the double-scroll form of the armrest and the legs. The suite appears frequently in portraits of the noble and powerful courtiers of Napoleon: for example, a version of the chair with rosettes and not palmettes to the seat rail can be seen on the portrait of Michel, comte Regnault de Saint Jean d'Angély by François Gerard (now at Versailles, MV 5753), while a version with the same flat back as the present lot can be seen in the portrait of Empress Marie-Louise by the same artist (MV 4703). The Mobilier National also holds another variation of the design, this one for the apartments of Joachim Murat on the first floor of the Elysée Palace (GMT-28008-001).

This suite almost certainly comes from the commission for the apartments of the Duchesse de Serrent in the Tuileries Palace, since the stamp to the seat rails is the Tuileries mark at use during the Restauration period (1815-1830). In the inventory of the Tuileries palace in 1816, there is careful description of a large giltwood suite, of which number 2079 corresponds to the present lot:

2077 Deux Bergères bois sculpté et doré, pieds à balustre sur fond plat palmettes montantes et à rechutes, accotoirs à rouleau, dossiers carrés et à feuilles de laurier garnies en crin, carreau de plumes velours de Soie ponceau avec clous dorés sous galon à…..750….1500

2078 Deux tabourets de pied de même bois et étoffe pieds à châssis chantournés à...45…90

2079 Douze fauteuils même bois et étoffe garnis en plein et en crin à…..310….3720

2080 Douze Chaises même bois et étoffe garnis en plein et en crin à…..180….2100

Bonne Marie Félicité de Sérent (1739-1823), née de Montmorency-Luxembourg, was a courtier both prior to and after the French Revolution. Under Louis XVI, she was the dame d’atour to the king’s sister Princess Élisabeth of France; later, she served as dame d’honneur to Marie-Thérèse, Duchess of Angoulême and daughter of Louis XVI and Marie-Antoinette, from 1799 to her death.

Provenance - Palais de Tuileries, in the apartments of the Duchesse de Serrent by 1816.

Literature - Paris, Archives nationales, Garde-Meuble, Inventaire du palais des Tuileries, 1816 (AJ/19/146, p.256; O3 2008)

We welcome all inquiries on this exquiste pair of chairs.;

Please let us know if you require more images or information as we are here to help.

Delivery is included in the asking price and shipping is also a pleasure so please do contact us fo a quote to you anywhere in the World.

Thanks for looking

Chris

Declaration

Christopher Tombs Antiques Ltd has dated this French Restauration Giltwood Fauteuil to the 1800s.

Reference Numbers
Sellingantiques Reference
SA1230481
Description
This Chair is a variation on a well-known design produced by Jacob-Desmalter for several commissions during the Empire period.
The most notable examples are held by the Mobilier National (GMT-8532-001) and were created for the Emperor’s First Salon in 1808.
Christopher Tombs Antiques Ltd

Consistent between models are the flat, rectilinear surfaces with applied rosettes and palmettes, and particularly the double-scroll form of the armrest and the legs. The suite appears frequently in portraits of the noble and powerful courtiers of Napoleon: for example, a version of the chair with rosettes and not palmettes to the seat rail can be seen on the portrait of Michel, comte Regnault de Saint Jean d'Angély by François Gerard (now at Versailles, MV 5753), while a version with the same flat back as the present lot can be seen in the portrait of Empress Marie-Louise by the same artist (MV 4703). The Mobilier National also holds another variation of the design, this one for the apartments of Joachim Murat on the first floor of the Elysée Palace (GMT-28008-001).

fig 1. A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing.
fig 1. A Restauration Giltwood Fauteuil from the Palais De Tuileries, Circa 1815, by Jacob-desmalter

This suite almost certainly comes from the commission for the apartments of the Duchesse de Serrent in the Tuileries Palace, since the stamp to the seat rails is the Tuileries mark at use during the Restauration period (1815-1830). In the inventory of the Tuileries palace in 1816, there is careful description of a large giltwood suite, of which number 2079 corresponds to the present lot:

2077 Deux Bergères bois sculpté et doré, pieds à balustre sur fond plat palmettes montantes et à rechutes, accotoirs à rouleau, dossiers carrés et à feuilles de laurier garnies en crin, carreau de plumes velours de Soie ponceau avec clous dorés sous galon à…..750….1500

2078 Deux tabourets de pied de même bois et étoffe pieds à châssis chantournés à...45…90

2079 Douze fauteuils même bois et étoffe garnis en plein et en crin à…..310….3720

2080 Douze Chaises même bois et étoffe garnis en plein et en crin à…..180….2100

Bonne Marie Félicité de Sérent (1739-1823), née de Montmorency-Luxembourg, was a courtier both prior to and after the French Revolution. Under Louis XVI, she was the dame d’atour to the king’s sister Princess Élisabeth of France; later, she served as dame d’honneur to Marie-Thérèse, Duchess of Angoulême and daughter of Louis XVI and Marie-Antoinette, from 1799 to her death.

Provenance - Palais de Tuileries, in the apartments of the Duchesse de Serrent by 1816.

Literature - Paris, Archives nationales, Garde-Meuble, Inventaire du palais des Tuileries, 1816 (AJ/19/146, p.256; O3 2008)

We welcome all inquiries on this exquiste pair of chairs.;

Please let us know if you require more images or information as we are here to help.

Delivery is included in the asking price and shipping is also a pleasure so please do contact us fo a quote to you anywhere in the World.

Thanks for looking

Chris

Date of Manufacture

Christopher Tombs Antiques Ltd has dated this French Restauration Giltwood Fauteuil to the 1800s.

Reference Numbers
Sellingantiques Ref
SA1230481
Christopher Tombs Antiques Ltd
Sellingantiques verified Since Oct 2010
Dealer Profile

You can view the stock and full dealer information on the Christopher Tombs Antiques Ltd Profile Page

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A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing.
1 / 2
Archive I A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing.

A Restauration Giltwood Fauteuil from the Palais De Tuileries, Circa 1815, by Jacob-desmalter

Archive II A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing. View II
Enlarged Archival View
Telephone 01386 700 085
Location
Unit 96
Northwick Business Centre
Blockley
Gloucestershire
GL56 9RF
United Kingdom
Dealer Profile Page sellingantiques.co.uk/ct
Verified Since Oct 2010
Items For Sale 69
Items Sold 562
Christopher Tombs Antiques Ltd
Verified Since Oct 2010
View Dealer Info
Location: Unit 96, Northwick Business Centre, Blockley, Gloucestershire, GL56 9RF, United Kingdom
Verified
Oct 2010
For Sale
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Sold
562
A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing.
A Restauration Giltwood Fauteuil from the Palais de Tuileries, circa 1815, by Jacob-Desmalter
Ref: SA1230481
A French Restauration giltwood armchair with green and gold pattern silk upholstery, padded arms, and carved leaf detailing.
Detail View 1
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Emerging after 1814, French Restauration furniture balances Empire period structure with lighter, restrained decorative motifs. It reflects a return to classical monarchical style while maintaining refined proportions and detailed wood carving.

Seating from this era typically features carved wooden frameworks finished with gold leaf gilding or polished timber. Upholstery frequently utilised silk damask or brocade embellished with woven neoclassical motifs such as laurel wreaths.

Authentic pieces exhibit hand-carved ornamentation, traditional water gilding over a gesso ground, and historic joinery techniques. Maker stamps or inventory marks from historic residences provide clear verification of age and origin.

A gilded Restauration armchair functions as a refined accent piece when placed against minimalist architectural backdrops or modern neutral walls. Pairing classic giltwood with contemporary artwork provides a balanced aesthetic contrast.

Giltwood surfaces should be dusted carefully with a soft dry brush, avoiding water or chemical agents that damage gold leaf. Silk upholstery requires placement away from direct sunlight and light dusting with a brush attachment.
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