A finely carved antique English Victorian giltwood Louis XIV revival overmantel mirror, circa 1860 in date.
The shaped rectangular mirror plate is framed by decorative marginal side plates, with a beautiful pierced and carved giltwood frame with C scroll and rocaille ddcoration, surmounted by superb shell cresting.
This giltwood mirror is a stunning item which will enhance the look of any room.
Provenance:
Private collection, Aberdeenshire
Condition:
In excellent condition, the frame having it’s been beautifully cleaned in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 160 cm x Width 80 cm x Depth 5 cm
Dimensions in inches:
Height 5 foot, 3 inches x Width 2 foot, 7 inches x Depth 2 inches
Mirrors are commonly used for personal grooming or admiring oneself (in which case the archaic term looking-glass is sometimes still used), decoration, and architecture.
The earliest manufactured mirrors were pieces of polished stone su
...ch as obsidian, a naturally occurring volcanic glass. In classical antiquity, mirrors were made of solid metal (bronze, later silver) and were too expensive for widespread use by common people; they were also prone to corrosion. Due to the low reflectivity of polished metal, these mirrors also gave a darker image than modern ones, making them unsuitable for indoor use with the artificial lighting of the time.
The method of making mirrors out of plate glass was invented by 16th-century Venetian glassmakers on the island of Murano, who covered the back of the glass with mercury, obtaining near-perfect and undistorted reflection. For over one hundred years, Venetian mirrors installed in richly decorated frames served as luxury decorations for palaces throughout Europe, but the secret of the mercury process eventually arrived in London and Paris during the 17th century, due to industrial espionage. French workshops succeeded in large-scale industrialization of the process, eventually making mirrors affordable to the massed.
Giltwood
There is no doubt that giltwood furniture is an expression of grandeur and luxury. The golden hue of these pieces comes from the application of real gold leaf—a highly valued material both then and now. When it comes to buying antique giltwood furniture for your collection, there are many different considerations to keep in mind, many of which come down to personal preference.
Origins of Giltwood
The gilt gesso technique appeared in England at the end of the seventeenth century with the work of Jean Pelletier, a Huguenot craftsman who received royal patronage at Hampton Court and Kensington Palace. James Moore, a royal cabinetmaker working in the early eighteenth century, expanded on this technique with increased drama and exaggeration to the carving. Throughout the Georgian era in the eighteenth century, gilded furniture was highly prized as some of the finest furniture available as it emulated the ever popular taste for French style and décor.
The Technique
Gesso is a type of plaster that is prepared of finely ground chalk, applied onto the wooden surface in a series of layers—at least fifteen layers were needed to achieve the desired thickness. Once dried, the craftsmen could cut into the new surface to create different designs. When the designs were complete, the gilding could be applied. To gild the surface, a red clay ground, known as bole, would be spread onto the surface to prepare for the laying of the gold leaf.
Our reference: A5130
Internal Reference: A5130
Antique ID Number (AIDN): SA1200594
Dateline of this antique is 1860
Height is 160cm (63.0inches)Width is 80cm (31.5inches)Depth is 5cm (2.0inches)
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