Can you hang them over a working fireplace?

Heat is the main enemy of traditional cabinet work. Fluctuating temperatures from a fire dry out the carcase wood. This causes the hide glue to fail and the decorative veneers to blister or pop off. Constant soot can also darken the light woods over time. Find a wall with a stable temperature away from direct heat sources.

My grandmother left me a dark wooden mirror covered in tiny stars made of shell, but some pieces are loose in the corners. What type of wood is it and how do I fix it?

Syrian or North African antique inlaid mirrors frequently use solid walnut or mahogany as the base timber. The star motifs typically combine bone, mother-of-pearl, and lemon wood. Keep the loose pieces safe in an envelope. A professional restorer will clean the old adhesive from the recess and re-lay the original stars using traditional animal glue.

How heavy are large Victorian marquetry mirrors?

They weigh a considerable amount. The combination of thick nineteenth-century plate glass and solid pine backboards adds up quickly. You need heavy-duty wall fixings drilled directly into masonry to support them safely.

I noticed the glass on an old floral frame has soft bevelled edges that do not look perfectly straight when you catch them in the light. Is that normal for early pieces?

Early mirror plates were ground by hand using abrasives. The craftsman worked the edge over a wheel, resulting in a shallow, slightly irregular bevel that modern machines cannot replicate. These hand-worked edges often follow the slight distortions of the frame. They reflect light softly and add character to the piece. Replacing them with modern glass removes much of the historic appeal.

Home > Mirrors > Inlaid Mirrors > Page 3

Antique Inlaid Mirrors from the 19th Century

← Page 3 of 4 →

Designed to reflect precious candlelight into dark rooms, an antique inlaid mirror features a flat glass plate surrounded by a wooden frame decorated with intricate patterns cut from contrasting veneers, bone, or shell.