Antique Gilt Bronze Palais Royal Sevres Porcelain Mounted Casket 19th C

This is a stunning antique 19th century French Palais Royal gilt bronze and Sevres porcelain mounted domed rectangular table casket , Circa 1870 in date.

The locking cover with swing handle enclosing a Royal Blue velvet-lined interior. The whole cage work cast and chased with scrolls and foliage and further set with eleven bleu celeste Sevres porcelain roundels, with hand painted floral and gilt decoration.

Complete with working lock and original key with tassle.

This item is of superb quality is incredibly rare, and will instantly enhance any desktop.

Condition:

In really excellent condition, having been cleaned and polished in our workshops, please see photos for confirmation.

Dimensions in cm:

Height 12 x Width 14 x Depth 8

Dimensions in inches:

Height 5 inches x Width 5 inches x Depth 3 inches

Palais Royale

In the mid 1800s the best souvenirs from Paris were found in the boutiques of the famed Palais Royal of Paris, which is the old palace of Cardinal Richelieu. The boutiques lined the promenade of the central gardens, and the area was host to Royals, dignitaries, the posh societies of times past. The treasures from the Palais Royal remain today some of the most sought after antiques to be found.

Sevres Porcelain

traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738.

French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles.

From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed.

The Sevres Porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest.

Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devas