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ID #SA1196811
FOR SALE
£10,500
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Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé
Hickmet Fine Arts
for sale €12,285     $13,335
£10,500
Hickmet Fine Arts

Hickmet Fine Arts

Sellingantiques Verified Since Apr 2012
Browse dealers 118 items
  • About Us
    Established in 1936, hickmet fine arts is an international family run antiques business
  • Trade Associations
    Hickmet Fine Arts is a registered member of LAPADA  BADA  CINOA
Id #SA1196811
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Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

1900 - 1920
Description

A stunning early 20th Century French cameo soufflé glass vase with a decorative mould blown design of fruiting cherries on their branches in blue and purple colours against a warm yellow background, signed Gallé.

ADDITIONAL INFORMATION

Height: 29 cm

Width: 15 cm

Condition: Excellent Original Condition

Circa: 1900

Materials: Acid Cut Cameo Glass

SKU: 6829

ABOUT

Emile Gallé, 1846 – 1904 is considered a driving force behind the Art Nouveau movement and one of the most outstanding glass artists of his time. His naturalistic designs and innovative techniques greatly contributed to the development of the art of glass-making and to the Art Nouveau Style.

Emile lived during an age of technological, scientific, and political explosion. He travelled extensively in Europe and witnessed techniques that would greatly influence his work such as cameo and enamelling. He began producing fine pottery, furniture and jewellery before setting up his own glass studio in 1873 and taking over his father’s factory 4 years later.

After being inspired by the glass works at the 1878 International Exhibition in Paris, particularly cameo works, Gallé made his mark as a true artist in glass at the 1884 Union Centrale des Arts Décoratifs in Paris where he showed 300 pieces of great artistic variety as well as technical expertise. He returned to the International Exhibition in Paris in 1889 to present his own new types of glass. The pieces featured new vase shapes, extraordinary new colours, carved cameo and pate de verre work. The event was a breakthrough for him and the Art Nouveau style in general, with his pieces beginning to be widely imitated (notably by the likes of the Daum brothers.)

In 1894 Gallé built his own manufacturing plant in Nancy which throughout the 1890’s employed a team of craftsmen-designers who worked on his designs, only ever applying his signature after his approval. Demand for Gallé’s work was high so there were 300 employees working at the factory and Gallé revolutionised the Art Glass industry by mass-producing pieces using industrial techniques for the first time.

He enjoyed great success exhibiting his Art Nouveau works winning international awards and recognition through commissions and increased popular demand, and in 1901 he founded and was first president of ‘L’Ecole de Nancy’.

Gallé died in 1904 and his widow continued to run the glassworks until the war broke out in 1914. Glass sold since Gallé’s death was marked with a star after his signature and continued to be made until 1935 when the firm closed down.

Influences, Style and Technique

Emile Gallé was greatly influenced by the techniques he learnt while travelling around Europe, such as the cameo glass of great designers like Eugene Rousseau, and the enamelling used on Oriental pieces. Every piece created by his factory was heavily influenced by his passion of naturalistic designs. His pieces feature every sort of plant life, from thistles to fuchsias, clematis to chrysanthemums. Insects were also a frequent theme, with many of his pieces including butterflies, dragonflies and insects. Gallé also often decorated his pieces with landscape scenes, and was also influenced by Japanese design.

Gallé’s Cameo Glass was made with layering coloured glass, using acid to remove part of the layers and adding wheel carved detail on the better pieces. He discovered applying metallic foils between the coloured glass sheets created a stunning effect, especially when applied in the cameo work. His enamel work was just as revolutionary as he mixed metallic oxides with glass and suspended them in oil, giving the

Physical Dimensions
Height
29cm (11.42")
Width
15cm (5.91")
Depth
15cm (5.91")
Declaration

Hickmet Fine Arts has dated this Galle Cameo Glass Vase to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1196811
Dealers Internal Reference
6829
Dealers Notes

Please contact us for a shipping quotes.

Viewing can be arranged at our gallery and everything sold by Hickmet Fine Arts comes with a full certificate of Authenticity and Valuation.

If you have enjoyed seeing this item and wish to see more quality pieces please visit our website www.hickmet.com

Description
A stunning early 20th Century French cameo soufflé glass vase with a decorative mould blown design of fruiting cherries on their branches in blue and purple colours against a warm yellow background, signed Gallé.
fig 1. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 1. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

ADDITIONAL INFORMATION

Height: 29 cm

Width: 15 cm

Condition: Excellent Original Condition

Circa: 1900

fig 2. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 2. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Materials: Acid Cut Cameo Glass

SKU: 6829

ABOUT

Emile Gallé, 1846 – 1904 is considered a driving force behind the Art Nouveau movement and one of the most outstanding glass artists of his time.
Hickmet Fine Arts

His naturalistic designs and innovative techniques greatly contributed to the development of the art of glass-making and to the Art Nouveau Style.

fig 3. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 3. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Emile lived during an age of technological, scientific, and political explosion. He travelled extensively in Europe and witnessed techniques that would greatly influence his work such as cameo and enamelling. He began producing fine pottery, furniture and jewellery before setting up his own glass studio in 1873 and taking over his father’s factory 4 years later.

fig 4. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 4. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

After being inspired by the glass works at the 1878 International Exhibition in Paris, particularly cameo works, Gallé made his mark as a true artist in glass at the 1884 Union Centrale des Arts Décoratifs in Paris where he showed 300 pieces of great artistic variety as well as technical expertise. He returned to the International Exhibition in Paris in 1889 to present his own new types of glass. The pieces featured new vase shapes, extraordinary new colours, carved cameo and pate de verre work. The event was a breakthrough for him and the Art Nouveau style in general, with his pieces beginning to be widely imitated (notably by the likes of the Daum brothers.)

fig 5. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 5. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

In 1894 Gallé built his own manufacturing plant in Nancy which throughout the 1890’s employed a team of craftsmen-designers who worked on his designs, only ever applying his signature after his approval. Demand for Gallé’s work was high so there were 300 employees working at the factory and Gallé revolutionised the Art Glass industry by mass-producing pieces using industrial techniques for the first time.

fig 6. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 6. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

He enjoyed great success exhibiting his Art Nouveau works winning international awards and recognition through commissions and increased popular demand, and in 1901 he founded and was first president of ‘L’Ecole de Nancy’.

fig 7. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 7. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Gallé died in 1904 and his widow continued to run the glassworks until the war broke out in 1914. Glass sold since Gallé’s death was marked with a star after his signature and continued to be made until 1935 when the firm closed down.

fig 8. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 8. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Influences, Style and Technique

Emile Gallé was greatly influenced by the techniques he learnt while travelling around Europe, such as the cameo glass of great designers like Eugene Rousseau, and the enamelling used on Oriental pieces. Every piece created by his factory was heavily influenced by his passion of naturalistic designs. His pieces feature every sort of plant life, from thistles to fuchsias, clematis to chrysanthemums. Insects were also a frequent theme, with many of his pieces including butterflies, dragonflies and insects. Gallé also often decorated his pieces with landscape scenes, and was also influenced by Japanese design.

fig 9. An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
fig 9. Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Gallé’s Cameo Glass was made with layering coloured glass, using acid to remove part of the layers and adding wheel carved detail on the better pieces. He discovered applying metallic foils between the coloured glass sheets created a stunning effect, especially when applied in the cameo work. His enamel work was just as revolutionary as he mixed metallic oxides with glass and suspended them in oil, giving the

Height
29cm (11.42")
Width
15cm (5.91")
Depth
15cm (5.91")
Date of Manufacture

Hickmet Fine Arts has dated this Galle Cameo Glass Vase to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1196811
Dealers Internal Ref
6829
Hickmet Fine Arts
Hickmet Fine Arts
Sellingantiques verified Since Apr 2012

Established in 1936, hickmet fine arts is an international family run antiques business

Dealer Profile

You can view the stock and full dealer information on the Hickmet Fine Arts Profile Page

Trade Associations

Hickmet Fine Arts is a registered member of LAPADA  BADA  CINOA

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SAVE
An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
1 / 12
Archive I An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.

Early 20th Century Cameo Glass Entitled "Sorbier Soufflé" Vase by Gallé

Archive II An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View II
Archive III An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View III
Archive IV An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View IV
Archive V An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View V
Archive VI An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View VI
Archive VII An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View VII
Archive VIII An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View VIII
Archive IX An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View IX
Archive X An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View X
Archive XI An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View XI
Archive XII An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background. View XII
Enlarged Archival View
Telephone 07971 850405
Location
Gallery Eighty Five
85 Portobello Road
London
W11 2QB
United Kingdom
Verified Since Apr 2012
Items For Sale 118
Items Sold 5
Hickmet Fine Arts
Hickmet Fine Arts
Verified Since Apr 2012
View Dealer Info
Location: Gallery Eighty Five, 85 Portobello Road, London, W11 2QB, United Kingdom
Verified
Apr 2012
For Sale
118
Sold
5
An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
Early 20th Century Cameo Glass entitled "Sorbier Soufflé" Vase by Gallé
Ref: SA1196811
An Art Nouveau mould-blown cameo glass vase featuring dark brown carved rowan berries and leaves over a frosted yellow background.
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Art Nouveau cameo glass is defined by organic, nature-inspired motifs such as flora and insects, created by carving or acid-etching through fused layers of differently coloured glass.

Craftsmen blew molten glass into detailed moulds to form raised exterior relief, which was subsequently acid-etched or hand-finished to refine the multi-layered botanical designs.

Authentic glass from this period features acid-etched or cameo signatures, hand-carved depth, distinct layered glass density, and a complete absence of modern machine seam marks.

Place the glass vase on a surface exposed to soft natural backlight, such as a console or sideboard, allowing light to pass through the translucent frosted ground.

Wash gently by hand using lukewarm water and neutral soap with a soft microfibre cloth, ensuring extreme heat variations and abrasive chemicals are strictly avoided.
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