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Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C
Regent Antiques
for sale €3,452     $3,747
£2,950
Regent Antiques

Regent Antiques

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Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

19th century
For Sale by Regent Antiques
Description

A superb antique pair of French Grand Tour gilt bronze and marble Borghese Campana urns, circa 1870 in date.

This pair of gilt bronze campana urns is after the Borghese models, with the bodies cast in relief with continuous Bacchanalian scenes, flanked by loop handles, on socle bases mounted on square-section mottled grey Gris St Anne marble plinths with gilt bronze ormolu mounts.

This high-quality hot-cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method.

The craftsmanship is second to none throughout all aspects of this pair, and they are sure to add an unparalleled touch of class to your home.

Condition:

In excellent condition, please see photos for confirmation.

Dimensions in cm:

Height 32 cm x Width 12 cm x Depth 12 cm

Dimensions in inches:

Height 1 foot, 1 inch x Width 5 inches x Depth 5 inches

The Grand Tour was the traditional trip of Europe undertaken by mainly upper-class European young men of means. The custom flourished from about 1660 until the advent of large-scale rail transit in the 1840s, and was associated with a standard itinerary.

It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on the Continent, and from the second half of the 18th century some South American, U.S., and other overseas youth joined in. The tradition was extended to include more of the middle class after rail and steamship travel made the journey less of a burden.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a knowledgeable guide or tutor. 

The Grand Tour not only provided a liberal education but allowed those who could afford it the opportunity to buy things otherwise unavailable at home, and it thus increased participants' prestige and standing. Grand Tourists would return with crates of art, books, pictures, sculpture, and items of culture, which would be displayed in libraries, cabinets, gardens, and drawing rooms, as well as the galleries built purposely for their display; The Grand Tour became a symbol of wealth and freedom.

Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze. The mercury is driven off in a kiln, leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

Gris St.Anne Marble

is a beautiful dark gray marble with light gray and white markings.

The principal quarries are at Gougnies, near Charleroi; and at Biesme, Namur, Belgium.

Our reference: A5347

Physical Dimensions
Height
32cm (12.60")
Width
12cm (4.72")
Depth
12cm (4.72")
Declaration

Regent Antiques has dated these Gilt Bronze Marble Urns to the 1870s.

Reference Numbers
Sellingantiques Reference
SA1225675
Dealers Internal Reference
A5347
Description
A superb antique pair of French Grand Tour gilt bronze and marble Borghese Campana urns, circa 1870 in date.

This pair of gilt bronze campana urns is after the Borghese models, with the bodies cast in relief with continuous Bacchanalian scenes, flanked by loop handles, on socle bases mounted on square-section mottled grey Gris St Anne marble plinths with gilt bronze ormolu mounts.

This high-quality hot-cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method.
Regent Antiques
fig 1. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 1. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

The craftsmanship is second to none throughout all aspects of this pair, and they are sure to add an unparalleled touch of class to your home.

Condition:

In excellent condition, please see photos for confirmation.

fig 2. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 2. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

Dimensions in cm:

Height 32 cm x Width 12 cm x Depth 12 cm

Dimensions in inches:

Height 1 foot, 1 inch x Width 5 inches x Depth 5 inches

The Grand Tour was the traditional trip of Europe undertaken by mainly upper-class European young men of means. The custom flourished from about 1660 until the advent of large-scale rail transit in the 1840s, and was associated with a standard itinerary.

fig 3. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 3. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on the Continent, and from the second half of the 18th century some South American, U.S., and other overseas youth joined in. The tradition was extended to include more of the middle class after rail and steamship travel made the journey less of a burden.

fig 4. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 4. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a knowledgeable guide or tutor. 

fig 5. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 5. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

The Grand Tour not only provided a liberal education but allowed those who could afford it the opportunity to buy things otherwise unavailable at home, and it thus increased participants' prestige and standing. Grand Tourists would return with crates of art, books, pictures, sculpture, and items of culture, which would be displayed in libraries, cabinets, gardens, and drawing rooms, as well as the galleries built purposely for their display; The Grand Tour became a symbol of wealth and freedom.

fig 6. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 6. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

Ormolu - Gilt Bronze (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze. The mercury is driven off in a kiln, leaving behind a gold-coloured veneer known as 'gilt bronze'.

fig 7. A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
fig 7. Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

Gris St.Anne Marble

is a beautiful dark gray marble with light gray and white markings.

The principal quarries are at Gougnies, near Charleroi; and at Biesme, Namur, Belgium.

Our reference: A5347

Height
32cm (12.60")
Width
12cm (4.72")
Depth
12cm (4.72")
Date of Manufacture

Regent Antiques has dated these Gilt Bronze Marble Urns to the 1870s.

Reference Numbers
Sellingantiques Ref
SA1225675
Dealers Internal Ref
A5347
Regent Antiques
Regent Antiques
Sellingantiques verified Since Sep 2016

We specialise in english and continental furniture, silver, porcelain and decorative items.

Dealer Profile

You can view the stock and full dealer information on the Regent Antiques Profile Page

Trade Associations

Regent Antiques is a registered member of LAPADA  CINOA

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A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
1 / 19
Archive I A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.

Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C

Archive II A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View II
Archive III A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View III
Archive IV A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View IV
Archive V A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View V
Archive VI A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View VI
Archive VII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View VII
Archive VIII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View VIII
Archive IX A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View IX
Archive X A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View X
Archive XI A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XI
Archive XII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XII
Archive XIII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XIII
Archive XIV A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XIV
Archive XV A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XV
Archive XVI A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XVI
Archive XVII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XVII
Archive XVIII A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XVIII
Archive XIX A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths. View XIX
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318 Green Lanes
London
N4 1BX
United Kingdom
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Regent Antiques
Regent Antiques
Verified Since Sep 2016
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A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
Antique Pair French Grand Tour Gilt Bronze & Matble Urns 19th C
Ref: SA1225675
A pair of 19th-century French Grand Tour gilt bronze campana urns featuring classical figure reliefs, mounted on square green marble pedestal bases with gilt laurel wreaths.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Grand Tour urns are decorative classical-style vessels created during the 18th and 19th centuries as keepsakes for wealthy travellers completing educational tours of continental Europe. These pieces were frequently modelled after famous classical antiquities discovered in Italy and Greece.

19th-century French urns of this calibre were cast in bronze using lost-wax or sand-casting techniques and finished with mercury gilding (ormolu). They were typically mounted on imported marble bases, such as vert antique or rouge marble, to provide stability and visual contrast.

Authentic 19th-century pieces display hand-chased details, fine casting seams, and significant weight from the solid bronze and natural stone bases. The gilding often shows subtle age-appropriate wear or oxidisation in crevices rather than uniform bright modern plating.

Pairs of classical urns are commonly arranged symmetrically on a fireplace mantelpiece, console table, or sideboard to create formal balance. They serve as sculptural focal points when placed alongside structured greenery or framed architectural prints.

Gilt bronze surfaces should be dusted regularly with a soft, dry camel-hair brush and kept free from liquid polishes or abrasives that strip gold leaf. Marble plinths can be wiped with a slightly damp cloth and dried immediately to prevent staining.
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