Very Important Antique Samuel Pepys 1666 Large Library Bookcase After Original

Royal House Antiques is delighted to offer for sale this highly collectable, fully restored, Victorian circa 1860, Pitch Pine Library Bookcase based on the original Samuel Pepys 1666 pieces currently on display in Oxford University

Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price.

This bookcase is basically the birthplace of the free-standing bookcase as we know it today, in 2016 they celebrated their 350th anniversary, these are mid 19th century examples hand made by a master craftsman, every single piece of wood has been hand cut, it is exquisite craftmanship that you rarely see in period pitch pine

I will include below the history of the pieces in their original form, these bookcases are historically important, the originals are in the Samuel Pepys Library in the Magdalene College of Oxford university, there is one in the Victorian and Albert Museum.

This piece has been fully restored by my master craftsman carpenter and Victorian trained French polisher, it is the finest example available for sale anywhere in the world today

Dimensions

Height:- 196cm

Width:- 110cm

Depth:- 39.5cm

Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask

Samuel Pepy

350th Anniversary year 2016 marks the 350th Anniversary of the Great Fire of London, which Pepys so famously recorded in his diary.

This year also marks the 350th birthday of Pepys’ first two bookcases, or ‘presses’ as he called them.

Pepys noted in July 1666 that he had lost the use of his books due to their being stacked up on chairs. Instead of emulating a library in an aristocratic house by fitting shelving to the walls in his modest lodgings on Seething Lane, Pepys decided upon a flexible (and affordable) approach to the storage of his books. He commissioned a ship’s Master Joiner, Thomas Simpson, to help create a radical new design. The freestanding ‘flat pack’ oak book presses, which can be dismantled and moved using the carrying handles fitted to the sides, indicate Pepys’ ambition to move into bigger and better accommodation. During Pepys’ lifetime, the presses were moved around as he changed his place of residence. However, the presses have never been moved from the Pepys Building since their arrival at Magdalene in 1724. During the Great Fire of London in September 1666, when the first two book presses were almost brand new, Pepys had them sent across the River Thames to Deptford for safe keeping. A few weeks after the fire, Thomas Simpson returned to help ‘set them up’ again in Seething Lane.

The book presses are a representation of Pepys’ understanding of book conservation and a reflection of his astuteness. By employing the services of a ship’s master joiner, Pepys used his naval connections to ensure a ‘good deal’ for the materials and workmanship, and the presses are reminiscent of ship’s furniture, for example the deep carving patterns in the wood. The wooden feet prevent damp and rodent damage, and the glazed fronts allow the books to be shown to their best advantage. This type of book storage was revolutionary, and the presses are now considered to be the oldest of their type with these particular features. Of course, books in the 17th century were still a symbol of status and the notion of books as aesthetically beautiful objects to enhance a room’s decoration was an important one. This idea, combined with Pepys’ love of order and organisation, leads to an obsession with achieving aesthetic perfection, and the overall look of the library was extremely important to him. The books are stored in order of height, going against contemporary practice of shelving bo