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ID #SA1244765
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£520
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'Return with Glory' - Oil on Board Study by James William Glass (1825-1855)
For sale by The English Interior
for sale €608     $660
£520
The English Interior

The English Interior

Sellingantiques Verified Since Jul 2023
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'Return with Glory' - Oil on Board Study by James William Glass (1825-1855)

19th century
Description

'RETURN WITH GLORY' - OIL ON BOARD STUDY BY JAMES WILLIAM GLASS (1825-1855)

Fine and brightly coloured history painting by the celibrated artist James William Glass (1825-1855)

Painted on board and retaining bright pigments, this oil on board depicts a soldier in elaborate costume who has dismounted his horse and is being welcomed into the walls of the city.

The painter, James William Glass, Jr., was born in Cadiz, Spain, where his father was British Consul. He was raised in America and began working for the U.S. Coast Survey and Fortification Service. In 1844 he decided on a painting career, working under Henry Inman and Daniel Huntington, a successful portrait painter who had been a pupil of Samuel F. B. Morse. In 1847 or 1848, Glass went to Europe and achieved prominence with an equestrian portrait of Wellington, a copy of which was commissioned by Queen Victoria.

He also painted historical subjects. He returned to the U.S. in late 1855, and within a few weeks died at a young age ending what looked to be a most promising career.

Board: 15.5cm x 19cm

Framed dimensions: 23cm x 27cm

Date of Manufacture

The English Interior has dated this Victorian History Oil Painting to the 19th Century.

Physical Dimensions
Height
27cm (10.63")
Width
23cm (9.06")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Reference
SA1244765
Description
'RETURN WITH GLORY' - OIL ON BOARD STUDY BY JAMES WILLIAM GLASS (1825-1855)
“
Fine and brightly coloured history painting by the celibrated artist James William Glass (1825-1855).
The English Interior

Painted on board and retaining bright pigments, this oil on board depicts a soldier in elaborate costume who has dismounted his horse and is being welcomed into the walls of the city.

fig 1. A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.
fig 1. 'Return with Glory' - Oil on Board Study by James William Glass (1825-1855)

The painter, James William Glass, Jr., was born in Cadiz, Spain, where his father was British Consul. He was raised in America and began working for the U.S. Coast Survey and Fortification Service. In 1844 he decided on a painting career, working under Henry Inman and Daniel Huntington, a successful portrait painter who had been a pupil of Samuel F. B. Morse. In 1847 or 1848, Glass went to Europe and achieved prominence with an equestrian portrait of Wellington, a copy of which was commissioned by Queen Victoria.

fig 2. A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.
fig 2. 'Return with Glory' - Oil on Board Study by James William Glass (1825-1855)

He also painted historical subjects. He returned to the U.S. in late 1855, and within a few weeks died at a young age ending what looked to be a most promising career.

Board: 15.5cm x 19cm

Framed dimensions: 23cm x 27cm

Date of Manufacture

The English Interior has dated this Victorian History Oil Painting to the 19th Century.

Height
27cm (10.63")
Width
23cm (9.06")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Ref
SA1244765
The English Interior
The English Interior
Sellingantiques verified Since Jul 2023

Specialist dealer in 17th century to the 20th century fine art, furniture and decorative antiques for your home.

Dealer Profile

You can view the stock and full dealer information on the The English Interior Profile Page

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A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.
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Archive I A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.

'Return with Glory' - Oil on Board Study by James William Glass (1825-1855)

Archive II A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame. View II
Archive III A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame. View III
Archive IV A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame. View IV
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Telephone 07860 363 882
Location
The Duke of Somersets House
Kirkgate
Tadcaster
North Yorkshire
LS24 9AD
United Kingdom

By appointment only.
Verified Since Jul 2023
Items For Sale 72
Items Sold 64
The English Interior
The English Interior
Verified Since Jul 2023
View Dealer Info
Location: The Duke of Somersets House, Kirkgate, Tadcaster, North Yorkshire, LS24 9AD , United Kingdom, , By appointment only.
Verified
Jul 2023
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A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.
'RETURN WITH GLORY' - OIL On BOARD STUDY BY JAMES WILLIAM GLASS (1825-1855)
Ref: SA1244765
A 19th-century oil painting on board depicting figures and a horse under an archway, encased in a beaded gilt frame.
Detail View 1
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleVictorian
  • MaterialOil Paint, Board, Gilt Wood
  • ColourWarm Brown
  • MotifsGilt fluted frame, Equestrian motif, Archway background, Beaded moulding
  • SizeH 27 cm (11 in) x W 23 cm (9 in) x D 4 cm (2 in)

This nineteenth-century oil painting on board by James William Glass depicts a historic scene with figures and a white horse under an archway, rendered in warm brown tones with bright pigments of red, blue, and gold. The artwork is housed within a gilt wood frame detailed with vertical fluting, stepped mouldings, and an outer row of beaded decoration along the perimeter. The framed piece measures 27 cm high, 23 cm wide, and 4 cm deep. Suitably sized for placement in a gentleman's library, this study hangs effectively above the mantel as a focal point. The Victorian style integrates well into traditional interiors, complementing period desks, leather armchairs, and timber bookshelves. The composition brings historical narrative to wall displays while maintaining a compact footprint suited for both modest and expansive residential spaces.

Victorian historical genre painting emerged in the mid-19th century, focusing on narrative scenes from past eras and combining romanticised historical themes with meticulous detail in costume and architectural settings.

Artists during this period frequently worked with oil paints applied to wooden boards or prepared panels, housed within moulded gilt wood frames featuring bead and fluted ornamentation.

Authentic 19th-century works often display characteristic surface craquelure, natural age patina on the varnish layer, period-correct framing techniques, and evidence of historical paint layering.

A traditional oil painting in a gilded frame serves as a focal point when placed above a fireplace mantelpiece, integrated into a gallery wall, or contrasted against modern neutral paint schemes to add historical texture.

Keep oil paintings away from direct sunlight, extreme humidity, and heat sources, dusting the frame gently with a soft dry brush while consulting a professional conservator for varnish care.
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