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ID #SA1116023
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£1,950
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Arthur Wilde Parsons "Portishead Old Pier". Marine Watercolour.
William Greenwood Fine Art
for sale €2,282     $2,477
£1,950

William Greenwood Fine Art

Sellingantiques Verified Since Oct 2012
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Id #SA1116023
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Arthur Wilde Parsons "Portishead Old Pier". Marine Watercolour.

19th century
Description

Artist: Arthur Wilde Parsons.R.W.S. (1854-1931).

Title: "Portishead Old Pier". Wood Barque being tugged in.

Signed and dated 1895. Watercolour.

Size: 15 3/4"x 23 3/4". Framed size: 25"x 32 3/4".

Now cleaned and framed.

In very good ready to hang condition. Free UK delivery. Trade enquiries welcome. For more info please contact us at:

Tel: 01677 424830 Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Website: wgreenwoodfineart.co.uk

PARSONS, Arthur Wilde

1854 - 1931

Arthur Wilde Parsons was born at Stapleton, Gloucestershire in 1854, son of Dr John Dungate Featherstonehaugh Parsons (21 January 1814-31 December 1885), M.D., a medical practitioner, and his wife Jane née Taylor (14 July 1814-29 October 1899), who married at Clifton, Bristol on 29 August 1848. In 1861, Arthur was a 7-year-old, living at 1 Esplanade, South Parade, Weston-super-Mare with his parents, 47-year-old John and 46-year-old Jane and his three siblings, John Featherstonehaugh 11, George Metford 9 and Jane 5. Arthur studied locally and married at Barton Regis, Gloucestershire on 12 May 1881, Mary Waters Burridge (1845-31 May 1933). A little-known self-taught painter of marine pictures and an illustrator. In 1891, a 37-year-old landscape painter, living at 75 Hampton Park, Westbury-on-Trym, Bristol with his 44-year-old wife Mary, three children Arthur Dungate Burridge 8, Amy Mary 7 and Mary Elizabeth 5, with his mother Jane, his aunt and two boarders. He exhibited in London infrequently and his earliest subjects were the shores of the Bristol Channel, to be followed by Cornish Scenes painted on summer visits to his brother, the vicar of Crantock. He visited Holland and in about 1911 Italy which had an influence on his work when he produces Venetian scenes. In 1904 he became a founder member of the 'Bristol Savages' group and was a member and exhibiter at the Ipswich Fine Art Club 1902-1905, exhibiting from 75 Hampton Park, Redland, Bristol in 1903, six watercolours 'Dismasted Barque, Falmouth', 'Off Cardiff', 'In Penarth Roads', 'Fair Wind of Lundy' and 'Summer Weather, Falmouth' which seem to have been his only exhibits. In 1911, a landscape painter, living at 75 Hampton Park West, Bristol with his wife and two of his unmarried daughters Amy and Mary. Arthur Wilde Parsons died at 75 Hampton Park, Redland, Bristol on 8 June 1931, aged 77.

Physical Dimensions
Height
64cm (25.20")
Width
86cm (33.86")
Depth
5cm (1.97")
Declaration

William Greenwood Fine Art has dated this Antique Marine Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1116023
Dealers Internal Reference
wgp
Description
Artist: Arthur Wilde Parsons.R.W.S. (1854-1931).

Title: "Portishead Old Pier". Wood Barque being tugged in.

Signed and dated 1895. Watercolour.

Size: 15 3/4"x 23 3/4". Framed size: 25"x 32 3/4".

Now cleaned and framed.

fig 1. A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.
fig 1. Arthur Wilde Parsons "Portishead Old Pier". Marine Watercolour.

In very good ready to hang condition. Free UK delivery. Trade enquiries welcome. For more info please contact us at:

Tel: 01677 424830 Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

fig 2. A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.
fig 2. Arthur Wilde Parsons "Portishead Old Pier". Marine Watercolour.

Website: wgreenwoodfineart.co.uk

PARSONS, Arthur Wilde

1854 - 1931

Arthur Wilde Parsons was born at Stapleton, Gloucestershire in 1854, son of Dr John Dungate Featherstonehaugh Parsons (21 January 1814-31 December 1885), M.
William Greenwood Fine Art

D., a medical practitioner, and his wife Jane née Taylor (14 July 1814-29 October 1899), who married at Clifton, Bristol on 29 August 1848. In 1861, Arthur was a 7-year-old, living at 1 Esplanade, South Parade, Weston-super-Mare with his parents, 47-year-old John and 46-year-old Jane and his three siblings, John Featherstonehaugh 11, George Metford 9 and Jane 5. Arthur studied locally and married at Barton Regis, Gloucestershire on 12 May 1881, Mary Waters Burridge (1845-31 May 1933). A little-known self-taught painter of marine pictures and an illustrator. In 1891, a 37-year-old landscape painter, living at 75 Hampton Park, Westbury-on-Trym, Bristol with his 44-year-old wife Mary, three children Arthur Dungate Burridge 8, Amy Mary 7 and Mary Elizabeth 5, with his mother Jane, his aunt and two boarders. He exhibited in London infrequently and his earliest subjects were the shores of the Bristol Channel, to be followed by Cornish Scenes painted on summer visits to his brother, the vicar of Crantock. He visited Holland and in about 1911 Italy which had an influence on his work when he produces Venetian scenes. In 1904 he became a founder member of the 'Bristol Savages' group and was a member and exhibiter at the Ipswich Fine Art Club 1902-1905, exhibiting from 75 Hampton Park, Redland, Bristol in 1903, six watercolours 'Dismasted Barque, Falmouth', 'Off Cardiff', 'In Penarth Roads', 'Fair Wind of Lundy' and 'Summer Weather, Falmouth' which seem to have been his only exhibits. In 1911, a landscape painter, living at 75 Hampton Park West, Bristol with his wife and two of his unmarried daughters Amy and Mary. Arthur Wilde Parsons died at 75 Hampton Park, Redland, Bristol on 8 June 1931, aged 77.

Height
64cm (25.20")
Width
86cm (33.86")
Depth
5cm (1.97")
Date of Manufacture

William Greenwood Fine Art has dated this Antique Marine Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1116023
Dealers Internal Ref
wgp
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.
1 / 5
Archive I A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.

Arthur Wilde Parsons "Portishead Old Pier". Marine Watercolour.

Archive II A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters. View II
Archive III A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters. View III
Archive IV A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters. View IV
Archive V A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters. View V
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DL8 2JE
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William Greenwood Fine Art
Verified Since Oct 2012
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A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.
Arthur Wilde Parsons "Portishead Old Pier". Marine watercolour.
Ref: SA1116023
A late 19th-century marine watercolour painting depicting a lighthouse, wooden pier with figures, and tall sailing ships on choppy waters.
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian marine watercolour painting emerged during the 19th century, documenting Britains maritime heritage, naval shipping, and coastal landscapes through water-based pigments on paper.

Artists utilised watercolour pigments derived from natural minerals and organic compounds, applied onto heavy cotton rag paper or woven paper using soft watercolour brushes.

Authentic period pieces frequently display age-related foxing, period-appropriate artist signatures, natural paper tonal changes, and evidence of historic mounting techniques.

Display the artwork framed with an acid-free mount above a sideboard, fireplace mantel, or integrated into a gallery wall to serve as a focused wall feature.

Position the painting away from direct light sources, install UV-protective glass, and maintain stable indoor humidity levels to prevent pigment fading and paper degradation.
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