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Blue White Delft Pottery
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Blue White Delft Pottery

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Blue white delft pottery brings tin-glazed earthenware into the home, offering painted chargers, jugs, and vases shaped by centuries of European kiln tradition.

£595
YESTERDAY
vases
£275
10 DAYS AGO
ceramics
£640
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ceramics
£190
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ceramics
£500
1 MONTH AGO
plates
£170
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plates

Available forms range from wall chargers and apothecary jars to unusual figural pieces like pottery cows and puzzle jugs.

£695
2 MONTHS AGO
ceramics
£395
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ceramics
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Sellingantiques  ·  Guide 471812026/2027 edition

Blue White Delft Pottery

Blue white delft pottery brings tin-glazed earthenware into the home, offering painted chargers, jugs, and vases shaped by centuries of European kiln tradition.

Introduction

Blue White Delft Pottery

Blue white delft pottery encompasses decorative plates, chargers, apothecary jars, bough pots, and posset pots originating primarily from Dutch, English, and continental workshops across the seventeenth, eighteenth, and nineteenth centuries.

Buyers meet large chargers, baluster vases, and figural pieces such as pottery cows or Toby jugs, alongside domestic items converted later into table lamps and inkstands.

The aesthetic bridges Dutch baroque designs and Moorish influences, spanning simple floral dishes to elaborate lidded urns.

How they were made

Materials and Technique

These pieces utilise earthenware bodies coated in a tin glaze that provides an opaque white surface suitable for pigment application.

Cobalt oxide or cobalt pigment is painted directly onto the unfired tin glaze to produce the characteristic blue motifs, ranging from delicate hand-painted bird and floral themes to bold geometric patterns.

From the Sellingantiques archive

A pair of ceramic cows stands ready to graze on your sideboard.

What sets them apart

Standard and Execution

Quality rests in the precision of the hand-painted brushwork and the depth of the cobalt blue pigment against the tin glaze.

Early pieces from the seventeenth and eighteenth centuries display crisp forms and individual artistic handling, while later nineteenth-century examples shift towards ornamental or utilitarian production.

Terms antiques dealers use

The Blue White Delft Pottery Glossary

Tin-Glazed Earthenware
Ceramic pottery coated with a white tin oxide glaze that becomes opaque and glossy upon firing. This surface serves as the canvas for cobalt blue decoration.
Charger
A large decorative plate intended for display on a wall or dresser rather than for dining use. These often feature detailed pictorial scenes or floral borders.
Posset Pot
A multi-handled vessel used historically for serving a hot drink made of curdled milk mixed with wine or ale. They frequently include lids and spouts.
Apothecary Jar
A cylindrical or globular container utilised by chemists and apothecaries to store dry drugs, herbs, or ointments. Many bear painted labels or decorative cartouches.
Faience
European tin-glazed earthenware produced outside of Italy and the Netherlands, particularly in France and Spain. It shares the same technical foundation as traditional delftware.
Questions people ask

Blue White Delft Pottery: Frequently Asked Questions

What is blue white delft pottery?

Blue white delft pottery is tin-glazed earthenware decorated with cobalt pigment, originating mainly from Dutch, English, and continental kilns.

The medium covers everything from wall chargers and apothecary jars to posset pots and decorative vases.

How were these pieces used?

Many items served practical domestic or medical purposes, such as apothecary jars for storage and posset pots for communal drinks.

Larger chargers and decorative plates were made primarily for display on walls and dressers to demonstrate household status.

How do I live with antique delft?

These pieces integrate easily into modern interiors as decorative table lamps, inkstands, or displayed cabinet items.

Due to the porous nature of earthenware and the delicate tin glaze, they require gentle cleaning and protection from heavy impacts.

How do I tell periods apart?

Seventeenth and eighteenth-century examples typically show hand-painted floral or figural motifs with characteristic tin glaze crazing and irregular potting.

Nineteenth-century pieces often present heavier forms, moulded details, or adaptations like lamp conversions and electrical wiring.

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