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ID #SA682762
FOR SALE
£3,900
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Landscape Oil Painting of Cattle by Thomas Baker of Leamington
Benton Fine Art
for sale €4,563     $4,953
£3,900
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
  • About Us
    Specialists in 19th & early 20th century original oil paintings by listed artists
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    Benton Fine Art is a registered member of LAPADA  BADA  CINOA
Id #SA682762
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Landscape Oil Painting of Cattle by Thomas Baker of Leamington

19th century
For Sale by Benton Fine Art
Description

Thomas Baker

British, (1809-1864)

Cows with a Willow Tree

Oil on canvas, signed & dated 1860

Image size: 14 inches x 11.75 inches

Size including frame: 20.5 inches x 18.25 inches

Provenance: Details of this painting & a sketch are listed in the artist’s diary, no 723. A watercolour sketch of this painting is held by the Leamington Art Gallery & Museum

A finely painted landscape scene of cattle near a Willow tree and stream by Thomas Baker of Leamington. As some of the cows take rest under the tree or drink from the stream, others graze in the meadow beyond. A sketch of this painting appears in Baker’s diary no, 723. It was completed by the artist in December 1860 and purchased from him by a Mr Day in January, 1862. A preliminary watercolour sketch of this work can be found at Leamington Art Gallery & Museum.

Thomas Baker was a Midlands landscape painter born on 9 October, 1809 in Harborne, Birmingham. He studied under Vincent Barber (1788-1838) at the Barber family’s Charles Street Academy in Birmingham and started exhibiting from 1827. He painted the landscapes of Warwickshire, the Midlands and Wales usually with the inclusion of cattle and sheep and became known as “Baker of Leamington” or “Landscape Baker”. He signed each major picture “T Baker” and kept detailed records of all of his works along with diaries and notes, which are now held in the Birmingham City Art Gallery.

He exhibited at the Birmingham Society of Artists, the Royal Academy from 1831 – 1858, the British Institution and the Royal Birmingham Society of Artists. Many of his works sold through ‘Carver & Gilders’ in Leamington and he gained many major patrons such as Lord Leigh; however he also supplemented his income by providing artistic tuition.

At the time of his premature death in Leamington Spa on 10 August, 1864, he had achieved considerable artistic acclaim becoming a member of the Birmingham Society of Artists and Royal Birmingham Society of Artists.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
52cm (20.47")
Width
46.5cm (18.31")
Depth
5cm (1.97")
Declaration

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA682762
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Thomas Baker

British, (1809-1864)

Cows with a Willow Tree

Oil on canvas, signed & dated 1860

Image size: 14 inches x 11.75 inches

Size including frame: 20.5 inches x 18.25 inches

Provenance: Details of this painting & a sketch are listed in the artist’s diary, no 723. A watercolour sketch of this painting is held by the Leamington Art Gallery & Museum

A finely painted landscape scene of cattle near a Willow tree and stream by Thomas Baker of Leamington.
Benton Fine Art

As some of the cows take rest under the tree or drink from the stream, others graze in the meadow beyond. A sketch of this painting appears in Baker’s diary no, 723. It was completed by the artist in December 1860 and purchased from him by a Mr Day in January, 1862. A preliminary watercolour sketch of this work can be found at Leamington Art Gallery & Museum.

fig 1. A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
fig 1. Landscape Oil Painting of Cattle by Thomas Baker of Leamington

Thomas Baker was a Midlands landscape painter born on 9 October, 1809 in Harborne, Birmingham. He studied under Vincent Barber (1788-1838) at the Barber family’s Charles Street Academy in Birmingham and started exhibiting from 1827. He painted the landscapes of Warwickshire, the Midlands and Wales usually with the inclusion of cattle and sheep and became known as “Baker of Leamington” or “Landscape Baker”. He signed each major picture “T Baker” and kept detailed records of all of his works along with diaries and notes, which are now held in the Birmingham City Art Gallery.

fig 2. A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
fig 2. Landscape Oil Painting of Cattle by Thomas Baker of Leamington

He exhibited at the Birmingham Society of Artists, the Royal Academy from 1831 – 1858, the British Institution and the Royal Birmingham Society of Artists. Many of his works sold through ‘Carver & Gilders’ in Leamington and he gained many major patrons such as Lord Leigh; however he also supplemented his income by providing artistic tuition.

fig 3. A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
fig 3. Landscape Oil Painting of Cattle by Thomas Baker of Leamington

At the time of his premature death in Leamington Spa on 10 August, 1864, he had achieved considerable artistic acclaim becoming a member of the Birmingham Society of Artists and Royal Birmingham Society of Artists.

fig 4. A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
fig 4. Landscape Oil Painting of Cattle by Thomas Baker of Leamington

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
52cm (20.47")
Width
46.5cm (18.31")
Depth
5cm (1.97")
Date of Manufacture

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA682762
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
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Archive I A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.

Landscape Oil Painting of Cattle by Thomas Baker of Leamington

Archive II A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View II
Archive III A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View III
Archive IV A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View IV
Archive V A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View V
Archive VI A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View VI
Archive VII A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View VII
Archive VIII A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame. View VIII
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Worcestershire
United Kingdom

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Verified Since Sep 2012
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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
211
A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
Landscape oil painting of cattle by Thomas Baker of Leamington
Ref: SA682762
A 19th-century landscape oil painting showing cattle resting under a tree near a stream, contained in a gold gilt frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British pastoral landscape art typically depicts rural agricultural scenes, livestock, and natural light. Artists such as Thomas Baker of Leamington recorded the countryside during a period of rapid industrial growth in Britain.

Artists painted with oil pigments applied to stretched linen canvas or wooden panels. Frames were constructed from timber with plaster mouldings and finished with gold leaf gilding.

Authentic 19th-century oil paintings show age-appropriate craquelure on the paint surface and natural oxidisation on the canvas reverse. Frame construction, signatures, and evidence of water gilding techniques assist in establishing origin.

A traditional landscape painting can be placed above a sideboard or fireplace mantel to create a focal point. Positioned against contemporary dark or neutral wall paint, the gilded frame and organic colours stand out in contrast.

Keep the artwork away from direct sunlight, excess humidity, and heat sources to prevent canvas warping. Dust the gilded frame gently using a soft, dry brush, avoiding liquid cleaners that dissolve gold leaf.
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