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ID #SA1084527
FOR SALE
£4,650
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Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis
Benton Fine Art
for sale €5,441     $5,906
£4,650
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA1084527
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Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

19th century
For Sale by Benton Fine Art
Description

Henry Brittan Willis

British, (1810-1884)

Midday Rest

Oil on canvas, signed & dated (18)59

Image size: 18.5 inches x 31 inches

Size including frame: 26.25 inches x 38.75 inches

A beautifully painted landscape scene of cattle and figures near a Welsh mountain by Henry Brittan Willis. A herd of cows are shown resting on the side of a hill as a bull stands guard. To the right of the painting a herder and his wife, depicted in traditional Welsh dress, can also be seen taking their rest next to a white horse. In the background lies a mountainous landscape with the high peaks partially covered by clouds. In 1859, at the time of this painting, Willis was living at 7 Lidlington Place, St Pancras, London. He is known to have visited Dolgellau and Porthmadog in North Wales around this period and the location of the painting could well be that of the Snowdonia mountain range.

Henry Brittan Willis was born in Westbury on Trym, Bristol on 7 August, 1810, the son of John Aylburton Willis an artist and drawing master and his wife Ann (née Brittan). His older brother Edmund Aylburton Willis (1808-1899) also became an artist. Both brothers were taught art by their father and Willis spent his youth sketching the surrounding landscapes of his home city. He later began exhibiting in Bristol, becoming a member of the Bristol Art Society.

He married Elizabeth Broughton at Bristol on 31 august, 1837 and the couple initially lived with her father in Marlborough Hill, Bristol. After achieving limited success in Bristol, he decided to travel to America in 1842 where he spent time painting the scenery of the Catskill Mountains and the Hudson River. After a bout of ill health, he returned to England in 1843 and moved to London where he lived at Stanhope Street, Regent's Park. He made his debut at the Royal Academy in 1844 and in the same year also began exhibiting at the Royal Society of British Artists. In 1847 began exhibiting at the British Institution and became a member of the Free Exhibitions society.

Willis travelled around the country painting the landscapes of Gloucestershire, Oxfordshire, Surrey, Sussex and North Wales. His works often featured animals such as cattle for which he became best known for. As well as working solo, he also collaborated with other artist such as Frederick William Hulme (1816-1884) who became a lifelong friend. In 1850 he moved to 7, Lidlington Place, St Pancras residing there until 1861 when he relocated to 5 Hereford Square in Kensington near to where his friend Hulme lived. In 1862 he was elected an associate of the Old Watercolour Society (RWS), becoming a full member in 1863.

By 1871 he had achieved success as an artist and moved to 12 Palace Gardens Terrace, Kensington. His success also enabled him to keep a house in Weston-Super-Mare where he often spent time, with his base remaining in Kensington. He died at his residence in Kensington on 17 January, 1884 after a short illness. Examples of his work are held in a number of public art collections including the Bristol Museum, Glasgow Museum, Leicester Museum, Nuneaton Museum, Royal Watercolour Society, Russell-Cotes Art Gallery, Shipley Art Gallery and York Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
66.5cm (26.18")
Width
98.5cm (38.78")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1084527
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Henry Brittan Willis

British, (1810-1884)

Midday Rest

Oil on canvas, signed & dated (18)59

Image size: 18.5 inches x 31 inches

Size including frame: 26.25 inches x 38.75 inches

A beautifully painted landscape scene of cattle and figures near a Welsh mountain by Henry Brittan Willis.
Benton Fine Art

A herd of cows are shown resting on the side of a hill as a bull stands guard. To the right of the painting a herder and his wife, depicted in traditional Welsh dress, can also be seen taking their rest next to a white horse. In the background lies a mountainous landscape with the high peaks partially covered by clouds. In 1859, at the time of this painting, Willis was living at 7 Lidlington Place, St Pancras, London. He is known to have visited Dolgellau and Porthmadog in North Wales around this period and the location of the painting could well be that of the Snowdonia mountain range.

fig 1. A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
fig 1. Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

Henry Brittan Willis was born in Westbury on Trym, Bristol on 7 August, 1810, the son of John Aylburton Willis an artist and drawing master and his wife Ann (née Brittan). His older brother Edmund Aylburton Willis (1808-1899) also became an artist. Both brothers were taught art by their father and Willis spent his youth sketching the surrounding landscapes of his home city. He later began exhibiting in Bristol, becoming a member of the Bristol Art Society.

fig 2. A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
fig 2. Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

He married Elizabeth Broughton at Bristol on 31 august, 1837 and the couple initially lived with her father in Marlborough Hill, Bristol. After achieving limited success in Bristol, he decided to travel to America in 1842 where he spent time painting the scenery of the Catskill Mountains and the Hudson River. After a bout of ill health, he returned to England in 1843 and moved to London where he lived at Stanhope Street, Regent's Park. He made his debut at the Royal Academy in 1844 and in the same year also began exhibiting at the Royal Society of British Artists. In 1847 began exhibiting at the British Institution and became a member of the Free Exhibitions society.

fig 3. A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
fig 3. Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

Willis travelled around the country painting the landscapes of Gloucestershire, Oxfordshire, Surrey, Sussex and North Wales. His works often featured animals such as cattle for which he became best known for. As well as working solo, he also collaborated with other artist such as Frederick William Hulme (1816-1884) who became a lifelong friend. In 1850 he moved to 7, Lidlington Place, St Pancras residing there until 1861 when he relocated to 5 Hereford Square in Kensington near to where his friend Hulme lived. In 1862 he was elected an associate of the Old Watercolour Society (RWS), becoming a full member in 1863.

fig 4. A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
fig 4. Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

By 1871 he had achieved success as an artist and moved to 12 Palace Gardens Terrace, Kensington. His success also enabled him to keep a house in Weston-Super-Mare where he often spent time, with his base remaining in Kensington. He died at his residence in Kensington on 17 January, 1884 after a short illness. Examples of his work are held in a number of public art collections including the Bristol Museum, Glasgow Museum, Leicester Museum, Nuneaton Museum, Royal Watercolour Society, Russell-Cotes Art Gallery, Shipley Art Gallery and York Art Gallery.

fig 5. A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
fig 5. Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
66.5cm (26.18")
Width
98.5cm (38.78")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1084527
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
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Archive I A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.

Welsh Landscape Animal Oil Painting of Cattle with Figures by Henry Brittan Willis

Archive II A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View II
Archive III A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View III
Archive IV A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View IV
Archive V A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View V
Archive VI A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View VI
Archive VII A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View VII
Archive VIII A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View VIII
Archive IX A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame. View IX
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Worcestershire
United Kingdom

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Benton Fine Art
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Verified Since Sep 2012
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A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
Welsh landscape animal oil painting of cattle with figures by Henry Brittan Willis
Ref: SA1084527
A 19th-century oil painting on canvas depicting cattle resting on a hillside with distant mountains, presented in a gilded ornate frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Pastoral landscape paintings from this period focus on rural life, depicting livestock, rolling countryside, and atmospheric weather conditions. Artists emphasised naturalism and light, capturing detailed depictions of farm animals within scenic topographies.

These paintings were executed using oil-based pigments applied to stretched linen or cotton canvas. Frames were typically crafted from wood with moulded plaster detailing and finished with gold leaf gilding.

Authentic period paintings exhibit natural age-related craquelure across the paint surface, historic wood stretchers, and signs of patina on the gilded frame. Signatures, dates, or artist monograms located near the lower edges also aid identification.

A framed landscape painting serves as a focal point when positioned above a fireplace mantel, sideboard, or console table. It pairs effectively with natural timber furniture, neutral colour palettes, and traditional textiles.

Dust the surface lightly with a soft, dry camel-hair brush to prevent accumulation. Keep the artwork away from direct sunlight, radiators, and areas of high humidity, avoiding liquid cleaners or chemical polishes.
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