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Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper
Benton Fine Art
for sale €4,973     $5,398
£4,250
Benton Fine Art

Benton Fine Art

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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

1900 - 1920
For Sale by Benton Fine Art
Description

William Sidney Cooper

British, (1854-1927)

Cattle Watering near Canterbury Cathedral

Oil on canvas, signed & dated 1923

Image size: 15.5 inches x 23.5 inches

Size including frame: 22.75 inches x 30.75 inches

A tranquil painting of cattle watering at Canterbury Meadow, Kent, by William Sidney Cooper. In the foreground some of the herd are shown standing in the river Stour. Behind them, in the far distance, can be seen Canterbury Cathedral. Cooper knew the area very well, having grown up there and it was a place he returned to frequently to paint.

William Sidney Cooper was born in Canterbury, Kent in 1854 and was the son of John Ramsay Cooper, a dispensary chemist and Mary Barber. He was the great nephew of Thomas Sidney Cooper (1803-1902), the famous landscape painter. His talent for painting was recognised early on and he trained under his great uncle at the Canterbury Sidney Cooper School of Art.

In 1881, he started exhibiting at the Royal Academy and Suffolk Street and later at the Royal Watercolour Society. Works at the RA include ‘Springtime, Isle of Wight’, ‘The Avon at Ringwood’ and ‘Twilight on the Thames’. He married Kate Kennett in 1882 and they lived in Pangbourne, Berkshire where they had their first 3 children. In 1890, they moved to Herne Bay in Kent, living at 18 William Street where their last 2 children were born. Sometime after 1913 he moved to live at Glenthorne, Cecil Park in Herne Bay.

Like his great uncle, he painted sheep and cattle in landscapes, often set within the countryside of Herne Bay. As well as a talented artist, Cooper was also a musician and a keen golfer and involved himself with his local community. He died on 9 September, 1927 aged 73 and is buried in Eddington Churchyard. His works are highly collectable and can be found amongst many private collections as well as museums and art galleries including: Canterbury Museum, Cartwright Hall Art Gallery, Cliffe Castle Museum, Ferens Art Gallery, Hampshire Cultural Trust, Maidstone Museum and Reading Museum.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
58cm (22.83")
Width
78cm (30.71")
Depth
7.5cm (2.95")
Declaration

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA925742
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
William Sidney Cooper

British, (1854-1927)

Cattle Watering near Canterbury Cathedral

Oil on canvas, signed & dated 1923

Image size: 15.5 inches x 23.5 inches

Size including frame: 22.75 inches x 30.75 inches

A tranquil painting of cattle watering at Canterbury Meadow, Kent, by William Sidney Cooper. In the foreground some of the herd are shown standing in the river Stour. Behind them, in the far distance, can be seen Canterbury Cathedral.

Cooper knew the area very well, having grown up there and it was a place he returned to frequently to paint.
Benton Fine Art
fig 1. A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
fig 1. Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

William Sidney Cooper was born in Canterbury, Kent in 1854 and was the son of John Ramsay Cooper, a dispensary chemist and Mary Barber. He was the great nephew of Thomas Sidney Cooper (1803-1902), the famous landscape painter. His talent for painting was recognised early on and he trained under his great uncle at the Canterbury Sidney Cooper School of Art.

fig 2. A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
fig 2. Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

In 1881, he started exhibiting at the Royal Academy and Suffolk Street and later at the Royal Watercolour Society. Works at the RA include ‘Springtime, Isle of Wight’, ‘The Avon at Ringwood’ and ‘Twilight on the Thames’. He married Kate Kennett in 1882 and they lived in Pangbourne, Berkshire where they had their first 3 children. In 1890, they moved to Herne Bay in Kent, living at 18 William Street where their last 2 children were born. Sometime after 1913 he moved to live at Glenthorne, Cecil Park in Herne Bay.

fig 3. A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
fig 3. Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

Like his great uncle, he painted sheep and cattle in landscapes, often set within the countryside of Herne Bay. As well as a talented artist, Cooper was also a musician and a keen golfer and involved himself with his local community. He died on 9 September, 1927 aged 73 and is buried in Eddington Churchyard. His works are highly collectable and can be found amongst many private collections as well as museums and art galleries including: Canterbury Museum, Cartwright Hall Art Gallery, Cliffe Castle Museum, Ferens Art Gallery, Hampshire Cultural Trust, Maidstone Museum and Reading Museum.

fig 4. A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
fig 4. Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
58cm (22.83")
Width
78cm (30.71")
Depth
7.5cm (2.95")
Date of Manufacture

Benton Fine Art has dated this Victorian Cattle Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA925742
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
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Archive I A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.

Landscape Animal Oil Painting of Cattle Near Canterbury Cathedral by William Sidney Cooper

Archive II A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View II
Archive III A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View III
Archive IV A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View IV
Archive V A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View V
Archive VI A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View VI
Archive VII A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View VII
Archive VIII A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View VIII
Archive IX A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View IX
Archive X A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View X
Archive XI A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape. View XI
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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
Landscape animal oil painting of cattle near Canterbury Cathedral by William Sidney Cooper
Ref: SA925742
A gilded ornate frame enclosing an oil painting of cattle standing in a stream within a green pastoral landscape.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British pastoral paintings typically depict rural life, agricultural scenes, and livestock within realistic natural settings. Artists of this era focused on capturing natural light, weather atmospheric effects, and specific topographical details of the British countryside.

Victorian oil paintings were created using oil-based pigments applied to stretched linen or cotton canvas, wood panels, or millboard. These works are typically housed in heavy wooden frames decorated with molded gesso and finished with gold leaf gilded surfaces.

Authentic period oil paintings display natural craquelure patterns across the paint surface, age-appropriate oxidisation on the canvas reverse, and period-correct stretcher construction. Signatures, artist dates, and original framing labels further confirm provenance.

Traditional oil paintings can be hung as focal points above a mantelpiece, sideboard, or console table in both period and modern settings. Combining gilded frames with contemporary furniture creates visual contrast and integrates historical art into current interior schemes.

Position oil paintings away from direct sunlight, dampness, and heat sources to prevent cracking and canvas warping. Clean gilded frames gently using a dry soft-bristled brush, and consult a qualified conservator for any canvas cleaning or restoration.
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