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Green Marble Bronze Figurine

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A green marble bronze figurine brings together cast metal and polished stone, offering the weight and presence collectors seek for a desk or mantel.

£745
FOR SALE
sculptures
£1,100
FOR SALE
sculptures
£285
FOR SALE
metal
£345
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£1,100
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sculptures
£850
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sculptures
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Sellingantiques  ·  Guide 933112026/2027 edition

Green Marble Bronze Figurine

A green marble bronze figurine brings together cast metal and polished stone, offering the weight and presence collectors seek for a desk or mantel.

An Elegant 19Th Century Bronze Female Nude
Plate I  ·  An Elegant 19th Century Bronze Female Nude, 1880W.J. Gravener Antiques Ltd.
Introduction

Green Marble Bronze Figurine

A green marble bronze figurine combines a metal cast figure with a stone plinth or base, spanning periods from the nineteenth century through the art deco era. These pieces take various forms, including classical figures, animal studies, and dancers mounted directly onto marble or onyx blocks.

The objects appearing here originate largely from nineteenth century French workshops and twentieth century modernist studios. Buyers encounter works cast in bronze, silvered bronze, and spelter, paired with polished green marble bases that anchor the composition.

How they were made

Materials and construction

Foundry workers cast the figures using traditional bronze or spelter methods, employing patinated, silvered, or cold painted finishes to render skin, feathers, and drapery. These metal castings are secured to heavy bases of green marble or onyx using threaded rods or pins.

The stone bases are cut, shaped, and polished to display the natural veining characteristic of green marble. Artisans match the geometry of the plinth to the posture of the figure, whether rectilinear for art deco dancers or circular for classical busts.

The market

Green Marble Bronze Figurine Retail Price Guide 2026

Entry-levelUnder £600
Typical prices£600 – £2,800
Premium examplesOver £2,800

Typical asking prices for green marble bronze figurine among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Dogs, birds, and an oni demon share shelf space with dancers and ancient scholars.

What sets them apart

Quality and execution

The grade of the marble base and the precision of its fit to the bronze indicate the standard of production. Tighter mechanical joints and denser, more uniform stone distinguish workshop pieces of high ambition from simpler commercial castings.

Notable makers of green marble bronze figurine

Charles Louis Malric·Susse Frères·Jules Bonheur·Paul Édouard Delabrierre·Gotthilf Jaeger·Antoine L Barye·Rene Andre Varnier·Josef Lorenzl·Pierre le Faguays·Jose Dunach·L Bureau

Terms antiques dealers use

The Green Marble Bronze Figurine Glossary

Bronze
An alloy of copper and tin utilised for casting sculpture. It takes patination well and holds fine surface detail.
Spelter
A zinc alloy used as a substitute for bronze in decorative figures. It is lighter and softer than bronze, often finished with paint or electroplating.
Patina
The surface coloration developed on metal through age or chemical treatment. It protects the metal and adds depth to sculptural shadows.
Animalier
A nineteenth century artistic movement focused on the realistic depiction of animals. Practitioners studied anatomy closely at menageries.
Questions people ask

Green Marble Bronze Figurine: Frequently Asked Questions

How do I clean the marble base?

Dust the stone with a dry microfibre cloth to remove surface grit.

Avoid commercial chemical cleaners that can etch the polished surface of the green marble.

Is spelter the same as bronze?

Spelter is a zinc alloy, whereas bronze is a copper and tin alloy.

Bronze offers greater weight and durability, while spelter was used for more accessible decorative pieces.

How are figures secured to marble?

Makers typically drilled through the base and secured the metal figure using a threaded bolt and nut.

This connection holds the heavy sculpture firmly to the stone plinth without damaging the material.

What periods do these figures cover?

The pieces span the nineteenth century through the nineteen thirties.

Styles shift from classical nineteenth century subjects to art deco and art nouveau designs.

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