A bag face is the decorative front panel of a nomadic storage sack that has been separated from its plain-weave back. These panels were preserved for their intricate patterns and superior wool work. Nomads originally used the complete double sacks for packing household goods during seasonal migrations. Collectors now display the surviving faces as textile art on walls or tabletops.

How were these bags used?

Nomadic families utilised these heavy woolen sacks for storing grain, bedding, and personal possessions inside tents and during transport on horses or camels. The sturdy construction protected contents from dust and weather. When the sides and plain backs wore out from friction against pack animals, the decorative faces were often cut away and saved. Families valued the skilled weaving and traditional tribal symbols enough to keep them after the utilitarian function ended.

How do I tell tribal groups apart?

Tribal attribution relies on specific wool qualities, colour palettes, and structural characteristics unique to each region. Shahsavan pieces often feature precise soumak flat-weaving with geometric animal rows, while Afshar and Qashqai work frequently displays boteh motifs and central medallions. Familiarity with regional colour choices, such as deep indigo blues paired with rich terracotta reds, helps identify whether a piece originated in Fars, Kerman, or western Persia.

How should I live with these textiles?

These robust wool pieces suit display as wall hangings, table mats, or small decorative cushions in low-traffic areas. Direct strong sunlight should be avoided to protect natural dyes from fading over time. Gentle vacuuming with a suction-only attachment maintains the wool without damaging the antique foundation threads. Proper placement allows the tactile texture and historic dye work to be appreciated daily.