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Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader
Benton Fine Art
for sale €4,914     $5,334
£4,200
Benton Fine Art

Benton Fine Art

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Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

1900 - 1920
For Sale by Benton Fine Art
Description

Benjamin Williams Leader RA

British, (1831-1923)

The Severn Below Worcester

Oil on canvas, signed & dated 1920, further inscribed to the stretcher in pencil

Image size: 11.5 inches x 17.5 inches

Size including frame: 19 inches x 25 inches

Provenance: The Cooling Galleries, London; M Newman Ltd, London.

A lovely river landscape painting of the River Severn near Worcester by Benjamin Williams Leader. A canal boat and two rowing boats with figures can be seen moored by the banks of the river Severn. Three further figures are depicted resting on the top of the bankside. In the background, the tower of a village church can be seen along with other buildings. The church and landscape appear similar to that of Kempsey which is located south of Worcester. Leader painted a number of views at Kempsey during the course of his life.

Benjamin Williams Leader was born Benjamin Leader Williams on 12 March, 1831 in Worcester. His father was Edward Leader Williams, a civil engineer and keen amateur artist and his mother was Sarah Whiting. He was educated at the Royal Grammar School in Worcester and initially followed in his father’s footsteps to become an engineer. During the day he worked at his father’s office but in the evenings studied art at the Worcester School of Design. His father actively encouraged him in his art and he would often accompany him on sketching trips in the Severn Valley.

As a young man, he lived at Diglis House in Worcester and in 1853 became a student at the Royal Academy. He made his debut at the Royal Academy in 1854 using the name Benjamin Williams Leader probably to avoid confusion with another artist of a similar name. His success and achievements at the RA enabled him to become a full-time artist by his late 20’s. He also exhibited at the British Institution from 1855 and at the Royal Society of British Artists, Birmingham Society of Artists, Liverpool Academy and Glasgow Academy.

He married the flower artist Mary Eastlake on 29 August, 1876 at Buckland Monachorum, Devon. After their marriage they moved to The Lodge at Whittington just outside Worcester. His wife continued painting after they were married and exhibited at the RA. Their son Benjamin Eastlake Leader (1877-1916) also became an artist, most likely receiving tutoring from both his parents.

In 1883 he was elected an Associate of the Royal Academy (ARA) becoming a full academician in 1898. He won a number of accolades during his life including a gold medal in Paris in 1889 and was awarded the legion of honour in the same year, at the instigation of Meisonier. He also won a medal at the 1893 Chicago Exhibition. Leader travelled around England and Wales painting landscapes, particularly in the areas near where he lived such as Severn Valley in Worcestershire as well as Warwickshire, Devon and Surrey. He also spent time in Scotland, Belgium, France, Germany and Switzerland.

Around 1890, he settled at Burrows Cross, near Gomshall in Surrey where he lived for the rest of his life. He died at Burrows Cross on 22 March, 1923 and was buried at St James’s cemetery in Shere.

Examples of his work are held by many public institutions throughout the UK including: the Blackburn Museum, Bolton Museum, Bristol Museum, Dudley Museum, Ferens Art Gallery, Glasgow Museum, Grundy Art Gallery, Guildhall Art Gallery, Harris Museum, Haworth Art Gallery, Kelvingrove Art Gallery, Laing Art Gallery, Leicester Museum, The National Library of Wales, Manchester Art Gallery, National Trust, Towneley Hall Art Gallery, Victoria & Albert Museum, Walker Art Gallery, Wednesbury Museum and Worcester City Museum.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
48cm (18.90")
Width
63.5cm (25.00")
Depth
7.5cm (2.95")
Declaration

Benton Fine Art has dated this Victorian Oil Landscape Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1176118
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

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Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Benjamin Williams Leader RA

British, (1831-1923)

The Severn Below Worcester

Oil on canvas, signed & dated 1920, further inscribed to the stretcher in pencil

Image size: 11.5 inches x 17.5 inches

Size including frame: 19 inches x 25 inches

fig 1. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 1. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

Provenance: The Cooling Galleries, London; M Newman Ltd, London.

A lovely river landscape painting of the River Severn near Worcester by Benjamin Williams Leader. A canal boat and two rowing boats with figures can be seen moored by the banks of the river Severn. Three further figures are depicted resting on the top of the bankside. In the background, the tower of a village church can be seen along with other buildings. The church and landscape appear similar to that of Kempsey which is located south of Worcester. Leader painted a number of views at Kempsey during the course of his life.

Benjamin Williams Leader was born Benjamin Leader Williams on 12 March, 1831 in Worcester.

His father was Edward Leader Williams, a civil engineer and keen amateur artist and his mother was Sarah Whiting.
Benton Fine Art

He was educated at the Royal Grammar School in Worcester and initially followed in his father’s footsteps to become an engineer. During the day he worked at his father’s office but in the evenings studied art at the Worcester School of Design. His father actively encouraged him in his art and he would often accompany him on sketching trips in the Severn Valley.

fig 2. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 2. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

As a young man, he lived at Diglis House in Worcester and in 1853 became a student at the Royal Academy. He made his debut at the Royal Academy in 1854 using the name Benjamin Williams Leader probably to avoid confusion with another artist of a similar name. His success and achievements at the RA enabled him to become a full-time artist by his late 20’s. He also exhibited at the British Institution from 1855 and at the Royal Society of British Artists, Birmingham Society of Artists, Liverpool Academy and Glasgow Academy.

fig 3. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 3. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

He married the flower artist Mary Eastlake on 29 August, 1876 at Buckland Monachorum, Devon. After their marriage they moved to The Lodge at Whittington just outside Worcester. His wife continued painting after they were married and exhibited at the RA. Their son Benjamin Eastlake Leader (1877-1916) also became an artist, most likely receiving tutoring from both his parents.

fig 4. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 4. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

In 1883 he was elected an Associate of the Royal Academy (ARA) becoming a full academician in 1898. He won a number of accolades during his life including a gold medal in Paris in 1889 and was awarded the legion of honour in the same year, at the instigation of Meisonier. He also won a medal at the 1893 Chicago Exhibition. Leader travelled around England and Wales painting landscapes, particularly in the areas near where he lived such as Severn Valley in Worcestershire as well as Warwickshire, Devon and Surrey. He also spent time in Scotland, Belgium, France, Germany and Switzerland.

fig 5. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 5. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

Around 1890, he settled at Burrows Cross, near Gomshall in Surrey where he lived for the rest of his life. He died at Burrows Cross on 22 March, 1923 and was buried at St James’s cemetery in Shere.

Examples of his work are held by many public institutions throughout the UK including: the Blackburn Museum, Bolton Museum, Bristol Museum, Dudley Museum, Ferens Art Gallery, Glasgow Museum, Grundy Art Gallery, Guildhall Art Gallery, Harris Museum, Haworth Art Gallery, Kelvingrove Art Gallery, Laing Art Gallery, Leicester Museum, The National Library of Wales, Manchester Art Gallery, National Trust, Towneley Hall Art Gallery, Victoria & Albert Museum, Walker Art Gallery, Wednesbury Museum and Worcester City Museum.

fig 6. A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
fig 6. Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
48cm (18.90")
Width
63.5cm (25.00")
Depth
7.5cm (2.95")
Date of Manufacture

Benton Fine Art has dated this Victorian Oil Landscape Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1176118
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
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Archive I A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.

Landscape Oil Painting of the River Severn Below Worcester by Benjamin Williams Leader

Archive II A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View II
Archive III A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View III
Archive IV Scale Reference for A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
Archive V A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View V
Archive VI A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View VI
Archive VII A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View VII
Archive VIII A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View VIII
Archive IX A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View IX
Archive X A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View X
Archive XI A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View XI
Archive XII A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame. View XII
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
Landscape oil painting of the River Severn below Worcester by Benjamin Williams Leader
Ref: SA1176118
A horizontal landscape oil painting depicting a river scene with a barge and church in the background, set within a carved gilded frame.
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Victorian landscape paintings typically focus on naturalistic depictions of the British countryside, emphasising changing light, atmospheric conditions, rural architecture, and pastoral river scenes.

Artists during this period primarily used oil pigments bound with linseed oil on stretched linen canvas or wooden panels, housed within carved gilded pine or plaster composition frames.

Authentic works from this period frequently display age-related craquelure across the paint layer, natural wood darkening on the reverse stretcher, and period-appropriate signature styles.

Position the artwork as a central focal point above a mantelpiece or side table to establish visual contrast between historic paintings and contemporary architectural lines.

Keep the painting away from direct sunlight, fluctuating humidity, and heat sources, dusting the gilt frame gently with a soft dry brush while leaving surface cleaning to professional conservators.
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