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Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner
Benton Fine Art
for sale €5,031     $5,461
£4,300
Benton Fine Art

Benton Fine Art

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Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

19th century
For Sale by Benton Fine Art
Description

George Turner

British, (1843-1910)

Near Tonge, Leicestershire

Oil on canvas, signed

Image size: 15.25 inches x 23.25 inches

Size including frame: 22.75 inches x 30.75 inches

A charming landscape painting of a shepherd and flock resting in a country lane at Tonge, Leicestershire by George Turner. A flock of sheep are depicted taking rest in a lane under the shade of a tree. In the foreground, a shepherd and his dog can be seen keeping a watchful eye as they relax in front of a gate. Tonge, is a village located in North Leicestershire, close to the Derbyshire border. At the time of this painting, Turner was living in Barrow-on-Trent, which is only around 7 miles from Tonge and would have been relatively easy to get to.

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a handwritten label (see image) which is most likely a transcription of the original title and date of the work.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
58cm (22.83")
Width
78cm (30.71")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1135752
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

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Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
George Turner

British, (1843-1910)

Near Tonge, Leicestershire

Oil on canvas, signed

Image size: 15.25 inches x 23.25 inches

Size including frame: 22.75 inches x 30.75 inches

A charming landscape painting of a shepherd and flock resting in a country lane at Tonge, Leicestershire by George Turner.
Benton Fine Art

A flock of sheep are depicted taking rest in a lane under the shade of a tree. In the foreground, a shepherd and his dog can be seen keeping a watchful eye as they relax in front of a gate. Tonge, is a village located in North Leicestershire, close to the Derbyshire border. At the time of this painting, Turner was living in Barrow-on-Trent, which is only around 7 miles from Tonge and would have been relatively easy to get to.

fig 1. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 1. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

George Turner was a landscape painter born in Cromford, Derbyshire around 1843 to Thomas and Mary Turner. His father was a tailor and encouraged his son’s natural talent for art. Although largely self- taught, he was able to set himself up as a professional artist by the age of 20. He also turned his hand to private art teaching as a young man.

fig 2. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 2. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

After moving to Barrow-on-Trent he met and married his first wife Eliza Lakin in 1865. They lived at her family farm ‘The Walnuts’ in Barrow on Trent and had four children, two of whom became artists, Mary Turner (later Woore) and the better known William Lakin Turner (1867-1936).

fig 3. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 3. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

Turner specialised in rustic views and often painted scenes in South Derbyshire and the Trent Valley where he lived. He also visited Birmingham, North Wales and Scotland. He exhibited from 1860 at the Birmingham Society of Artists and Suffolk Street. He was a frequent exhibitor at the Derby Art Gallery and became a member of the Derby Corporation Art Gallery Committee. He continued teaching art throughout his life and became art master to Louis Bosworth Hurt (1856-1929), who lived in nearby Ashbourne and David Payne (1843-1894) who also lived in Barrow-on-Trent, as well as his son William.

fig 4. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 4. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

In 1880, he was commissioned to paint views of Calk Abbey by Lady Crewe. After the death of his wife in 1900, he moved to Kirk Ireton, living for a time at the Barley Mow Inn and then at 81 Oxford Street, Derby. On 16 November, 1903, he married the artist Kate Stevens Smith (1871-1964) and moved to Cliffe Ash Cottage in Idridgehay. Turner died at Idridgehay on 29 March, 1910 and is buried in St James’ churchyard.

fig 5. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 5. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

Turner has been dubbed ‘Derbyshire’s John Constable’ with his paintings being highly collectable. His work is held by a number of public collections including the Brampton Museum, Colchester & Ipswich Museums, Derby Museum & Art Gallery, Erewash Borough Council, National Library of Wales, National Trust, Russell-Cotes Art Gallery, Southampton City Art Gallery, Wigan Arts & Heritage Service and Wolverhampton Art Gallery.

fig 6. A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
fig 6. Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a handwritten label (see image) which is most likely a transcription of the original title and date of the work.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
58cm (22.83")
Width
78cm (30.71")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1135752
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
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Archive I A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.

Landscape Oil Painting of a Shepherd & Flock in a Country Lane by George Turner

Archive II A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View II
Archive III A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View III
Archive IV A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View IV
Archive V A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View V
Archive VI A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View VI
Archive VII A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View VII
Archive VIII A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View VIII
Archive IX A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View IX
Archive X A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame. View X
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
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A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
Landscape oil painting of a shepherd & flock in a country lane by George Turner
Ref: SA1135752
A Victorian landscape oil painting depicting a shepherd and flock of sheep on a country path, housed within an ornate gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian landscape art developed during the nineteenth century, focusing on naturalistic depictions of countryside vistas, agrarian life, and shifting atmospheric conditions. Artists often emphasized idealized rural settings to contrast with the rapid industrialisation of British towns.

Paintings from this era were typically executed using oil pigments mixed with drying oils on woven linen canvas stretched over timber frames. The surrounding swept frames were constructed from carved wood or plaster moulding finished with oil or water gilding using real gold leaf.

Authentic period works display natural age-related features such as fine craquelure across the paint surface, darkening or yellowing of the original varnish, and oxidisation of the canvas backing and timber stretchers. Period-correct framing techniques, plaster moulding details, and contemporary artist signatures further verify authenticity.

Framed landscape art functions well as a focal point above a fireplace mantelpiece or positioned over a dining room sideboard. Integrating traditional oil paintings into a modern gallery wall provides visual texture and creates a balanced transitional aesthetic.

Keep the artwork away from direct sunlight, heating vents, and high humidity to prevent canvas warping and paint flaking. Dust the frame and surface gently with a soft dry brush, avoiding liquid cleaners or chemical polishes.
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