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Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870
Gillers Antiques Ltd
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Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870

19th century
Description

This beautiful porcelain candy or trinket dish was produced in Germany under Helena Wolfsohn’s Dresden workshop in the 1870s. A superbly painted and gilded hexagonal small dish in the Dresden style, with a deep border, cobalt blue and hand gilded with a scrolling decoration design.

It has a hand-painted central cartouche depicting a hunter returning home in the evening from hunting; in one hand, he proudly holds a captured hare, while in the other hand, he leads his horse by the reins. The dish has a cobalt blue background inside and white outside; the frame of the cartouche, as well as the upper rim, are decorated in gold. The hand-painted items by Helena Wolfsohn are extremely detailed and well-designed. The shape and pattern of such a dish were popular at the time and were made by other factories, such as Royal Vienna Porcelain and others. Helena Wolfsohn’s factory did not exist for a long time (1879-1883), so items from this manufactory are rare.

Helena Wolfsohn was the successor of her father, who ran a porcelain business under the name L. Meyer & Söhne. She operated in Dresden from 1843, buying white porcelain mostly from Meissen and decorating it by imitating the style of the oldest Meissen pieces by Johann Gregorius Höroldt. She also used Watteau paintings as her inspiration. In 1878, the business was taken over by Helena's daughter, Emilie Elb. The firm won various prizes at international exhibitions, including 3rd prize in Melbourne in 1880. However, the next year problems started. The Meissen factory sued them for using the AR (Augustus Rex) mark. In 1881, the studio was forced to stop using the mark in Germany and in 1883 in England. The compensation for using the mark illegally was so high that the studio almost lost financial liquidity.

At the Helena Wolfsohn factory, the porcelain itself was not produced; all blanks were supplied directly from different manufactories. The blanks were painted, glazed, and fired. Helena Wolfsohn specialized in Rococo porcelain painting. For a time, the factory used the initials AR in its branding, similar to one of the early Meissen brandings, but in 1883, as a result of legal proceedings, the use of these letters was prohibited. The Helena Wolfsohn manufactory was one of the best followers and preservers of the tradition of Meissen porcelain. It is often very difficult to distinguish between Meissen porcelain and porcelain from this factory, so high is the class of the works.

Dimensions:

Length: 15.4 cm

Width: 9.1 cm

Height: 3 cm

Condition: Small brown dot on the side, apparently a firing defect. Otherwise, excellent antique condition.

Please study the accompanying photographs carefully as they form an integral part of this description. The item will be shipped with full tracking and insurance. It is important to note that shipping costs include labor, packaging, and postage.

Declaration

Gillers Antiques Ltd has dated this Dresden Porcelain Dish to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1084888
Description
This beautiful porcelain candy or trinket dish was produced in Germany under Helena Wolfsohn’s Dresden workshop in the 1870s.
A superbly painted and gilded hexagonal small dish in the Dresden style, with a deep border, cobalt blue and hand gilded with a scrolling decoration design.
Gillers Antiques Ltd
fig 1. An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
fig 1. Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870

It has a hand-painted central cartouche depicting a hunter returning home in the evening from hunting; in one hand, he proudly holds a captured hare, while in the other hand, he leads his horse by the reins. The dish has a cobalt blue background inside and white outside; the frame of the cartouche, as well as the upper rim, are decorated in gold. The hand-painted items by Helena Wolfsohn are extremely detailed and well-designed. The shape and pattern of such a dish were popular at the time and were made by other factories, such as Royal Vienna Porcelain and others. Helena Wolfsohn’s factory did not exist for a long time (1879-1883), so items from this manufactory are rare.

fig 2. An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
fig 2. Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870

Helena Wolfsohn was the successor of her father, who ran a porcelain business under the name L. Meyer & Söhne. She operated in Dresden from 1843, buying white porcelain mostly from Meissen and decorating it by imitating the style of the oldest Meissen pieces by Johann Gregorius Höroldt. She also used Watteau paintings as her inspiration. In 1878, the business was taken over by Helena's daughter, Emilie Elb. The firm won various prizes at international exhibitions, including 3rd prize in Melbourne in 1880. However, the next year problems started. The Meissen factory sued them for using the AR (Augustus Rex) mark. In 1881, the studio was forced to stop using the mark in Germany and in 1883 in England. The compensation for using the mark illegally was so high that the studio almost lost financial liquidity.

fig 3. An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
fig 3. Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870

At the Helena Wolfsohn factory, the porcelain itself was not produced; all blanks were supplied directly from different manufactories. The blanks were painted, glazed, and fired. Helena Wolfsohn specialized in Rococo porcelain painting. For a time, the factory used the initials AR in its branding, similar to one of the early Meissen brandings, but in 1883, as a result of legal proceedings, the use of these letters was prohibited. The Helena Wolfsohn manufactory was one of the best followers and preservers of the tradition of Meissen porcelain. It is often very difficult to distinguish between Meissen porcelain and porcelain from this factory, so high is the class of the works.

fig 4. An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
fig 4. Dresden, Helena Wolfsohn, Hand-painted Dish, C. 1870

Dimensions:

Length: 15.4 cm

Width: 9.1 cm

Height: 3 cm

Condition: Small brown dot on the side, apparently a firing defect. Otherwise, excellent antique condition.

Please study the accompanying photographs carefully as they form an integral part of this description. The item will be shipped with full tracking and insurance. It is important to note that shipping costs include labor, packaging, and postage.

Date of Manufacture

Gillers Antiques Ltd has dated this Dresden Porcelain Dish to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1084888
Gillers Antiques Ltd
Gillers Antiques Ltd
Sellingantiques verified Since Mar 2023
Dealer Profile

You can view the stock and full dealer information on the Gillers Antiques Ltd Profile Page

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An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
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Archive I An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.

Dresden, Helena Wolfsohn, Hand-Painted Dish, c. 1870

Archive II An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View II
Archive III An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View III
Archive IV An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View IV
Archive V An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View V
Archive VI An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View VI
Archive VII An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View VII
Archive VIII An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View VIII
Archive IX An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View IX
Archive X An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene. View X
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An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
Dresden, Helena Wolfsohn, Hand-Painted Dish, c. 1870
Ref: SA1084888
An oval lobed Dresden porcelain dish featuring a cobalt blue rim decorated with gilt scrollwork and a central hand-painted equestrian scene.
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Helena Wolfsohn operated a decorating studio in Dresden during the nineteenth century, purchasing white porcelain blanks to decorate in historicist styles, frequently featuring dense gilding and hand-painted central panels.

These decorative items were crafted from hard-paste porcelain, finished with an overglaze enamel coating, hand-painted figurative scenes, and applied liquid gold embellishments.

Authentic studio pieces usually display complex hand-painted vignettes surrounded by scrollwork gilding, often accompanied by studio marks such as the Augustus Rex mark or later overglaze factory stamps.

Small porcelain dishes function well atop stack books, styled within glass display cabinets, or placed on console tables to provide historical contrast against modern backdrops.

Dust the surface using a dry microfibre cloth or soft brush, avoiding liquid immersion or abrasive cleaners that can cause gilded layers and enamel details to degrade.
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