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Faience Blue White Plate

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These faience blue white plate examples span centuries of tin-glazed earthenware, offering collectors rich painted cobalt designs on classic ceramic bodies.

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Sellingantiques  ·  Guide 1225872026/2027 edition

Faience Blue White Plate

These faience blue white plate examples span centuries of tin-glazed earthenware, offering collectors rich painted cobalt designs on classic ceramic bodies.

18TH C DELFT CHARGER
Plate I  ·  18th C Delft Charger, 1750Mytton Antiques - Jerrard Nares
Introduction

Faience Blue White Plate

The common thread across these objects is the use of white tin glaze as a canvas for cobalt pigment painting. You find traditional Dutch Delftware alongside Moorish style continental variants and French faience productions.

In brief

How they were made

Makers shaped these items from earthenware clay before applying an opaque tin glaze that created a smooth white surface for decoration. Artisans then painted directly onto this absorbent unfired or once-fired glaze using cobalt pigment.

A final transparent glaze coat often went over the painted surface before a high-temperature kiln firing fixed the blue colour into the ceramic body.

From the Sellingantiques archive

Peacock plates, known historically as waaierbord, let historical artisans turn blue pigment into scrolling avian tails.

What sets them apart

What varies in quality

Quality rests primarily on the finesse and control of the cobalt brushwork, where confident, fluid hand-painted motifs distinguish superior pieces from stiffer, routine production. The purity and evenness of the white tin glaze also dictate the visual appeal of the finished surface.

Additionally, the scale and ambition of the form matter greatly, with large chargers and complex pictorial plates demanding higher technical mastery from the potter than standard domestic tableware.

Notable makers of faience blue white plate

Bassano pottery works

Terms antiques dealers use

The Faience Blue White Plate Glossary

Faience
Tin-glazed earthenware produced in continental Europe, particularly France and the Netherlands. It forms the primary material category for these blue and white objects.
Delftware
Tin-glazed earthenware made in the Netherlands, renowned for its distinctive blue and white painting. Much of the evidence centres on this specific regional output.
Charger
A large decorative plate or platter intended for display on a wall or sideboard rather than daily dining use. Many examples in this category take this large format.
Cobalt pigment
The metallic oxide colorant used to create the deep blue painted decoration on tin-glazed ceramics. It maintains its intense colour through high-temperature kiln firings.
Tin glaze
An opaque white ceramic glaze containing tin oxide, providing the characteristic smooth background for painted designs. It absorbs the cobalt pigment before the final glaze firing.
Questions people ask

Faience Blue White Plate: Frequently Asked Questions

Are these plates safe for daily dining?

Most antique tin-glazed plates and chargers are intended for decorative display rather than heavy modern culinary use. The historic glazes can be sensitive to modern detergents and cutlery scratching.

Enjoy them on walls or sideboards where their painted surfaces remain protected from everyday wear and tear.

How do I tell Dutch delft from French faience?

Dutch delft typically relies on specific cobalt blue palettes and distinct decorative motifs derived from trade porcelain and local scenes. French faience often incorporates different regional shaping, varied border styles, and occasionally polychrome touches alongside the blue.

Examining the foot rim and glaze characteristics helps reveal the likely European workshop origin.

Why do some plates have crazing?

Crazing is the fine network of microscopic cracks in the glaze layer caused by natural age and tension between the body and the surface. It appears frequently on centuries-old earthenware as the ceramic breathes and settles over time.

This phenomenon is a normal characteristic of antique tin-glazed pottery rather than a structural failure.

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