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Antique Gold Full Mirror

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An antique gold full mirror brings height and reflected light to a room through tall proportions and grand nineteenth-century frames.

£1,750
2 WEEKS AGO
mirrors
£1,280
2 MONTHS AGO
mirrors
£725
2 MONTHS AGO
mirrors
£1,250
2 MONTHS AGO
mirrors

Listings feature periods spanning the Regency era through the nineteenth century and into early twentieth-century Edwardian designs.

£2,850
3+ MONTHS AGO
mirrors
£1,250
3+ MONTHS AGO
mirrors
£1,400
3+ MONTHS AGO
mirrors
£495
3+ MONTHS AGO
mirrors
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Sellingantiques  ·  Guide 868232026/2027 edition

Antique Gold Full Mirror

An antique gold full mirror brings height and reflected light to a room through tall proportions and grand nineteenth-century frames.

Introduction

Antique Gold Full Mirror

An antique gold full mirror encompasses tall wall mirrors, overmantel mirrors, leaner mirrors, and cheval mirrors designed to reflect the entire figure or open up a room. These pieces appear most frequently in nineteenth-century styles, including French Rococo Revival, Neoclassical, and Regency, alongside Edwardian examples.

The format ranges from sweeping French Chateau and Louis Philippe styles to architectural pier glasses and narrow hall mirrors. Many specimens utilise substantial proportions, standing as commanding statement pieces intended for floor placement or wall mounting.

Origins span English, French, and Italian workshops, bringing distinct regional carving traditions to the gilt frames. Buyers encounter both arched tops and rectangular formats, often incorporating detailed crestings or carved wooden decoration.

What sets them apart

Distinctions in quality

Quality rests in the depth and crispness of the hand-carved wood and gesso ornamentation, where deeply undercut foliage and balanced proportions separate superior craftsmanship from simpler production. The integrity of the original gilding and the weight of the frame also indicate the standard of the piece.

The preservation of the original mirror plate contributes significantly to the character of the object. Substantial scale combined with refined stylistic execution marks the distinction between standard room mirrors and exceptional decorative statements.

From the Sellingantiques archive

Frame materials recorded across the collection include solid wood, carved gesso, gold leaf, and silver leaf.

Notable makers of gold full mirror

Charles Nosotti

Terms antiques dealers use

The Antique Gold Full Mirror Glossary

Giltwood
Wood carved and covered with fine gold leaf. This material provides the brilliant reflective surface seen on traditional frames.
Gesso
A plaster-like mixture applied to wood frames before gilding. It creates a smooth surface suitable for intricate carving and moulding.
Leaner mirror
A tall mirror designed to rest against a wall without being hung. These pieces often feature substantial bases to support their height.
Cheval mirror
A freestanding mirror suspended on a central swivel frame between four legs. This form allows the glass to tilt at various angles.
Pier glass
A tall, narrow mirror designed to hang on the wall space between windows. They frequently incorporate matching console tables or low frames.
Questions people ask

Antique Gold Full Mirror: Frequently Asked Questions

How do I secure a heavy leaner mirror?

Heavy leaner mirrors require proper wall anchoring to prevent tipping, particularly when placed on uncarpeted floors.

Brackets attached to the upper back frame secure the glass safely against the wall while maintaining the intended angle.

Are these mirrors suitable for bathrooms?

Original nineteenth-century silvering and gesso frames react sensitively to sustained moisture and humidity found in bathrooms.

Dry living spaces, hallways, and bedrooms preserve the antique gold leaf and wooden frames far more effectively.

How do I clean antique mirror glass?

Cleaning requires a soft microfibre cloth and mild, non-ammonia glass cleaner applied sparingly to avoid seeping behind the plate.

Moisture must be kept away from the edges where old silvering and wooden rabbets meet the frame.

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