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18th Century Chinese China
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18th Century Chinese China

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These pieces of 18th century chinese china span export plates, armorial services, and blue and white vessels crafted for global trade.

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Sellingantiques  ·  Guide 953132026/2027 edition

18th Century Chinese China

These pieces of 18th century chinese china span export plates, armorial services, and blue and white vessels crafted for global trade.

Introduction

18th Century Chinese China

Collectors seeking 18th century chinese china encounter robust porcelain made for export during the Qing Dynasty, particularly the Qianlong period. The selection includes decorative plates, chargers, platters, tureens, and tea wares painted in cobalt underglaze or famille rose enamels.

Many items bear specific armorial bearings or monogrammed ciphers commissioned by European families. Alongside true import pieces, the record contains English porcelain from factories such as Worcester and Bow decorated in direct imitation of oriental patterns.

In brief

How They Were Made

Potters utilised hard-paste porcelain formed from petuntse and kaolin, fired at high temperatures to achieve a dense, impermeable body. Soft-paste porcelain appears in domestic English adaptations of the oriental style.

Decoration relied on cobalt underglaze applied before firing, or overglaze enamels including gold leaf and the opaque pinks characteristic of the famille rose palette.

From the Sellingantiques archive

Circus acrobats tumble across eighteenth century saucers, proving that empire trade took time for playful entertainment.

What sets them apart

What Varies in Quality

Painting precision separates standard export wares from superior examples, with finely rendered brush pots, human figures, and armorial crests commanding attention. The crispness of the cobalt glaze and the stability of overglaze enamels indicate the skill of the kiln firing.

Completeness within services, such as matching sets of plates, saucers, or baskets with stands, dictates desirability among collectors.

Terms antiques dealers use

The 18th Century Chinese China Glossary

Famille Rose
A polychrome enamel palette introduced in the Qing Dynasty, distinguished by opaque pinks and rose colours derived from colloidal gold.
Armorial
Porcelain decorated with European heraldic coats of arms, commissioned specially for aristocratic households.
Bitong
A cylindrical scholar's brush pot used in traditional Chinese writing rooms.
Export
Goods manufactured in China specifically for shipment to Western markets during the trade expansion.
Nanking
Blue and white porcelain shipped through the port of Nanjing, typically featuring river landscapes and architectural motifs.
Questions people ask

18th Century Chinese China: Frequently Asked Questions

What is Chinese export porcelain?

This category comprises ceramics made in China specifically for European and American markets from the seventeenth through the nineteenth centuries. The designs often blended oriental shapes with Western armorial or domestic motifs.

Potters adapted forms such as tureens, sauce boats, and chargers to suit foreign dining habits while retaining traditional regional painting techniques.

How do I identify the Qianlong period?

The reign of the Qianlong Emperor spans from 1736 to 1795, marking a peak in technical refinement and artistic output for porcelain kilns. Pieces from this era frequently feature intricate famille rose enamelling, rich armorial decoration, or balanced blue and white compositions.

Markings on the base can sometimes denote the period, though many export wares relied on decorative symbols or remained unmarked for Western buyers.

Were these pieces used for dining?

Wealthy households utilised these ceramics for formal dining, displaying tureens, platters, and soup plates during large banquets. Smaller vessels like tea bowls, saucers, and cream jugs formed part of social tea services.

Over generations, many items transitioned from functional dining ware to decorative cabinet pieces collected for their painted details.

What is the difference between Kangxi and Qianlong styles?

Kangxi pieces, produced between 1662 and 1722, often showcase deep cobalt underglaze painting, intricate blue and white patterns, and powder-blue glazes. The brush pots and vessels from this earlier phase emphasise vigorous linework and disciplined composition.

Qianlong ceramics introduce broader polychrome palettes like famille rose, alongside complex armorial commissions and rich gilding that reflect evolving export tastes.

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