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ID #SA964814
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£9,500
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Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer
For sale by Benton Fine Art
for sale €11,115     $12,065
£9,500
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA964814
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Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

19th century
For Sale by Benton Fine Art
Description

Richard Ball Spencer

British, (1812-1897)

The Perthshire off Ailsa Craig

Oil on canvas, signed

Image size: 22.25 inches x 36.25 inches

Size including frame: 31 inches x 45 inches

This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left of the painting, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work.

Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names.

By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of Dogs. There he found a ready market amongst the ship owners and captains who commissioned him to paint portraits of their ships.

He married Caroline Gibson on 16 December, 1843 and the couple lived at his house in York Road where they started a family. One of their sons, William Ball Spencer (1854-1923) also became a marine artist. After the death of his wife in the late 1850’s, he moved to 96 Jubilee Street, Mile End where he continued to live for some years. Although he does not appear to have exhibited in London, Spencer regularly appeared in the London directories as a marine artist and earned a respectable income from his many commissions over the years.

He spent his final years living with his daughter and son-in-law at 8 St Stephens Road, Milton Terrace, East Ham. He died in East Ham in 1897. Examples of his work are held by Aberdeen Maritime Museum, Bristol Museum, Falmouth Art Gallery, Government Art Collections, Guernsey Museum, Kirkleatham Museum, Merseyside Maritime Museum, National Maritime Museum, Plymouth Box Museum, Redcar and Cleveland Council, Science Museum and Thurrock Museum.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
79cm (31.10")
Width
114.5cm (45.08")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Antique Marine Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Reference
SA964814
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Richard Ball Spencer

British, (1812-1897)

The Perthshire off Ailsa Craig

Oil on canvas, signed

Image size: 22.25 inches x 36.25 inches

Size including frame: 31 inches x 45 inches

“
This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig.
Benton Fine Art

The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left of the painting, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work.

fig 1. A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
fig 1. Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names.

fig 2. A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
fig 2. Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of Dogs. There he found a ready market amongst the ship owners and captains who commissioned him to paint portraits of their ships.

fig 3. A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
fig 3. Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

He married Caroline Gibson on 16 December, 1843 and the couple lived at his house in York Road where they started a family. One of their sons, William Ball Spencer (1854-1923) also became a marine artist. After the death of his wife in the late 1850’s, he moved to 96 Jubilee Street, Mile End where he continued to live for some years. Although he does not appear to have exhibited in London, Spencer regularly appeared in the London directories as a marine artist and earned a respectable income from his many commissions over the years.

fig 4. A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
fig 4. Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

He spent his final years living with his daughter and son-in-law at 8 St Stephens Road, Milton Terrace, East Ham. He died in East Ham in 1897. Examples of his work are held by Aberdeen Maritime Museum, Bristol Museum, Falmouth Art Gallery, Government Art Collections, Guernsey Museum, Kirkleatham Museum, Merseyside Maritime Museum, National Maritime Museum, Plymouth Box Museum, Redcar and Cleveland Council, Science Museum and Thurrock Museum.

fig 5. A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
fig 5. Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
79cm (31.10")
Width
114.5cm (45.08")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Antique Marine Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Ref
SA964814
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
1 / 13
Archive I A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.

Seascape Oil Painting of a Ship Off the Scottish Coast by Richard Ball Spencer

Archive II A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View II
Archive III A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View III
Archive IV A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View IV
Archive V A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View V
Archive VI A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View VI
Archive VII A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View VII
Archive VIII A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View VIII
Archive IX A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View IX
Archive X A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View X
Archive XI A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View XI
Archive XII A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View XII
Archive XIII A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame. View XIII
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Worcestershire
United Kingdom

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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
211
A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
Seascape oil painting of a ship off the Scottish coast by Richard Ball Spencer
Ref: SA964814
A 19th-century oil painting depicting a three-masted sailing ship navigating choppy ocean waters near a rocky coastline, set within a heavily moulded gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleVictorian Marine Art
  • MaterialOil Paint, Canvas, Giltwood
  • ColourBlue and Gold
  • MotifsSailing vessel, Choppy seas, Red Ensign flag, Gilt moulding
  • SizeH 79 cm (31 in) x W 114.5 cm (45 in) x D 6.5 cm (3 in)

This Victorian marine art oil painting by Richard Ball Spencer depicts the three-masted barque Perthshire sailing off Ailsa Craig in choppy seas under a blue sky, flying a red ensign flag. The composition includes billowing white sails, distant landmasses, and white-capped waves, set within an English-made gilt frame decorated with deep scrolling mouldings and rope-twist inner borders. The artwork employs an oil paint medium on canvas with a predominantly blue and gold palette, showing a signed signature on the lower left. The piece measures 79 cm high, 114.5 cm wide, and 6.5 cm deep overall including the frame. Display this painting in a gentleman's library or study, positioned prominently above a mantelpiece where the gilt moulding complements traditional wood panelling and period furnishings. The maritime subject matter provides a focal point for a living room or hallway, bringing historical character and nautical interest to interior spaces through its detailed depiction of 19th-century shipping.

19th-century British marine painting is characterised by detailed depictions of merchant and naval sailing vessels set against realistic sea and sky conditions. Artists focused heavily on technical accuracy in ship rigging alongside atmospheric coastal lighting.

These works were typically created using oil paint ground with natural pigments on woven linen or cotton canvas stretched over wooden frames. Decorative frames were generally crafted from carved wood coated in plaster composition and hand-applied gold leaf.

Authentic period paintings display natural age craquelure across the paint surface, historic oxidation on the reverse canvas, and period-correct stretcher construction. The presence of documented artist signatures and period framing hardware further supports attribution.

A classic marine oil painting can be positioned above a fireplace mantelpiece or incorporated into a gallery wall alongside warm timber elements. Pairing gilded frames with deep wall tones creates focal contrast in traditional or contemporary settings.

Keep oil paintings away from direct sunlight, extreme humidity, and direct heat sources to prevent cracking or warping. Dust frames gently with a soft dry brush and consult a professional conservator for canvas cleaning or varnish restoration.
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