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ID #SA1183763
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19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House
For sale by Cheshire Antiques Consultant Ltd
for sale €7,605     $8,255
£6,500
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 249 items
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19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

19th century
Description

HMY ‘Victoria and Albert’ Royal Steam Yacht off Osborne House c.1852 – 19thC British Marine Watercolour

Description

A fine early Victorian British School watercolour on paper depicting HMY Victoria and Albert (I), the first British royal steam yacht, underway off Osborne House on the Isle of Wight. The yacht steams through the Solent on a busy day, surrounded by small craft and yachts – a classic mid-19th-century marine subject with strong royal, naval and Cowes / Isle of Wight appeal.

Subject

The composition centres on a broadside view of HMY Victoria and Albert, with her ornate paddle boxes, three masts and single funnel clearly shown as she moves through a gently animated sea. In the foreground, open boats and cutters crowded with small figures have rowed out to watch the royal yacht pass. Additional vessels fill the middle distance, creating a lively sense of activity across the Solent.

To the left, Osborne House is picked out above a tree line, its long stuccoed façade and towers firmly anchoring the view off East Cowes. The work is executed in transparent watercolour, combining precise draughtsmanship in hulls and rigging with soft atmospheric washes in sky and water. Delicate touches of colour bring the figures and small craft to life without competing with the main ship portrait.

Historical Context & Documentation

The vessel is HMY Victoria and Albert (I), launched in 1843 as the first purpose-built steam royal yacht for Queen Victoria and Prince Albert. She combined a full sailing rig with steam-driven side paddle wheels and quickly became a potent symbol of modern royal travel and British maritime power. In 1854 she was rebuilt and renamed HMY Osborne.

In this work she flies the Admiralty fouled-anchor flag from the mainmast and the red ensign aft, indicating an Admiralty flagship or reviewing role rather than the presence of the Queen (who would normally be indicated by the Royal Standard). Together with the inclusion of Osborne House and the crowd of spectator craft, this strongly suggests a major Solent occasion, almost certainly associated with Cowes / Royal Yacht Squadron regattas in the early 1850s.

Mounted to the reverse are original letters from the National Maritime Museum, Greenwich, and the Royal Archives, Windsor Castle (both dated 1989). These confirm the identification of the vessel as HMY Victoria and Albert (I), discuss details such as the round deckhouse aft and the funnel, and explain the significance of the Admiralty flag and absence of the Royal Standard. For a privately owned Victorian watercolour, this level of institutional confirmation is unusual and greatly strengthens the historical interest of the piece.

Artist

19th-century British School, in the manner of the marine painter Nicholas Matthew Condy. While the exact hand is unknown, the work displays:

Accurate ship forms and convincing rigging

Good perspective and recession across crowded water

A strong sense of narrative and scale, from the royal yacht to the smallest foreground figures

The comparison with Condy reflects shared qualities of clarity, charm and careful ship portraiture, without asserting a formal attribution.

The watercolour is unsigned, with no initials or monogram visible. Identification rests on stylistic analysis and, crucially, on the attached institutional correspondence. This is typical for many British School marine works of the period.

Presentation

The painting is presented in an ornate, period-style gilt moulded frame, refitted using a quality Larson-Juhl decorative moulding to give a rich, gallery-level presentation appropriate to the royal subject.

A brand new white mount with a gold border has been professionally fitted, offering a clean surround that sets off the image and echoes the gilded frame.

The watercolour is glazed with Artglass AR 70, a high-quality low-reflection, UV-filtering glass wh

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this 19th Century Maritime Painting to the Victorian era.

Independent Date Guide ID 09286341
Dealer's Item DateVictorian era
Sellingantiques DateVictorian era
Sellingantiques agingItem 160-180 years old
ResultsDates match
Why Sellingantiques dated this piece to THE VICTORIAN ERA:
Osborne House shown with its Italianate towers: building completed around 1851.
Spectators dressed in top hats and bonnets: early Victorian fashion.
Twin-paddle steam yacht design: naval architecture of the 1840s and 1850s.
Hand-layered watercolour washes on wove paper: period draughtsmanship.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
52cm (20.47")
Width
62cm (24.41")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Reference
SA1183763
Dealers Internal Reference
758
Dealers Notes

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Description
HMY ‘Victoria and Albert’ Royal Steam Yacht off Osborne House c.1852 – 19thC British Marine Watercolour

Description

“
A fine early Victorian British School watercolour on paper depicting HMY Victoria and Albert (I), the first British royal steam yacht, underway off Osborne House on the Isle of Wight.
Cheshire Antiques Consultant Ltd

The yacht steams through the Solent on a busy day, surrounded by small craft and yachts – a classic mid-19th-century marine subject with strong royal, naval and Cowes / Isle of Wight appeal.

fig 1. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 1. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Subject

The composition centres on a broadside view of HMY Victoria and Albert, with her ornate paddle boxes, three masts and single funnel clearly shown as she moves through a gently animated sea. In the foreground, open boats and cutters crowded with small figures have rowed out to watch the royal yacht pass. Additional vessels fill the middle distance, creating a lively sense of activity across the Solent.

fig 2. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 2. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

To the left, Osborne House is picked out above a tree line, its long stuccoed façade and towers firmly anchoring the view off East Cowes. The work is executed in transparent watercolour, combining precise draughtsmanship in hulls and rigging with soft atmospheric washes in sky and water. Delicate touches of colour bring the figures and small craft to life without competing with the main ship portrait.

fig 3. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 3. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Historical Context & Documentation

The vessel is HMY Victoria and Albert (I), launched in 1843 as the first purpose-built steam royal yacht for Queen Victoria and Prince Albert. She combined a full sailing rig with steam-driven side paddle wheels and quickly became a potent symbol of modern royal travel and British maritime power. In 1854 she was rebuilt and renamed HMY Osborne.

fig 4. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 4. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

In this work she flies the Admiralty fouled-anchor flag from the mainmast and the red ensign aft, indicating an Admiralty flagship or reviewing role rather than the presence of the Queen (who would normally be indicated by the Royal Standard). Together with the inclusion of Osborne House and the crowd of spectator craft, this strongly suggests a major Solent occasion, almost certainly associated with Cowes / Royal Yacht Squadron regattas in the early 1850s.

fig 5. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 5. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Mounted to the reverse are original letters from the National Maritime Museum, Greenwich, and the Royal Archives, Windsor Castle (both dated 1989). These confirm the identification of the vessel as HMY Victoria and Albert (I), discuss details such as the round deckhouse aft and the funnel, and explain the significance of the Admiralty flag and absence of the Royal Standard. For a privately owned Victorian watercolour, this level of institutional confirmation is unusual and greatly strengthens the historical interest of the piece.

fig 6. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 6. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Artist

19th-century British School, in the manner of the marine painter Nicholas Matthew Condy. While the exact hand is unknown, the work displays:

Accurate ship forms and convincing rigging

Good perspective and recession across crowded water

fig 7. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 7. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

A strong sense of narrative and scale, from the royal yacht to the smallest foreground figures

The comparison with Condy reflects shared qualities of clarity, charm and careful ship portraiture, without asserting a formal attribution.

fig 8. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 8. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

The watercolour is unsigned, with no initials or monogram visible. Identification rests on stylistic analysis and, crucially, on the attached institutional correspondence. This is typical for many British School marine works of the period.

fig 9. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 9. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Presentation

The painting is presented in an ornate, period-style gilt moulded frame, refitted using a quality Larson-Juhl decorative moulding to give a rich, gallery-level presentation appropriate to the royal subject.

fig 10. A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
fig 10. 19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

A brand new white mount with a gold border has been professionally fitted, offering a clean surround that sets off the image and echoes the gilded frame.

The watercolour is glazed with Artglass AR 70, a high-quality low-reflection, UV-filtering glass wh

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this 19th Century Maritime Painting to the Victorian era.

Independent Date Report ID 09286341
Dealer's Item DateVictorian era
Sellingantiques datingVictorian era
Sellingantiques agingItem 160-180 years old
ResultsDates match
Why Sellingantiques dated this piece to the Victorian era:
Osborne House shown with its Italianate towers: building completed around 1851.
Spectators dressed in top hats and bonnets: early Victorian fashion.
Twin-paddle steam yacht design: naval architecture of the 1840s and 1850s.
Hand-layered watercolour washes on wove paper: period draughtsmanship.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
52cm (20.47")
Width
62cm (24.41")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Ref
SA1183763
Dealers Internal Ref
758
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
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Archive I A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.

19th Century Painting Hmy Victoria and Albert Royal Yacht Off Osborne House

Archive II A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View II
Archive III A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View III
Archive IV Scale Reference for A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
Archive V A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View V
Archive VI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View VI
Archive VII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View VII
Archive VIII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View VIII
Archive IX A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View IX
Archive X A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View X
Archive XI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XI
Archive XII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XII
Archive XIII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XIII
Archive XIV A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XIV
Archive XV A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XV
Archive XVI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XVI
Archive XVII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XVII
Archive XVIII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XVIII
Archive XIX A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XIX
Archive XX A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XX
Archive XXI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXI
Archive XXII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXII
Archive XXIII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXIII
Archive XXIV A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXIV
Archive XXV A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXV
Archive XXVI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXVI
Archive XXVII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXVII
Archive XXVIII A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXVIII
Archive XXIX A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXIX
Archive XXX A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXX
Archive XXXI A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame. View XXXI
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WC2H 9JQ
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Cheshire Antiques Consultant Ltd
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A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
19th Century Painting HMY Victoria and Albert Royal Yacht off Osborne House
Ref: SA1183763
A framed 19th-century marine painting depicting a paddle steamer yacht on open water surrounded by smaller boats, housed within an ornate giltwood frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleVictorian Marine
  • MaterialPaper, Oil, Giltwood, Glass
  • ColourWarm Gold
  • MotifsPaddle steamer, Gilt moulding, Mount board, Naval ensign
  • SizeH 52 cm (20 in) x W 62 cm (24 in) x D 3.5 cm (1 in)

This Victorian marine painting on paper depicts the paddle steamer yacht HMY Victoria and Albert underway off Osborne House. The artwork is housed beneath glass within a wide white mount board, surrounded by an ornate warm gold giltwood frame decorated with repeating leaf and dot mouldings. The composition shows the vessel on open water with smaller rowboats and sailing boats nearby, under a pale sky with dark smoke rising from the central funnel. The painting measures 52 cm high, 62 cm wide, and 3.5 cm deep. Suitable for a gentleman's library or study, the piece hangs well above a mantelpiece or on a panelled wall to bring traditional maritime character to an interior. The work is signed by the 19th-century British School in the manner of Nicholas Matthew Condy, capturing a historical Solent scene with detailed rigging, flags, and coastal architecture. Original documentation from institutional archives is attached to the reverse, providing historical context for collectors of naval art.

Victorian marine painting developed during the 19th century as Britain expanded its naval power and maritime trade. Artists documented naval vessels, royal yachts, commercial steamships, and harbour scenes, combining topographical accuracy with atmospheric maritime landscapes.

These works were typically executed in oil paints on linen canvas or watercolor on paper. They were frequently housed in molded wood frames finished with gold leaf gilding, protected by glass or varnish layers.

Authentic period pieces exhibit natural canvas age, fine surface craquelure, and period-correct joinery on the wooden stretcher frames. Inspection under ultraviolet light can reveal historic restoration or varnish oxidisation patterns.

Position the framed artwork above a mantelpiece, console table, or desk to create a focal point. Combining historical marine subjects with contemporary minimalist furniture creates a balanced, curated contrast.

Keep the artwork away from direct sunlight, excess humidity, and direct heat sources to prevent fading and frame warping. Light dust should be removed gently using a dry, soft-bristle brush without water or chemical cleaners.
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