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Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket
Sold by Cheshire Antiques Consultant Ltd
sold SA1055773
Sorry, but this item has been sold.
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 248 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
Id #SA1055773
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Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

1920 - 1940
Sold 11 June 2025 · Cheshire Antiques Consultant Ltd
This “Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket” found a buyer.

It was listed by Cheshire Antiques Consultant Ltd. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

1 Fine Early 20th Century Historic Important British Sporting Work Of Art Oil Painting Portrait Jockey Sir Gordon Richards On No 11 Race Horse Rose of England At Newmarket By H Watson.

Impress your clients & guests with this equine sporting masterpiece to display on your office or home wall space.

Subject sporting Equine horse study portrait of the known animal brown & white race horse Rose of England thoroughbred horse facing right in full side profile standing on the lush short green grass at Newmarket races. The horse is wearing its saddle & reigns wearing number 11 above the jockey rider Sir Gordon Richards, who is side on & weaing his traditional jockey clothing colours, a striped hat red, white and blue, wearing white trousers & having brown & black riding boots, he is holding his whip and looking towards the viewer. The horse and jockeys shadow is being projected onto the ground near the bottom, In the background you can see a grandstand at Newmarket, abive a mix of light blue with scattered cloud sky.

The details are so incredible.

Title “Sir Gordon Richards Riding On Number 11 Rose of England Debut at Newmarket 1930” By H Watson. also inscribed Frank Griggs Newmarket 1930.

Oil on canvas.

Set in such a traditional decorative original gilt frame.

Circa 1930 early 20th century.

This painting is signed in the bottom corner by the artist H Watson.

In our opinion this is one of his finest sporting equine works.

Artist biography H Watson was a known British artist born in the late 19th century & he died during the early 20th century. In his works he loved to capture the effects of naturalistic light which gives his artworks an impressionist style.

Biography of the known Jockey Sir Gordon Richards (5 May 1904 – 10 November 1986) was an English jockey who was the British flat racing Champion Jockey 26 times, and is often considered the world's greatest jockey. He remains the only flat jockey to have been knighted. Gordon Richards was brought up in the Shropshire village of Donnington Wood (now part of Telford) where he was born at Ivy Row (now demolished), the third son of eight surviving children of coal miner Nathan and former dressmaker Elizabeth. His mother was the daughter of another miner, William Dean, who was also a lay preacher, and Richards was given a strict Methodist upbringing.

The family later moved during his childhood to Wrockwardine Wood where they lived in a row of cottages called The Limes, Plough Road, built on land bought by his mother His father reared several pit ponies at their home, and fostered the young Richards' love of equestrian sport. He rode the ponies bareback from an early age, then from the age of seven drove the pony and trap passenger service his family ran between Wrockwardine Wood and Oakengates station.

It is said that this is when he developed his unique riding style, using a long rein and an upright stance. He had two brothers, Colin and Clifford, who shared this love of horses and also became jockeys: the latter was a Classic-winning jockey. Leaving school at the age of 13, he became a junior clerk in the warehouse of the nearby Lilleshall Company engineering works, sometimes riding a pony to work. He found work as a clerk monotonous and already held ambitions of a career with horses. He answered a newspaper advertisement to be an apprentice to Martin Hartigan, trainer at the Foxhill Stable near Swindon, Wiltshire, owned by Jimmy White, and on New Year's Day 1920 left home to move there. His riding skills were soon noticed by his new employer, who gave him his first ride in a race at Lincoln on 16 October 1920, after a deal struck during a football match against the neighbouring Osbourne Stables.

White had bet on his stable to win, and the match stood at three all when his team were awarded a penalty. White insisted that Richards take it, with the incentive that he

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Equine Oil Painting to the 1930s.

Physical Dimensions
Height
61.5cm (24.21")
Width
79cm (31.10")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Reference
SA1055773
Dealers Internal Reference
546
Dealers Notes

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IMPORTANT INFORMATION

All artworks and antiques remain subject to prior sale and availability.

Purchases are governed by the applicable Terms & Conditions and Returns Policy of Cheshire Antiques Consultant LTD®.

Nothing in this information excludes or restricts statutory consumer rights.

Cheshire Antiques Consultant LTD®

Registered in England & Wales

Company No. 15666518

VAT No. GB 466128775

Description
1 Fine Early 20th Century Historic Important British Sporting Work Of Art Oil Painting Portrait Jockey Sir Gordon Richards On No 11 Race Horse Rose of England At Newmarket By H Watson.
“
Impress your clients & guests with this equine sporting masterpiece to display on your office or home wall space.
Cheshire Antiques Consultant Ltd
fig 1. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 1. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

Subject sporting Equine horse study portrait of the known animal brown & white race horse Rose of England thoroughbred horse facing right in full side profile standing on the lush short green grass at Newmarket races. The horse is wearing its saddle & reigns wearing number 11 above the jockey rider Sir Gordon Richards, who is side on & weaing his traditional jockey clothing colours, a striped hat red, white and blue, wearing white trousers & having brown & black riding boots, he is holding his whip and looking towards the viewer. The horse and jockeys shadow is being projected onto the ground near the bottom, In the background you can see a grandstand at Newmarket, abive a mix of light blue with scattered cloud sky.

fig 2. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 2. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

The details are so incredible.

Title “Sir Gordon Richards Riding On Number 11 Rose of England Debut at Newmarket 1930” By H Watson. also inscribed Frank Griggs Newmarket 1930.

Oil on canvas.

Set in such a traditional decorative original gilt frame.

fig 3. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 3. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

Circa 1930 early 20th century.

This painting is signed in the bottom corner by the artist H Watson.

In our opinion this is one of his finest sporting equine works.

Artist biography H Watson was a known British artist born in the late 19th century & he died during the early 20th century. In his works he loved to capture the effects of naturalistic light which gives his artworks an impressionist style.

fig 4. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 4. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

Biography of the known Jockey Sir Gordon Richards (5 May 1904 – 10 November 1986) was an English jockey who was the British flat racing Champion Jockey 26 times, and is often considered the world's greatest jockey. He remains the only flat jockey to have been knighted. Gordon Richards was brought up in the Shropshire village of Donnington Wood (now part of Telford) where he was born at Ivy Row (now demolished), the third son of eight surviving children of coal miner Nathan and former dressmaker Elizabeth. His mother was the daughter of another miner, William Dean, who was also a lay preacher, and Richards was given a strict Methodist upbringing.

fig 5. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 5. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

The family later moved during his childhood to Wrockwardine Wood where they lived in a row of cottages called The Limes, Plough Road, built on land bought by his mother His father reared several pit ponies at their home, and fostered the young Richards' love of equestrian sport. He rode the ponies bareback from an early age, then from the age of seven drove the pony and trap passenger service his family ran between Wrockwardine Wood and Oakengates station.

fig 6. An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
fig 6. Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

It is said that this is when he developed his unique riding style, using a long rein and an upright stance. He had two brothers, Colin and Clifford, who shared this love of horses and also became jockeys: the latter was a Classic-winning jockey. Leaving school at the age of 13, he became a junior clerk in the warehouse of the nearby Lilleshall Company engineering works, sometimes riding a pony to work. He found work as a clerk monotonous and already held ambitions of a career with horses. He answered a newspaper advertisement to be an apprentice to Martin Hartigan, trainer at the Foxhill Stable near Swindon, Wiltshire, owned by Jimmy White, and on New Year's Day 1920 left home to move there. His riding skills were soon noticed by his new employer, who gave him his first ride in a race at Lincoln on 16 October 1920, after a deal struck during a football match against the neighbouring Osbourne Stables.

White had bet on his stable to win, and the match stood at three all when his team were awarded a penalty. White insisted that Richards take it, with the incentive that he

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Equine Oil Painting to the 1930s.

Height
61.5cm (24.21")
Width
79cm (31.10")
Depth
3.5cm (1.38")
Reference Numbers
Sellingantiques Ref
SA1055773
Dealers Internal Ref
546
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. SOLD6+ MONTHS AGO
1 / 30
Archive I An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. SOLD6+ MONTHS AGO

Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket

Archive II An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View II
Archive III An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View III
Archive IV An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View IV
Archive V An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View V
Archive VI An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View VI
Archive VII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View VII
Archive VIII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View VIII
Archive IX An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View IX
Archive X An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View X
Archive XI An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XI
Archive XII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XII
Archive XIII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XIII
Archive XIV An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XIV
Archive XV An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XV
Archive XVI An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XVI
Archive XVII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XVII
Archive XVIII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XVIII
Archive XIX An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XIX
Archive XX An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XX
Archive XXI An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXI
Archive XXII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXII
Archive XXIII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXIII
Archive XXIV An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXIV
Archive XXV An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXV
Archive XXVI An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXVI
Archive XXVII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXVII
Archive XXVIII An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXVIII
Archive XXIX An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXIX
Archive XXX An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame. View XXX
Enlarged Archival View
Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

By appointment
Verified Since Jan 2021
Items For Sale 248
Items Sold 224
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
248
Sold
224
An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
Oil Painting Sir Gordon Richards Race Horse Rose of England Newmarket
Ref: SA1055773
An oil painting of a jockey mounted on a racehorse in a landscape, set within an ornate gilded frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1920 - 1940
  • StyleTraditional
  • MaterialCanvas, oil paint, gilt wood
  • ColourWarm Brown
  • MotifsEquestrian portraiture, Landscape background, Gilded acanthus frame
  • SizeH 61.5 cm (24 in) x W 79 cm (31 in) x D 3.5 cm (1 in)

Equine art gained prominence in Britain during the 18th and 19th centuries, documenting celebrated racehorses, legendary jockeys, and foundational moments in turf history for wealthy patrons and racing enthusiasts.

Traditional oil paintings are created using pigment suspended in drying oils applied to stretched canvas or wooden panels, typically housed within hand-carved, gilded wooden frames.

Authentic pieces are identified by examining the canvas weave, craquelure in the oil paint layer, stretcher bar marks, artist signatures, and the construction methods and ageing of the frame.

Equestrian art adds a layer of heritage and sophistication to contemporary spaces, often used as a focal point above a mantelpiece or paired with rich, dark woodwork and tailored upholstery.

Oil paintings should be displayed away from direct sunlight and high humidity, avoiding chemical cleaners on the canvas while periodically dusting the frame with a soft, dry brush.
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