2,256  PAGES BROWSED TODAY PAGES TODAY 0 ANTIQUES UPLOADED TODAYNEW ARRIVALS
LATEST STOCK
Sort Order
Items Per Page
Browse Categories
Sort order
Relevant Links
Items per page
ID #SA660786
FOR SALE
£4,900
Email
Save
Landscape Oil Painting of a Bridge Over a River by Sir David Murray
Benton Fine Art
for sale €5,733     $6,223
£4,900
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
  • About Us
    Specialists in 19th & early 20th century original oil paintings by listed artists
  • Trade Associations
    Benton Fine Art is a registered member of LAPADA  BADA  CINOA
Id #SA660786
PDF SHARE
SAVE

Landscape Oil Painting of a Bridge Over a River by Sir David Murray

1900 - 1920
For Sale by Benton Fine Art
Description

Sir David Murray

Scottish, (1849-1933)

The Bridge

Oil on canvas, signed & further inscribed verso

Image size: 17.75 inches x 23.75 inches

Size including frame: 26.25 inches x 32.25 inches

A tranquil landscape painting of a bridge over a river by Sir David Murray RA. To the left of the painting below the bridge, a figure is shown fishing from a boat as ducks glide by. On the opposite side of the bank a ploughman fetches water for his horses. Meanwhile, a figure on horseback can be seen riding across the bridge past another fisherman sat on the side.

Sir David Murray was born on 29 January, 1849 in Glasgow. His father James was a boot and shoe maker from Appin, Argyleshire and the family lived at 18, Thistle Street, later moving to the Paisley road. When he left school, he initially worked for two merchants but in his spare time attended evening classes at the Glasgow School of Art, where he studied under Robert Greenlees. He would also go on frequent painting trips with his other amateur artist friends to areas such as Milngavie.

Murray was one of the original founder members of the Glasgow Art Club which started in 1866. He frequently exhibited there over the years and became their president. In 1875, he decided to abandon his career in commerce to become a full time artist specialising in landscapes. In the same year, he made his debut at the Royal Academy from an address at 108 West George Street, Glasgow. He exhibited at the RA regularly throughout his life and posthumously. In 1881, he became an associate of the Royal Scottish Academy.

By 1883, Murray had made the move to London where he lived at Millais’s old studio, 1 Langham Chambers, Portland Place. He became a highly successful artist and was elected associate of the Royal Academy on 21 January, 1891 and became a full member on 25 January, 1905. As well as working in oils and watercolours, he also occasionally worked as an illustrator for The English Illustrated Magazine.

He was known for his boundless enthusiasm for painting and strong sense of individuality and travelled around exploring the beauty of the countryside. He also helped struggling artists and often took his students to paint at his favourite spots such as Ringwood in Hampshire. Although Murray spent most of his life painting the landscapes of Scotland and England he also travelled to France, spending time in Picardy and Italy. In 1917 he succeeded Sir James Linton as president of the Royal Institute of Painters in Water Colours. In 1918 he received a knighthood. Murray died at Langham Chambers on 14 November, 1933.

Examples of his work can be found at the Dudley Museum, Dundee Art Gallery, Glasgow Museum, Maidstone Museum, Paisley Museum, Sheffield Museum, the Tate, Walker Art Gallery and York Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for L. Freedman, an art dealer and frame maker founded in Edinburgh in 1890, with premises at 8 Antigua Street. It began operating solely as a picture framer sometime during the mid 20th century and now trades under a different name from the same address.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
66.5cm (26.18")
Width
82cm (32.28")
Depth
6.5cm (2.56")
Declaration

Benton Fine Art has dated this Antique River Landscape Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA660786
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Sir David Murray

Scottish, (1849-1933)

The Bridge

Oil on canvas, signed & further inscribed verso

Image size: 17.75 inches x 23.75 inches

Size including frame: 26.25 inches x 32.25 inches

A tranquil landscape painting of a bridge over a river by Sir David Murray RA.

To the left of the painting below the bridge, a figure is shown fishing from a boat as ducks glide by.
Benton Fine Art

On the opposite side of the bank a ploughman fetches water for his horses. Meanwhile, a figure on horseback can be seen riding across the bridge past another fisherman sat on the side.

fig 1. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 1. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

Sir David Murray was born on 29 January, 1849 in Glasgow. His father James was a boot and shoe maker from Appin, Argyleshire and the family lived at 18, Thistle Street, later moving to the Paisley road. When he left school, he initially worked for two merchants but in his spare time attended evening classes at the Glasgow School of Art, where he studied under Robert Greenlees. He would also go on frequent painting trips with his other amateur artist friends to areas such as Milngavie.

fig 2. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 2. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

Murray was one of the original founder members of the Glasgow Art Club which started in 1866. He frequently exhibited there over the years and became their president. In 1875, he decided to abandon his career in commerce to become a full time artist specialising in landscapes. In the same year, he made his debut at the Royal Academy from an address at 108 West George Street, Glasgow. He exhibited at the RA regularly throughout his life and posthumously. In 1881, he became an associate of the Royal Scottish Academy.

fig 3. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 3. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

By 1883, Murray had made the move to London where he lived at Millais’s old studio, 1 Langham Chambers, Portland Place. He became a highly successful artist and was elected associate of the Royal Academy on 21 January, 1891 and became a full member on 25 January, 1905. As well as working in oils and watercolours, he also occasionally worked as an illustrator for The English Illustrated Magazine.

fig 4. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 4. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

He was known for his boundless enthusiasm for painting and strong sense of individuality and travelled around exploring the beauty of the countryside. He also helped struggling artists and often took his students to paint at his favourite spots such as Ringwood in Hampshire. Although Murray spent most of his life painting the landscapes of Scotland and England he also travelled to France, spending time in Picardy and Italy. In 1917 he succeeded Sir James Linton as president of the Royal Institute of Painters in Water Colours. In 1918 he received a knighthood. Murray died at Langham Chambers on 14 November, 1933.

fig 5. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 5. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

Examples of his work can be found at the Dudley Museum, Dundee Art Gallery, Glasgow Museum, Maidstone Museum, Paisley Museum, Sheffield Museum, the Tate, Walker Art Gallery and York Art Gallery.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for L. Freedman, an art dealer and frame maker founded in Edinburgh in 1890, with premises at 8 Antigua Street. It began operating solely as a picture framer sometime during the mid 20th century and now trades under a different name from the same address.

fig 6. A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
fig 6. Landscape Oil Painting of a Bridge Over a River by Sir David Murray

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
66.5cm (26.18")
Width
82cm (32.28")
Depth
6.5cm (2.56")
Date of Manufacture

Benton Fine Art has dated this Antique River Landscape Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA660786
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

PDF SHARE
SAVE
A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
1 / 10
Archive I A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.

Landscape Oil Painting of a Bridge Over a River by Sir David Murray

Archive II A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View II
Archive III A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View III
Archive IV A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View IV
Archive V A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View V
Archive VI A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View VI
Archive VII A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View VII
Archive VIII A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View VIII
Archive IX A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View IX
Archive X A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky. View X
FURTHER BROWSING

Visitors also looked at these ⇣

Enlarged Archival View
Telephone 07710 540 549
Location
Near Broadway
Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
Items For Sale 211
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
View Dealer Info
Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
211
A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
Landscape oil painting of a bridge over a river by Sir David Murray
Ref: SA660786
A framed oil painting depicting an arched bridge over a river with waterfowl, grazing horses, and trees under a blue sky.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Detail View 8
Detail View 9
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British landscape paintings from the 19th century frequently depict pastoral scenes, riverways, and rural life, focusing on realistic lighting, natural atmosphere, and countryside views.

Artists traditionally painted using ground oil pigments mixed with drying oils on stretched linen canvas or timber panels, housed within gilded gesso and timber frames.

Authentic period oil paintings typically exhibit natural surface craquelure, period-appropriate canvas weave, artist signatures, and age-related oxidisation on the timber stretcher and frame reverse.

A large framed landscape functions well as a focal point above a fireplace mantelpiece, sideboard, or within a gallery wall pairing, harmonising with both traditional dark timber and contemporary neutral interiors.

Keep oil paintings away from direct sunlight, radiators, and extreme humidity fluctuations. Clean the frame and surface gently with a soft, dry brush, avoiding liquid cleaners or harsh chemicals.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories