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ID #SA1239050
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£3,500
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Anna Tonelli (1763-1846) - Portrait of a Gentleman Circa 1795
For sale by Miles Barton Art and Interiors
for sale €4,095     $4,445
£3,500
Miles Barton Art and Interiors

Miles Barton Art and Interiors

Sellingantiques Verified Since Aug 2026
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    British and european pictures and works of art from the 17th to 20th century
Id #SA1239050
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Anna Tonelli (1763-1846) - Portrait of a Gentleman Circa 1795

18th century
Description

Pastel on paper; held in original period frame

Framed: 39 x 36 cm (15 ½ x 14 in)

Image Size: 27 x 23 cm (10 ¾ x 9 in)

Provenance: A direct descendant of the 7th Earl of Hardwicke

Anna Tonelli née Nistri was a portraitist in pastel and watercolour in the late 18th century and early 19th century primarily in Florence and London. At some stage before 1785 she married the violinist Luigi Tonelli, a noted virtuoso. Her works are relatively scarce and are still being discovered having been much overlooked by the pastel portraits of her teacher Hugh Douglas Hamilton whose work in some instances is closely similar.

Early in her career, she painted portraits of Henry Blundell and Edward Clive, Earl of Powis, eldest son of “Clive of India”. She came to the attention of Lord Clive during his travels in Italy; he had also employed the respected Irish artist Hugh Douglas Hamilton to make pastels of members of his family, and around this time she is noted in the press as a pupil of Hamilton. From 1794 she lived in London, where she taught the Clive children in drawing and exhibited twice at the Royal Academy in 1794 and 1797. From 1798 to 1801, she accompanied the Clive family on a trip to India, where she worked primarily in watercolors, afterwhich she returned to Italy and her family.

Still emerging from the shadows her pastels are starting to get the recognition they deserve. The portrait presented here in it's original frame is one of striking clarity and firm good colour and is comparable in quality those by Tonelli drawn in the mid 1790s that were once with Lord Harlech at Glyn Cywarch.

Her work is included in public museum collections including the British Museum, London, the Holburne Museum, Bath and the National Gallery of Art, USA.

Physical Dimensions
Height
39cm (15.35")
Width
36cm (14.17")
Depth
4.5cm (1.77")
Declaration

Miles Barton Art and Interiors has dated this Georgian Gentleman Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1239050
Description
Pastel on paper; held in original period frame

Framed: 39 x 36 cm (15 ½ x 14 in)

Image Size: 27 x 23 cm (10 ¾ x 9 in)

Provenance: A direct descendant of the 7th Earl of Hardwicke

“
Anna Tonelli née Nistri was a portraitist in pastel and watercolour in the late 18th century and early 19th century primarily in Florence and London.
Miles Barton Art and Interiors

At some stage before 1785 she married the violinist Luigi Tonelli, a noted virtuoso. Her works are relatively scarce and are still being discovered having been much overlooked by the pastel portraits of her teacher Hugh Douglas Hamilton whose work in some instances is closely similar.

fig 1. An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.
fig 1. Anna Tonelli (1763-1846) - Portrait of a Gentleman Circa 1795

Early in her career, she painted portraits of Henry Blundell and Edward Clive, Earl of Powis, eldest son of “Clive of India”. She came to the attention of Lord Clive during his travels in Italy; he had also employed the respected Irish artist Hugh Douglas Hamilton to make pastels of members of his family, and around this time she is noted in the press as a pupil of Hamilton. From 1794 she lived in London, where she taught the Clive children in drawing and exhibited twice at the Royal Academy in 1794 and 1797. From 1798 to 1801, she accompanied the Clive family on a trip to India, where she worked primarily in watercolors, afterwhich she returned to Italy and her family.

fig 2. An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.
fig 2. Anna Tonelli (1763-1846) - Portrait of a Gentleman Circa 1795

Still emerging from the shadows her pastels are starting to get the recognition they deserve. The portrait presented here in it's original frame is one of striking clarity and firm good colour and is comparable in quality those by Tonelli drawn in the mid 1790s that were once with Lord Harlech at Glyn Cywarch.

Her work is included in public museum collections including the British Museum, London, the Holburne Museum, Bath and the National Gallery of Art, USA.

Height
39cm (15.35")
Width
36cm (14.17")
Depth
4.5cm (1.77")
Date of Manufacture

Miles Barton Art and Interiors has dated this Georgian Gentleman Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1239050
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Sellingantiques verified Since Aug 2026

British and european pictures and works of art from the 17th to 20th century

Dealer Profile

You can view the stock and full dealer information on the Miles Barton Art and Interiors Profile Page

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An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.
1 / 4
Archive I An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.

Anna Tonelli (1763-1846) - Portrait of a Gentleman Circa 1795

Archive II An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border. View II
Archive III An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border. View III
Archive IV An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border. View IV
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Telephone 07941 233015
Location
London and Somerset
United Kingdom
Verified Since Aug 2026
Items For Sale 20
Items Sold 1
Miles Barton Art and Interiors
Miles Barton Art and Interiors
Verified Since Aug 2026
View Dealer Info
Location: London and Somerset, United Kingdom
Verified
Aug 2026
For Sale
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An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.
Anna Tonelli (1763-1846) - Portrait of a Gentleman circa 1795
Ref: SA1239050
An oval portrait of a gentleman wearing a brown jacket, set within a square gilded spandrel frame and dark outer ebonised border.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period18th century
  • StyleGeorgian
  • MaterialPaper, Wood, Gold Leaf, Glass
  • ColourGold and Brown
  • MotifsOval aperture, Gilded spandrels, Ebonised frame, High-collared coat
  • SizeH 39 cm (15 in) x W 36 cm (14 in) x D 4.5 cm (2 in)

This Georgian fine art piece is an 18th-century pastel on paper portrait of a gentleman, created circa 1795 by Anna Tonelli. The artwork depicts a male subject wearing a high-collared brown jacket and a white ruffled cravat, set against a dark background within an oval aperture. The pastel on paper medium displays firm colours including brown, white, and flesh tones, finished with a glass glaze over the paper. The original period frame combines gilded spandrels with a square outer ebonised border, showing visible grain and subtle surface wear to the gold leaf and wood. The piece measures 39 cm high by 36 cm wide by 4.5 cm deep. Suitable for placement in a gentleman's library, this framed portrait works effectively on a narrow wall space to add historic character to an interior. The composition suits traditional reception rooms, studies, or hallways where period fine art enhances the decorative scheme. Hanging hardware attached to the back allows straightforward installation on domestic walls. The compact dimensions accommodate modest wall areas alongside bookshelves or architectural mouldings.

Late 18th-century Georgian portraiture is characterised by realistic depictions of individuals, often rendered in pastel, watercolour, or oil, reflecting Neoclassical influences and contemporary attire of the period.

Portraits from this era were typically framed using hand-carved wood with gilded water-gilding finishes, oval spandrels, and outer ebonised mouldings to create visual contrast.

Authentic pieces feature period-accurate clothing details such as high-collared jackets and cravats, natural brushwork or pastel blending, and age-consistent craquelure or oxidisation on framing.

An antique portrait can be integrated into a curated gallery wall, placed on an open bookshelf, or positioned in a narrow wall space to introduce historical contrast to contemporary decor.

Keep the artwork away from direct sunlight, maintain stable humidity levels to prevent paper or canvas warping, and protect it under UV-filtering glass within a sealed frame.
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