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ID #SA1233086
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£2,250
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Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings
Mansion House Antiques & Fine Art
for sale €2,633     $2,858
£2,250
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

18th century
Description

We are delighted to offer for sale this early portrait of Captain John Campbell of Melfort, Argyll, Scotland, who has the second son of Colonel John Campbell of Melfort and his wife Colina.

He was born in Killin Perthshire, on 25th May 1769.

He was one of three sons who served in the 74th Regiment (Argyll Highlanders) all died in India, as did John on 16th July, 1801.

He was wounded in the storming of Fort Pungullamcouchy (Madras) on 1st April 1801.

At the siege, where the storming party to which they belonged being recalled from an impracticable breach, John, having missed his brother Alexander, and being informed that he had fallen, returned to the breach and succeeded in bringing him off, but was wounded in doing so.

Alexander died and John, having returned to his duty too early, died of his wounds on 16th July. His other brother George Lorn Campbell died at the Assaye in 1803.

He was mentioned in the Duke of Wellington's despatches, who said of him 'I think that Campbell (John) is the greatest loss this army has sustained for a length of time.

He always performed his duty with the utmost ability and with advantage to the public'.

John was one of 17 children that Colina bore, after her marriage at the age of 15.

It is possible that after his death, his rank was upgraded to Captain, as there is a memorial Iona cross to members of his family in the churchyard at Kilmelfort, where he is listed as a Lieutenant.

Melfort is a village at the head of Loch Melfort in Argyll on the west coast of Scotland.

John is depicted standing, wearing a black double-breasted jacket with velvet collar and brass buttons, with a buff waistcoat and the typical high collared shirt and cravat of the period.

He is portrayed before a red curtain, pulled back by a gold tassel and there is a landscape to the left.

ARTIST / AFTER SIR THOMAS LAWRENCE

Sir Thomas Lawrence PRA FRS (13 April 1769 – 7 January 1830) was a leading English portrait painter and the fourth president of the Royal Academy.

Lawrence was a child prodigy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper. At the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830.

Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820. In 1810 he acquired the generous patronage of the Prince Regent, was sent abroad to paint portraits of allied leaders for the Waterloo chamber at Windsor Castle.

FRAME: Set within an antique style later decorative gilt frame.

CONDITION

The painting has had a past historical reline and restoration to a good standard.

-

MEASUREMENTS ( Including Frame )

Height 38.5 Inches ( 98cm )

Width : 33 Inches ( 84 cm )

DELIVERY :

UK £80 / EU £200 / USA £280

TELEPHONE 07765 856171

Ref : 0884

Physical Dimensions
Height
98cm (38.58")
Width
84cm (33.07")
Depth
5cm (1.97")
Declaration

Mansion House Antiques & Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1233086
Dealers Internal Reference
0884
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
We are delighted to offer for sale this early portrait of Captain John Campbell of Melfort, Argyll, Scotland, who has the second son of Colonel John Campbell of Melfort and his wife Colina.

He was born in Killin Perthshire, on 25th May 1769.

He was one of three sons who served in the 74th Regiment (Argyll Highlanders) all died in India, as did John on 16th July, 1801.
Mansion House Antiques & Fine Art
fig 1. An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
fig 1. Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

He was wounded in the storming of Fort Pungullamcouchy (Madras) on 1st April 1801.

At the siege, where the storming party to which they belonged being recalled from an impracticable breach, John, having missed his brother Alexander, and being informed that he had fallen, returned to the breach and succeeded in bringing him off, but was wounded in doing so.

fig 2. An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
fig 2. Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

Alexander died and John, having returned to his duty too early, died of his wounds on 16th July. His other brother George Lorn Campbell died at the Assaye in 1803.

He was mentioned in the Duke of Wellington's despatches, who said of him 'I think that Campbell (John) is the greatest loss this army has sustained for a length of time.

fig 3. An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
fig 3. Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

He always performed his duty with the utmost ability and with advantage to the public'.

John was one of 17 children that Colina bore, after her marriage at the age of 15.

It is possible that after his death, his rank was upgraded to Captain, as there is a memorial Iona cross to members of his family in the churchyard at Kilmelfort, where he is listed as a Lieutenant.

fig 4. An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
fig 4. Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

Melfort is a village at the head of Loch Melfort in Argyll on the west coast of Scotland.

John is depicted standing, wearing a black double-breasted jacket with velvet collar and brass buttons, with a buff waistcoat and the typical high collared shirt and cravat of the period.

He is portrayed before a red curtain, pulled back by a gold tassel and there is a landscape to the left.

ARTIST / AFTER SIR THOMAS LAWRENCE

Sir Thomas Lawrence PRA FRS (13 April 1769 – 7 January 1830) was a leading English portrait painter and the fourth president of the Royal Academy.

Lawrence was a child prodigy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper. At the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830.

Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820. In 1810 he acquired the generous patronage of the Prince Regent, was sent abroad to paint portraits of allied leaders for the Waterloo chamber at Windsor Castle.

FRAME: Set within an antique style later decorative gilt frame.

CONDITION

The painting has had a past historical reline and restoration to a good standard.

MEASUREMENTS ( Including Frame )

Height 38.5 Inches ( 98cm )

Width : 33 Inches ( 84 cm )

DELIVERY :

UK £80 / EU £200 / USA £280

TELEPHONE 07765 856171

Ref : 0884

Height
98cm (38.58")
Width
84cm (33.07")
Depth
5cm (1.97")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1233086
Dealers Internal Ref
0884
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
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Archive I An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.

Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings

Archive II An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame. View II
Archive III An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame. View III
Archive IV An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame. View IV
Archive V An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame. View V
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Telephone 07765 856 171
Location
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Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 119
Items Sold 651
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
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An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
Oil Portrait Captain John Campbell of Melfort Argyll 1769-1801 18th Antique Paintings
Ref: SA1233086
An 18th-century oil portrait on canvas depicting a dark-haired gentleman in formal attire set within an ornate gilded frame.
Detail View 1
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Georgian portraiture developed in Great Britain during the 18th century, focusing on formal likenesses of the aristocracy, military officers, and prominent gentry. These works typically feature dark background tonalities, dramatic drapery, and formal attire framed by ornate gilding.

Paintings from this era were primarily executed in oil pigments applied to hand-stretched linen or cotton canvas. Frames were typically crafted from timber with pine or lime substrate, adorned with moulded composition ornament and finished in genuine gold leaf.

Authentic period paintings show natural age-related craquelure across the paint surface, hand-hewn wooden stretcher bars, and original tacking edges. The reverse side usually displays dark, oxidised canvas and timber aging consistent with two centuries of exposure.

Place the artwork as a single focal point above a fireplace mantelpiece or console table to anchor a traditional room. Alternatively, combine it with contemporary artwork in a curated gallery wall to create a juxtaposition of styles.

Display the artwork away from direct sunlight, radiators, and areas with high humidity fluctuations to prevent canvas movement and paint flaking. Dust the frame and surface gently with a soft dry brush, avoiding liquid cleaners or chemical polish.
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