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Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.
Sold by Period Portraits
sold SA1228421
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Period Portraits

Period Portraits

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Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

17th century
Sold 24 September 2026 · Period Portraits
This “Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale” found a buyer.

It was listed by Period Portraits. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Circle of Bonaventura Peeters (1614-1652). Dutch boast in a gale. This highly detailed and atmospheric 17th century maritime oil depicts Dutch boats in a storm off a mountainous headland.

Shifting cloud formations and wild wave formations contribute to the impending sense of danger, from vessels on course for collision in tempestuous weather. In the foreground, sailors struggle with a boat which has run aground, and a vertiginous mountain landscape adds further to the sense of drama.

Bonaventura Peeters (1614-1652)

Bonaventrua Peeters was the most celebrated Flemish marine artist of his time. Peeters was working in an artistically abundant period for the Spanish Netherlands, and his birthplace of Antwerp was a creative hub.

There was growing popularity for marine art and seascapes, cultivated by the neighbouring Dutch Republic, which was blossoming artistically during what is known as the Dutch Golden Age. It's possible Peeters spent some time working and gaining inspiration from the Dutch masters.

Examples of his work demonstrate the realism popular in the art of this time. Seaports bow to the majesty of the waves as ships roll into the coastline, sails billowing in the wind. His work also has a predilection to fall into the mannerist style still popular in the Spanish Netherlands.

This affinity for the sea has led some to speculate Peeters was a sailor. He often depicts scenes from further afield, such as Scandinavia and Russia. His works of the ‘New World’ and the Mediterranean, however, adopt a much more imaginative approach, and it is unlikely Peeters ever travelled to either place.

Before turning his attention to painting, Peeters was engaged in the business of topography. He provided maps for the local government depicting recent battles in the Eighty Years’ War, being waged in the name of freedom from Spanish rule. He also created sketches which would form the basis of Joan Blaeu’s ‘Atlas Maior,’ the largest atlas of its kind. It is clear Peeters was engaged in burgeoning trades at every turn. His appointment as a master of the Guild of Saint Luke, which allowed him to progress professionally as a painter, is demonstrative of his pre-eminence.

The Peeters family’s artistic horizons were as wide as the ocean. Bonaventura’s sister and brothers were also painters, as was his brother’s son. Peeters collaborated with his brother Gillis on a number of works. But it was Bonaventura Peeters who led the way on this artistic seafaring mission, and his works set the precedent. A number are now held in maritime museums and national galleries across Europe, fine examples of Flemish marine art. Peeters died in Hoboken in 1652.

This fine old master oil is in an excellent state of conservation having had a surface clean and minor retouch. It is ready to hang and enjoy in a later fine quality gilded antique frame

Higher resolution images upon request

Worldwide shipping available.

Canvas: 25” x 19” / 64cm x 48.5cm

Frame: 35” x 27” / 89cm x 69cm

Price: £5300

Date of Manufacture

Period Portraits has dated this Dutch Golden Age Seascape to the 17th Century.

Physical Dimensions
Height
89cm (35.04")
Width
59cm (23.23")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Reference
SA1228421
Description
Circle of Bonaventura Peeters (1614-1652). Dutch boast in a gale.
“
This highly detailed and atmospheric 17th century maritime oil depicts Dutch boats in a storm off a mountainous headland.
Period Portraits

Shifting cloud formations and wild wave formations contribute to the impending sense of danger, from vessels on course for collision in tempestuous weather. In the foreground, sailors struggle with a boat which has run aground, and a vertiginous mountain landscape adds further to the sense of drama.

fig 1. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 1. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

Bonaventura Peeters (1614-1652)

Bonaventrua Peeters was the most celebrated Flemish marine artist of his time. Peeters was working in an artistically abundant period for the Spanish Netherlands, and his birthplace of Antwerp was a creative hub.

fig 2. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 2. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

There was growing popularity for marine art and seascapes, cultivated by the neighbouring Dutch Republic, which was blossoming artistically during what is known as the Dutch Golden Age. It's possible Peeters spent some time working and gaining inspiration from the Dutch masters.

fig 3. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 3. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

Examples of his work demonstrate the realism popular in the art of this time. Seaports bow to the majesty of the waves as ships roll into the coastline, sails billowing in the wind. His work also has a predilection to fall into the mannerist style still popular in the Spanish Netherlands.

fig 4. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 4. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

This affinity for the sea has led some to speculate Peeters was a sailor. He often depicts scenes from further afield, such as Scandinavia and Russia. His works of the ‘New World’ and the Mediterranean, however, adopt a much more imaginative approach, and it is unlikely Peeters ever travelled to either place.

fig 5. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 5. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

Before turning his attention to painting, Peeters was engaged in the business of topography. He provided maps for the local government depicting recent battles in the Eighty Years’ War, being waged in the name of freedom from Spanish rule. He also created sketches which would form the basis of Joan Blaeu’s ‘Atlas Maior,’ the largest atlas of its kind. It is clear Peeters was engaged in burgeoning trades at every turn. His appointment as a master of the Guild of Saint Luke, which allowed him to progress professionally as a painter, is demonstrative of his pre-eminence.

fig 6. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 6. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

The Peeters family’s artistic horizons were as wide as the ocean. Bonaventura’s sister and brothers were also painters, as was his brother’s son. Peeters collaborated with his brother Gillis on a number of works. But it was Bonaventura Peeters who led the way on this artistic seafaring mission, and his works set the precedent. A number are now held in maritime museums and national galleries across Europe, fine examples of Flemish marine art. Peeters died in Hoboken in 1652.

fig 7. An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
fig 7. Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

This fine old master oil is in an excellent state of conservation having had a surface clean and minor retouch. It is ready to hang and enjoy in a later fine quality gilded antique frame

Higher resolution images upon request

Worldwide shipping available.

Canvas: 25” x 19” / 64cm x 48.5cm

Frame: 35” x 27” / 89cm x 69cm

Price: £5300

Date of Manufacture

Period Portraits has dated this Dutch Golden Age Seascape to the 17th Century.

Height
89cm (35.04")
Width
59cm (23.23")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Ref
SA1228421
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. SOLD24 SEP 26
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Archive I An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. SOLD24 SEP 26

Bonaventura Peeters (1614-1652) - Maritime Oil on Canvas of Dutch Boats in a Gale.

Archive II An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View II
Archive III An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View III
Archive IV An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View IV
Archive V An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View V
Archive VI An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View VI
Archive VII An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View VII
Archive VIII An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame. View VIII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 46
Items Sold 63
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
46
Sold
63
An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
BONAVENTURA PEETERS (1614-1652) - MARITIME OIL ON CANVAS OF DUTCH BOATS IN A GALE.
Ref: SA1228421
An oil painting depicting Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period17th century
  • StyleDutch Golden Age
  • MaterialOil on Canvas, Giltwood
  • ColourGrey and Blue
  • MotifsSailing vessels, Stormy seas, Gilded corner spandrels, Rocky outcrop
  • SizeH 89 cm (35 in) x W 59 cm (23 in) x D 4 cm (2 in)

This 17th century Dutch Golden Age oil painting on canvas depicts Dutch sailing vessels in choppy water beside a rocky outcrop, encased in a carved gold frame with gilded corner spandrels. The palette consists of grey, blue, and rich brown tones under dramatic white cloud formations. The composition portrays ships at sea alongside figures in foreground boats battling stormy weather near a mountainous coastline. The dimensions measure 89 cm high, 59 cm wide, and 4 cm deep. Positioned above the mantel in a gentleman's library, the piece brings historical maritime narrative into an interior space. The surface displays clean conservation work with minor retouches, presented in a later fine quality gilded antique frame ready for placement. The vertical format suits traditional living areas and study spaces where historical wall art provides a focal point.

Dutch Golden Age maritime painting emerged during the 17th century, characterised by detailed representations of naval ships, coastal topography, and varied weather conditions at sea.

Artists during this period prepared linen canvas or oak panels with natural grounds and applied oil paints formulated from hand-ground mineral pigments and linseed oil.

Authentic period artworks feature fine craquelure throughout the paint layers, historical canvas weaving patterns, and timber or canvas aging consistent with 17th-century craftsmanship.

A historical maritime painting works well positioned above a mantelpiece, console, or sideboard in a library, dining room, or formal living area to introduce classical character.

Keep the painting in a climate-controlled room away from direct sunlight, and dust the surface lightly with a dry, soft brush rather than applying liquids or chemical solvents.
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