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ID #SA1188510
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Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing
For sale by Cheshire Antiques Consultant Ltd
for sale €11,700     $12,700
£10,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 249 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
Id #SA1188510
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Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

1940 - 1960
Description

Low Fell, from Lanthwaite Hill — Original pen-and-ink landscape drawing, Lake District, Cumbria — Signed Alfred Wainwright (1907–1991)

Subject and medium

A beautifully observed Lake District view of Low Fell (Cumbria), drawn from near the summit of Lanthwaite Hill—an admired Wainwright vantage that combines pastoral field geometry with the fell’s distinctive mass and ridge line. Executed in pen and ink on paper, the medium most closely associated with Wainwright’s best-known output and the visual language of his Lakeland publications.

Composition and technique

A quietly powerful example of Wainwright’s draughtsmanship: precise, economical, and richly descriptive without becoming overworked. Tonal depth is achieved entirely through line density, direction, and layered hatching, rather than wash—giving the scene a timeless clarity.

In the foreground, darker, more emphatic mark-making anchors woodland and scrub, while the mid-ground opens into a measured patchwork of fields and boundaries that reads almost cartographically. The fell itself is constructed through controlled cross-hatching and contour-led linework, conveying slope, texture, and distance with remarkable efficiency. Above, the sky is treated with light, restrained strokes—suggesting cloud movement while keeping the landscape dominant. The absence of figures (typical of Wainwright) lends the image a contemplative stillness: the land, and only the land, holds the stage.

Historical significance

This composition is documented as “Drawing 231: Low Fell, from Lanthwaite Hill.” Reference notes record the viewpoint close to the summit of Lanthwaite Hill and, importantly, that the view forms the title page of the Low Fell chapter in The Western Fells.

Wainwright’s seven-volume Pictorial Guide to the Lakeland Fells was produced from hand-made pen-and-ink manuscript pages; the first publication run spans 1955–1966. The Western Fells (Book Seven) was first published in 1966.

Working date (mid-1960s): Because this view is tied to the Low Fell chapter/title-page usage in The Western Fells (1966), the most defensible working date for a guide-era original drawing of this composition is c. 1964–1966, prior to publication.

About the artist

Alfred Wainwright MBE (1907–1991) is one of Britain’s most loved fell-writers and landscape draughtsmen. His Pictorial Guide to the Lakeland Fells, created as fully handwritten and hand-illustrated manuscript pages, became the definitive cultural document of Lakeland walking and remains highly collected.

Original Wainwright works have demonstrated strong market demand; for example, a Wainwright pen-and-ink sketch achieved £10,200 at auction in 2020, reported at the time as a record price for his artwork.

Signed and titled

Signed in pencil “A Wainwright” lower right, and titled “LOW FELL” lower left.

Framed

Mounted with a recently fitted white border mat for a clean, gallery-style presentation

Framed in a Larson Juhl baroque-style black lacquered Radiata Pine moulding

Protected by AR70 museum-grade glass for excellent clarity and UV protection

Dimensions (framed)

47.2 cm (H) × 52 cm (W) × 5.5 cm (D)

Provenance

Acquired from a private Cumbria collection, then through a notable, long-established Cumbria auction house 1818, and accompanied by a Cheshire Antiques Consultant LTD label verso. Private exhibition at the Famous Lord Hill Museum in Feb 2026.

Literature linkage / identification: The composition is documented as Drawing 231: “Low Fell, from Lanthwaite Hill,” recorded as forming the title page of the Low Fell chapter in The Western Fells (first published 1966), supporting the mid-1960s dating framework. We include a copy of the book with this masterpiece.

Why you will love it

Museum-grade monochrome presence—timeless, elegant, and interior-friendly

A genuine Lakeland subject with strong Wainwright collector appeal

Historically anchored to Wainwright’s mid-1960s guide era (pre-1966 publication context)

Signed and title

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Framed Ink Landscape Drawing to the 1960s.

Independent Date Guide ID 09319570
Dealer's Item Date1960s
Sellingantiques Date1960s
Sellingantiques agingItem 60-70 years old
ResultsDates match
Why Sellingantiques dated this piece to THE 1960s:
Pencil crop marks and margin lines: working drawing prepared for book publication.
Dense layered ink hatching: draughtsmanship developed for the Lakeland guide series.
Even pale toning across the paper: natural ageing of mid-century artist paper.
Pencil inscription and signature along the lower border: contemporary hand lettering.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
47.2cm (18.58")
Width
52cm (20.47")
Depth
5.5cm (2.17")
Reference Numbers
Sellingantiques Reference
SA1188510
Dealers Internal Reference
762
Dealers Notes

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Company No. 15666518

VAT No. GB 466128775

Description
Low Fell, from Lanthwaite Hill — Original pen-and-ink landscape drawing, Lake District, Cumbria — Signed Alfred Wainwright (1907–1991)

Subject and medium

A beautifully observed Lake District view of Low Fell (Cumbria), drawn from near the summit of Lanthwaite Hill—an admired Wainwright vantage that combines pastoral field geometry with the fell’s distinctive mass and ridge line.

“
Executed in pen and ink on paper, the medium most closely associated with Wainwright’s best-known output and the visual language of his Lakeland publications.
Cheshire Antiques Consultant Ltd
fig 1. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 1. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Composition and technique

A quietly powerful example of Wainwright’s draughtsmanship: precise, economical, and richly descriptive without becoming overworked. Tonal depth is achieved entirely through line density, direction, and layered hatching, rather than wash—giving the scene a timeless clarity.

fig 2. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 2. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

In the foreground, darker, more emphatic mark-making anchors woodland and scrub, while the mid-ground opens into a measured patchwork of fields and boundaries that reads almost cartographically. The fell itself is constructed through controlled cross-hatching and contour-led linework, conveying slope, texture, and distance with remarkable efficiency. Above, the sky is treated with light, restrained strokes—suggesting cloud movement while keeping the landscape dominant. The absence of figures (typical of Wainwright) lends the image a contemplative stillness: the land, and only the land, holds the stage.

fig 3. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 3. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Historical significance

This composition is documented as “Drawing 231: Low Fell, from Lanthwaite Hill.” Reference notes record the viewpoint close to the summit of Lanthwaite Hill and, importantly, that the view forms the title page of the Low Fell chapter in The Western Fells.

fig 4. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 4. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Wainwright’s seven-volume Pictorial Guide to the Lakeland Fells was produced from hand-made pen-and-ink manuscript pages; the first publication run spans 1955–1966. The Western Fells (Book Seven) was first published in 1966.

fig 5. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 5. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Working date (mid-1960s): Because this view is tied to the Low Fell chapter/title-page usage in The Western Fells (1966), the most defensible working date for a guide-era original drawing of this composition is c. 1964–1966, prior to publication.

fig 6. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 6. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

About the artist

Alfred Wainwright MBE (1907–1991) is one of Britain’s most loved fell-writers and landscape draughtsmen. His Pictorial Guide to the Lakeland Fells, created as fully handwritten and hand-illustrated manuscript pages, became the definitive cultural document of Lakeland walking and remains highly collected.

fig 7. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 7. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Original Wainwright works have demonstrated strong market demand; for example, a Wainwright pen-and-ink sketch achieved £10,200 at auction in 2020, reported at the time as a record price for his artwork.

fig 8. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 8. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Signed and titled

Signed in pencil “A Wainwright” lower right, and titled “LOW FELL” lower left.

Framed

Mounted with a recently fitted white border mat for a clean, gallery-style presentation

Framed in a Larson Juhl baroque-style black lacquered Radiata Pine moulding

fig 9. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 9. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Protected by AR70 museum-grade glass for excellent clarity and UV protection

Dimensions (framed)

47.2 cm (H) × 52 cm (W) × 5.5 cm (D)

Provenance

Acquired from a private Cumbria collection, then through a notable, long-established Cumbria auction house 1818, and accompanied by a Cheshire Antiques Consultant LTD label verso. Private exhibition at the Famous Lord Hill Museum in Feb 2026.

fig 10. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 10. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Literature linkage / identification: The composition is documented as Drawing 231: “Low Fell, from Lanthwaite Hill,” recorded as forming the title page of the Low Fell chapter in The Western Fells (first published 1966), supporting the mid-1960s dating framework. We include a copy of the book with this masterpiece.

fig 11. A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
fig 11. Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Why you will love it

Museum-grade monochrome presence—timeless, elegant, and interior-friendly

A genuine Lakeland subject with strong Wainwright collector appeal

Historically anchored to Wainwright’s mid-1960s guide era (pre-1966 publication context)

Signed and title

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Framed Ink Landscape Drawing to the 1960s.

Independent Date Report ID 09319570
Dealer's Item Date1960s
Sellingantiques dating1960s
Sellingantiques agingItem 60-70 years old
ResultsDates match
Why Sellingantiques dated this piece to the 1960s:
Pencil crop marks and margin lines: working drawing prepared for book publication.
Dense layered ink hatching: draughtsmanship developed for the Lakeland guide series.
Even pale toning across the paper: natural ageing of mid-century artist paper.
Pencil inscription and signature along the lower border: contemporary hand lettering.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
47.2cm (18.58")
Width
52cm (20.47")
Depth
5.5cm (2.17")
Reference Numbers
Sellingantiques Ref
SA1188510
Dealers Internal Ref
762
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
1 / 19
Archive I A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.

Low Fell, from Lanthwaite Hill Original Pen-and-ink Landscape Drawing

Archive II A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View II
Archive III A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View III
Archive IV A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View IV
Archive V A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View V
Archive VI A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View VI
Archive VII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View VII
Archive VIII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View VIII
Archive IX A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View IX
Archive X A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View X
Archive XI A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XI
Archive XII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XII
Archive XIII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XIII
Archive XIV A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XIV
Archive XV A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XV
Archive XVI A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XVI
Archive XVII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XVII
Archive XVIII A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XVIII
Archive XIX A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount. View XIX
Enlarged Archival View
Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

By appointment
Verified Since Jan 2021
Items For Sale 249
Items Sold 224
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
249
Sold
224
A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
Low Fell, from Lanthwaite Hill Original pen-and-ink landscape drawing
Ref: SA1188510
A monochrome pen-and-ink drawing of a mountainous landscape framed within a glossy black carved frame with a white mount.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWall Art
  • Period1940 - 1960
  • StyleEnglish School
  • MaterialInk, Paper, Wood, Glass
  • ColourMonochrome
  • MotifsCross-hatching, Ornate carved frame, White card mount
  • SizeH 47.2 cm (19 in) x W 52 cm (20 in) x D 5.5 cm (2 in)

This original English School pen-and-ink landscape drawing dates from 1960. The monochrome ink and paper artwork depicts Low Fell from Lanthwaite Hill in the Lake District, rendered using precise line density, direction, and layered cross-hatching. It is mounted in a white card window mat with a gold-tone inner fillet line and signed by Alfred Wainwright in pencil at the lower right, with the title inscribed at the lower left. The piece is enclosed in a glossy black lacquered ornate carved Radiata Pine frame with glass and measures 47.2 cm high, 52 cm wide, and 5.5 cm deep. Suitable for an English Country House interior aesthetic, this wall art is proportioned to hang above a sideboard or within a living space. The monochrome palette and traditional rural subject matter fit well into studies, hallways, or reception rooms alongside period furnishings and classic artwork collections.

Pen-and-ink landscape drawing has a long tradition in British art, particularly popularised during the 18th and 19th centuries as artists sought to capture the topography of scenic regions like the Lake District through detailed hatching techniques.

Fine line drawings traditionally utilise India ink or iron gall ink on paper, often presented with a card mount and glass within a carved or moulded frame.

An original pen-and-ink work shows direct ink absorption into paper fibres, subtle variations in line density, and physical indentation from the nib, whereas mechanical prints display uniform dot matrices under magnification.

Position monochrome drawings as part of a gallery wall or place them above a console table to contrast detailed graphic linework against modern architectural backdrops.

Display framed paper artwork away from direct sunlight and high humidity to prevent foxing or fading, ensuring acid-free mounting materials are used within the frame.
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