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ID #SA1179553
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£160
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19th Century Chromolithograph, Vanity Fair Double Page
For sale by The Country House Gallery
Id #SA1179553
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19th Century Chromolithograph, Vanity Fair Double Page

19th century
Description

A Vanity Fair unfolded double page chromolithograph date December 8th 1888. Superb condition and presented in a hand wash-lined mount. Image size 19.25 inches by 13 inches approx. Mounted size 28.5 inches by 23 inches. A rare unfolded example

Physical Dimensions
Height
33cm (12.99")
Width
49cm (19.29")
Depth
0.5cm (0.20")
Declaration

The Country House Gallery has dated this Antique Horse Racing Print to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1179553
Dealers Internal Reference
spy 1
Description
A Vanity Fair unfolded double page chromolithograph date December 8th 1888. Superb condition and presented in a hand wash-lined mount. Image size 19.25 inches by 13 inches approx. Mounted size 28.5 inches by 23 inches. A rare unfolded example
Height
33cm (12.99")
Width
49cm (19.29")
Depth
0.5cm (0.20")
Date of Manufacture

The Country House Gallery has dated this Antique Horse Racing Print to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1179553
Dealers Internal Ref
spy 1
The Country House Gallery
Sellingantiques verified Since Nov 2020
Dealer Profile

You can view the stock and full dealer information on the The Country House Gallery Profile Page

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A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion.
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Archive I A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion.

19th Century Chromolithograph, Vanity Fair Double Page

Archive II A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion. View II
Archive III A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion. View III
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Telephone 07867 787003
Location
Burnley
Lancashire
United Kingdom
Verified Since Nov 2020
Items For Sale 40
Items Sold 31
The Country House Gallery
Verified Since Nov 2020
View Dealer Info
Location: Burnley, Lancashire, United Kingdom
Verified
Nov 2020
For Sale
40
Sold
31
A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion.
19th century chromolithograph, Vanity Fair double page
Ref: SA1179553
A framed 19th-century Vanity Fair double-page chromolithograph titled The Winning Post, depicting jockeys on racehorses in motion.
Detail View 1
Detail View 2
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectWall Art
  • Period19th century
  • StyleVictorian
  • MaterialPaper, Wood, Glass
  • ColourBeige and Brown
  • MotifsHorse race caricatures, Jockey portraits, Double-page spread, Mount board frame
  • SizeH 33 cm (13 in) x W 49 cm (19 in) x D 0.5 cm (0 in)

This Victorian wall art piece comprises a 19th-century chromolithograph on paper, presented within a hand wash-lined mount board frame under glass with a wooden border. The coloured print depicts caricatures of jockeys in colourful racing silks mounted on horses in motion during a race, with a grandstand visible in the background and horses rendered in brown tones against a muted grey-green field. The composition includes multiple riders wearing caps and jackets in contrasting shades of yellow, blue, red, and white, alongside distinct facial expressions and riding crops held aloft. Measuring 33 cm high, 49 cm wide, and 0.5 cm deep, the item suits placement as a gentleman's library decoration above a sideboard in a study or hallway.

Vanity Fair was a British weekly publication active from 1868 to 1914 that featured full-page and double-page chromolithograph caricatures of prominent contemporary figures, including politicians, athletes, and society personalities.

Chromolithography involved transferring drawings onto lithographic limestone or zinc plates, with a separate stone prepared for each distinct colour layer before sequentially printing onto paper.

Authentic period prints exhibit continuous colour tones and fine grain under magnification rather than modern halftone dot matrices, and often feature central fold lines if originally issued as double-page magazine inserts.

Equestrian prints function effectively when hung as focal features above sideboards or grouped along hallways, adding tailored historical detail to traditional studies and living spaces.

Paper prints require framing with acid-free mount boards and UV-protective glass, positioned away from direct sunlight and damp conditions to prevent fading and foxing.
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