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ID #SA1170344
FOR SALE
£950
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Augustin Edouart Cut Silhouette 1834
Wigs on the Green
for sale €1,112     $1,207
£950
Wigs on the Green

Wigs on the Green

Sellingantiques Verified Since May 2020
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    Small portraiture of character & historical interest
Id #SA1170344
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Augustin Edouart Cut Silhouette 1834

19th century
Description

Augustin Edouart is best known for his full-length cut silhouettes and family conversation pieces complemented sometimes, as here, by sepia watercolour backgrounds. Seated before a window, the stout gentleman is reading a paper with the letters MAGAZI- visible across the top – the paper is also part of the cut work. Behind him stands his wife in a dress with eye-catching demi-gigot sleeves, her hair upswept in a fashionable Apollo knot. Comparison with figures in an archive album of Edouart’s Irish cuttings has revealed the identity of the gentleman to be Mr Stokes.

The couple are situated in an elegant drawing room furnished with fringed drapes, a chaise longue and framed paintings. The silhouette is signed along the bottom edge – Aug. Edouart fecit 1834.

Records show that Edouart was working in Ireland during 1834 initially in the tourist hot spots of Kinsale and Killarney before moving on to Cork where he was often the guest of the Smith-Barry family of Fota Island. An editorial in the Cork Commercial Courier praised him as ‘a very rare talent’ with the ‘consummate power of a master’ (1 Nov. 1834).

The silhouette is presented in the original handsome bird’s eye maple veneer frame with a gilt slip. It is in excellent condition.

Having come to England from France around 1814, Augustin Edouart initially established himself as a hairwork artist specialising in dog pictures. These though were time-consuming to create and so could not give him a good enough living even with his wife working as a child-minder. The couple’s next venture was a shop in Cheltenham selling French fancy goods. This may have had a more secure future but the death of Mrs Edouart in childbirth with their third child in December 1825 sadly led to bankruptcy the following year. Edouart’s third and most successful venture was cutting profiles. He toured extensively taking thousands of profiles, his sitters including authors, musicians, politicians and royalty. In 1839 he set sail for New York where he was likewise in great demand for ten years before deciding to retire to his native France. He nearly didn’t make it though as his ship went down in a storm off the coast of Guernsey. Fortunately the passengers were safely rescued but Edouart lost much of his precious archive of work and the will to continue to work commercially thereafter.

Framed Size: 380 x 465mm

Physical Dimensions
Height
38cm (14.96")
Width
46.5cm (18.31")
Declaration

Wigs on the Green has dated this Antique Cut Paper Silhouette to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1170344
Dealers Internal Reference
6528
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Augustin Edouart is best known for his full-length cut silhouettes and family conversation pieces complemented sometimes, as here, by sepia watercolour backgrounds.
Seated before a window, the stout gentleman is reading a paper with the letters MAGAZI- visible across the top – the paper is also part of the cut work.
Wigs on the Green

Behind him stands his wife in a dress with eye-catching demi-gigot sleeves, her hair upswept in a fashionable Apollo knot. Comparison with figures in an archive album of Edouart’s Irish cuttings has revealed the identity of the gentleman to be Mr Stokes.

fig 1. An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge.
fig 1. Augustin Edouart Cut Silhouette 1834

The couple are situated in an elegant drawing room furnished with fringed drapes, a chaise longue and framed paintings. The silhouette is signed along the bottom edge – Aug. Edouart fecit 1834.

Records show that Edouart was working in Ireland during 1834 initially in the tourist hot spots of Kinsale and Killarney before moving on to Cork where he was often the guest of the Smith-Barry family of Fota Island. An editorial in the Cork Commercial Courier praised him as ‘a very rare talent’ with the ‘consummate power of a master’ (1 Nov. 1834).

The silhouette is presented in the original handsome bird’s eye maple veneer frame with a gilt slip. It is in excellent condition.

Having come to England from France around 1814, Augustin Edouart initially established himself as a hairwork artist specialising in dog pictures. These though were time-consuming to create and so could not give him a good enough living even with his wife working as a child-minder. The couple’s next venture was a shop in Cheltenham selling French fancy goods. This may have had a more secure future but the death of Mrs Edouart in childbirth with their third child in December 1825 sadly led to bankruptcy the following year. Edouart’s third and most successful venture was cutting profiles. He toured extensively taking thousands of profiles, his sitters including authors, musicians, politicians and royalty. In 1839 he set sail for New York where he was likewise in great demand for ten years before deciding to retire to his native France. He nearly didn’t make it though as his ship went down in a storm off the coast of Guernsey. Fortunately the passengers were safely rescued but Edouart lost much of his precious archive of work and the will to continue to work commercially thereafter.

Framed Size: 380 x 465mm

Height
38cm (14.96")
Width
46.5cm (18.31")
Date of Manufacture

Wigs on the Green has dated this Antique Cut Paper Silhouette to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1170344
Dealers Internal Ref
6528
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge.
1 / 2
Archive I An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge.

Augustin Edouart Cut Silhouette 1834

Archive II An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge. View II
Enlarged Archival View
Telephone 07962 257915
Location
York
Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 85
Items Sold 309
Wigs on the Green
Wigs on the Green
Verified Since May 2020
View Dealer Info
Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
85
Sold
309
An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge.
Augustin Edouart Cut Silhouette 1834
Ref: SA1170344
An 1834 cut-paper silhouette depicting a seated man reading and a standing woman, set within a wash interior background and framed in a polished maple frame with a gold sight edge.
Detail View 1
Archival Detail
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Silhouette portraits originated in the eighteenth century as an economical alternative to painted miniatures, taking their name from French finance minister Etienne de Silhouette. They gained widespread popularity across Britain and Europe throughout the Regency and early Victorian eras as artist masters like Augustin Edouart created detailed profile likenesses using specialized freehand cutting techniques.

Traditional silhouettes were produced using dense black paper cutouts mounted onto white card, lithographed backdrops, or hand-painted sepia wash backgrounds. Framed examples were typically presented under glass within polished maple, rosewood, or lacquered ebony frames featuring gilt inner sight edges.

Authentic period silhouettes exhibit sharp, precise hand-cut edges visible under magnification rather than printed boundaries. Original works frequently bear blind stamps, trade labels on the reverse, hand-written dates, or artist signatures, combined with accurate period fashion details such as 1830s gigot sleeves or high cravats.

A framed silhouette works effectively when integrated into a contemporary gallery wall alongside oil paintings and architectural sketches. Placing smaller framed portraiture in a study, hallway, or reading nook adds historical depth while harmonising with both traditional mahogany and minimalist modern furnishings.

Paper silhouettes require protection from direct sunlight and high light levels to prevent fading of the wash background and degradation of the paper stock. Display the artwork in a stable environment away from humidity, using conservation-grade UV-filtering glass and acid-free mounting boards.
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