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Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra
Benton Fine Art
for sale €5,265     $5,715
£4,500
Benton Fine Art

Benton Fine Art

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Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

19th century
For Sale by Benton Fine Art
Description

Abraham Cooper RA

British, (1787-1868)

A Surrey Hunter

Oil on canvas, signed with monogram & dated 1850, further inscribed bottom left

Image size: 24 inches x 29 inches

Size including frame: 29.5 inches x 34.5 inches

A fine sporting horse portrait painting of a chestnut hunter by Abraham Cooper. A saddled horse is depicted standing outside a stable block facing left towards open fields. His head is slightly turned towards the viewer to reveal a diamond shaped white mark on his forehead. Although the name of the horse has been sadly lost over time, the inscription on the bottom left tells us that he was owned by Mr C Webb and was aged 22 years at the time of the painting, suggesting he was foaled around 1828. Given the inscription, the owner most likely commissioned the portrait to commemorate the horse’s longstanding achievement as a hunter and favourite riding companion.

Abraham Cooper was born in Holborn, London on 8 September, 1787 to Alexander and Susanna Cooper. His father was an inn keeper and the family lived at Red Lion Street in Holborn. Although little is recorded about his early education, he is known to have started working at Astley’s Amphitheatre at the age of 13 before becoming a groom for the brewer Henry Meux. His close work with horses inspired him to learn how to paint and he began producing paintings of the horses in his care. Encouraged by Meux, he became a pupil of the animal painter Benjamin Marshall (1768-1835) who took him into his studio.

Under Marshall’s tutelage he flourished as an artist and developed a lifelong interest in historical scenes particularly of battles, which earned him the nickname ‘Battle Cooper’. In 1812, he made his debut at Royal Academy in 1812, becoming a prolific exhibitor there. In the same year he also began exhibiting at the British Institute.

He married Maria Goom on the 23 April, 1813. The couple lived in Robert Street, Holborn and went on to have 3 children together. Their son Alfred William Cooper (1829-1916) studied at the RA and became a well-known artist and illustrator. By 1817, he had moved to New Millman Street in Holborn where he remained for over 30 years. In 1817, he was made Associate of the Royal Academy and in 1820 was elected fully Academician.

In 1853, a few years after the death of his first wife, he married Francis McArthy D’Ebro a widow and the daughter of an artist. The couple continued living at Cooper’s home in Millman Street until sometime after 1861 when they moved to Woodbine Cottage, Woodland Street, Greenwich.

Cooper died aged 81 at his home in Woodland Street on 24 December, 1868. He was buried at Highgate Cemetery. Examples of his work can be found in many public collections including the Ashmolean Museum, Cromwell Museum, English Heritage, Government Art Collection, Harris Museum, National Trust, The Wilson, V&A and Yale Center for British Art. A number of his papers including sketches, correspondence and photographs of him can be found at the RA.

Presentation: The work is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
75cm (29.53")
Width
87.5cm (34.45")
Depth
6cm (2.36")
Declaration

Benton Fine Art has dated this Antique Equestrian Oil Painting to the 1850s.

Reference Numbers
Sellingantiques Reference
SA1156918
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Abraham Cooper RA

British, (1787-1868)

A Surrey Hunter

Oil on canvas, signed with monogram & dated 1850, further inscribed bottom left

Image size: 24 inches x 29 inches

Size including frame: 29.5 inches x 34.5 inches

A fine sporting horse portrait painting of a chestnut hunter by Abraham Cooper. A saddled horse is depicted standing outside a stable block facing left towards open fields.

His head is slightly turned towards the viewer to reveal a diamond shaped white mark on his forehead.
Benton Fine Art

Although the name of the horse has been sadly lost over time, the inscription on the bottom left tells us that he was owned by Mr C Webb and was aged 22 years at the time of the painting, suggesting he was foaled around 1828. Given the inscription, the owner most likely commissioned the portrait to commemorate the horse’s longstanding achievement as a hunter and favourite riding companion.

fig 1. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 1. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

Abraham Cooper was born in Holborn, London on 8 September, 1787 to Alexander and Susanna Cooper. His father was an inn keeper and the family lived at Red Lion Street in Holborn. Although little is recorded about his early education, he is known to have started working at Astley’s Amphitheatre at the age of 13 before becoming a groom for the brewer Henry Meux. His close work with horses inspired him to learn how to paint and he began producing paintings of the horses in his care. Encouraged by Meux, he became a pupil of the animal painter Benjamin Marshall (1768-1835) who took him into his studio.

fig 2. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 2. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

Under Marshall’s tutelage he flourished as an artist and developed a lifelong interest in historical scenes particularly of battles, which earned him the nickname ‘Battle Cooper’. In 1812, he made his debut at Royal Academy in 1812, becoming a prolific exhibitor there. In the same year he also began exhibiting at the British Institute.

fig 3. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 3. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

He married Maria Goom on the 23 April, 1813. The couple lived in Robert Street, Holborn and went on to have 3 children together. Their son Alfred William Cooper (1829-1916) studied at the RA and became a well-known artist and illustrator. By 1817, he had moved to New Millman Street in Holborn where he remained for over 30 years. In 1817, he was made Associate of the Royal Academy and in 1820 was elected fully Academician.

fig 4. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 4. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

In 1853, a few years after the death of his first wife, he married Francis McArthy D’Ebro a widow and the daughter of an artist. The couple continued living at Cooper’s home in Millman Street until sometime after 1861 when they moved to Woodbine Cottage, Woodland Street, Greenwich.

fig 5. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 5. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

Cooper died aged 81 at his home in Woodland Street on 24 December, 1868. He was buried at Highgate Cemetery. Examples of his work can be found in many public collections including the Ashmolean Museum, Cromwell Museum, English Heritage, Government Art Collection, Harris Museum, National Trust, The Wilson, V&A and Yale Center for British Art. A number of his papers including sketches, correspondence and photographs of him can be found at the RA.

fig 6. An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
fig 6. Sporting Horse Portrait Oil Painting of a Chestnut Hunter by Abraham Cooper Ra

Presentation: The work is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
75cm (29.53")
Width
87.5cm (34.45")
Depth
6cm (2.36")
Date of Manufacture

Benton Fine Art has dated this Antique Equestrian Oil Painting to the 1850s.

Reference Numbers
Sellingantiques Ref
SA1156918
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
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Archive I An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.

Sporting horse portrait oil painting of a chestnut hunter by Abraham Cooper RA

Archive II An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View II
Archive III An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View III
Archive IV An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View IV
Archive V An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View V
Archive VI An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View VI
Archive VII An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View VII
Archive VIII An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View VIII
Archive IX An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame. View IX
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Telephone 07710 540 549
Location
Near Broadway
Worcestershire
United Kingdom

By appointment only.
Verified Since Sep 2012
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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
209
An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
Sporting horse portrait oil painting of a chestnut hunter by Abraham Cooper RA
Ref: SA1156918
An antique oil painting depicting a saddled chestnut hunter horse standing profile against a stone stable wall within a carved gilt wood frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British sporting art focuses on detailed depictions of horses, hounds, and field sports, celebrating rural traditions and equine anatomy with realistic proportions and landscape backdrops.

These paintings were executed using oil-based pigments applied to stretched linen or cotton canvas, typically housed within hand-carved or moulded wood frames finished with gold leaf gilding.

Authentic works feature period-correct craquelure patterns across the paint surface, natural oxidisation on the canvas reverse, original wooden stretcher bars, and artist signatures or inscriptions executed in matching paint layers.

Hang the painting above a mantelpiece or dark wood sideboard, allowing the gilded frame to anchor a traditional or eclectic interior scheme while pairing it with understated neutral walls.

Keep the canvas out of direct sunlight and away from heat sources, maintain stable relative humidity levels, and clean light dust using a soft dry camel-hair brush rather than liquid cleaners.
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