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Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner
Cheshire Antiques Consultant Ltd
for sale €4,680     $5,080
£4,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

1900 - 1920
Description

Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Important original English sporting oil painting by Frederick Albert Clark 1869-1954, depicting the celebrated chestnut racehorse Spion Kop, winner of the 1920 Epsom Derby.

Painted and signed in 1920, the year of Spion Kop's historic Derby victory, this substantial equestrian portrait combines sporting history, accomplished animal painting and excellent decorative appeal.

Spion Kop is shown standing proudly outside a stable yard, his alert ears, bright eyes and muscular stance conveying the character and athletic presence of a champion thoroughbred. Clark uses warm chestnut reds, siennas and ochres across the horse, contrasted against cooler greys, creams and muted greens within the surrounding architecture and landscape.

The horse dominates the composition, positioned against an open stable door with a folded blanket visible nearby. Beyond, a high wall, foliage and softly painted summer sky provide an atmospheric backdrop. Clark combines precise draughtsmanship across the horse with broader, more expressive handling in the surrounding setting, ensuring Spion Kop remains the commanding focus.

Spion Kop 1917-1941 was bred and owned by Major Giles Loder and trained by Peter Gilpin. On 2 June 1920 he won the 141st Epsom Derby, ridden by American jockey Frank O'Neill. Coming from behind, Spion Kop defeated Archaic and Orpheus and completed the race in a then record time of 2 minutes 34.8 seconds.

The Artist

Frederick Albert Clark 1869-1954 was an English sporting and animal painter from the distinguished Clark family of equestrian artists.

His father Albert Clark 1843-1928 and grandfather James Clark 1812-1909 were established animal painters, while his brother William Albert Clark 1880-1963 continued the family's artistic tradition.

Frederick Albert Clark specialised particularly in equine and canine portraiture. His paintings are admired for their combination of accurate observation, anatomical understanding and the individual character he brought to his animal subjects.

Signature

Signed lower right in red Frederick Albert Clark 1920.

Provenance

The reverse retains an original paper label identifying the work as Frederick Albert Clark, Spion Kop Winner of the Derby Stakes 1920, oil on canvas, signed and dated.

A further verso inscription records Marie G. Loder's Spion Kop, Winner of the 1920 Derby Stakes, ridden by F. O'Neill.

The painting was subsequently offered through Sworders, the established British auction house.

Thereafter acquired, researched and curated by Cheshire Antiques Consultant LTD.

Frame

Presented in its original giltwood frame with classical moulded decoration. Hanging wire fitted and ready for display.

Dimensions

Overall framed dimensions approximately 63.5 cm high by 72 cm wide by 3.75 cm deep.

Condition

Presented in good antique condition consistent with its age of over 100 years.

The canvas has historically been relined for stability. There is age-related craquelure, foxing, surface dust and some minor paint loss.

The original giltwood frame displays light wear, scuffs and small chips consistent with age and previous display.

The painting remains stable and ready to hang.

Worldwide Shipping

Professional packing and fully insured worldwide delivery are available.

Certificate of Sale and Dealer Attribution

The artwork will be supplied with a Certificate of Sale and Dealer Attribution issued by Cheshire Antiques Consultant LTD, recording the artwork's catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.

Cheshire Antiques Consultant LTD

Specialising in carefully curated British and European fine art, antiques and historic works

Physical Dimensions
Height
63.5cm (25.00")
Width
72cm (28.35")
Depth
3.8cm (1.50")
Declaration

Cheshire Antiques Consultant Ltd has dated this Antique Equestrian Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1229489
Dealers Internal Reference
CAC-SK-0048
Dealers Notes

Delivery shipping information

Cheshire Antiques Consultant LTD ship worldwide, using fully insured and online tracked delivery services like DHL, DPD, Parcelforce or Fedex also the British Shop. We offer Free national Delivery to England mainland, Wales mainland & Scottish lowland mainland areas only.

We offer Free UK mainland delivery only, international shipping to USA, Canada, Europe. All other countries rest of the world please get in touch for a shipping quote.

Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

Returns Policy

We offer a 14-day money-back refund policy

(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

CONTACT US:

Please feel free to call us.

We have a friendly & professional team on hand who are here to help you with any queries you may have.

Tel: 07494763382

Outside the UK:

Phone or text: 0044 7494763382

PAYMENT:

Our primary payment method is by (BACS) & International bank wire transfer, we can email you an invoice with our banking details upon request. We no longer accept any Online Card or in person card payments due to payment providers charging us and not returning the processing transaction fee even if an order is fraudulent, cancelled or returned. All Item(s) will need to be settled by bank transfer only. We will email you a proforma invoice with our bank details.

Customs Payment & Brexit

Cheshire Antiques Consultant LTD operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs clearance charges and any other customs charges which may be necessary to release an order from international customs.

Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.

If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.

Description
Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner
Important original English sporting oil painting by Frederick Albert Clark 1869-1954, depicting the celebrated chestnut racehorse Spion Kop, winner of the 1920 Epsom Derby.
Cheshire Antiques Consultant Ltd
fig 1. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 1. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Painted and signed in 1920, the year of Spion Kop's historic Derby victory, this substantial equestrian portrait combines sporting history, accomplished animal painting and excellent decorative appeal.

fig 2. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 2. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Spion Kop is shown standing proudly outside a stable yard, his alert ears, bright eyes and muscular stance conveying the character and athletic presence of a champion thoroughbred. Clark uses warm chestnut reds, siennas and ochres across the horse, contrasted against cooler greys, creams and muted greens within the surrounding architecture and landscape.

fig 3. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 3. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

The horse dominates the composition, positioned against an open stable door with a folded blanket visible nearby. Beyond, a high wall, foliage and softly painted summer sky provide an atmospheric backdrop. Clark combines precise draughtsmanship across the horse with broader, more expressive handling in the surrounding setting, ensuring Spion Kop remains the commanding focus.

fig 4. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 4. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Spion Kop 1917-1941 was bred and owned by Major Giles Loder and trained by Peter Gilpin. On 2 June 1920 he won the 141st Epsom Derby, ridden by American jockey Frank O'Neill. Coming from behind, Spion Kop defeated Archaic and Orpheus and completed the race in a then record time of 2 minutes 34.8 seconds.

fig 5. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 5. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

The Artist

Frederick Albert Clark 1869-1954 was an English sporting and animal painter from the distinguished Clark family of equestrian artists.

His father Albert Clark 1843-1928 and grandfather James Clark 1812-1909 were established animal painters, while his brother William Albert Clark 1880-1963 continued the family's artistic tradition.

fig 6. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 6. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Frederick Albert Clark specialised particularly in equine and canine portraiture. His paintings are admired for their combination of accurate observation, anatomical understanding and the individual character he brought to his animal subjects.

fig 7. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 7. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Signature

Signed lower right in red Frederick Albert Clark 1920.

Provenance

The reverse retains an original paper label identifying the work as Frederick Albert Clark, Spion Kop Winner of the Derby Stakes 1920, oil on canvas, signed and dated.

fig 8. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 8. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

A further verso inscription records Marie G. Loder's Spion Kop, Winner of the 1920 Derby Stakes, ridden by F. O'Neill.

The painting was subsequently offered through Sworders, the established British auction house.

fig 9. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 9. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Thereafter acquired, researched and curated by Cheshire Antiques Consultant LTD.

Frame

Presented in its original giltwood frame with classical moulded decoration. Hanging wire fitted and ready for display.

fig 10. A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
fig 10. Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Dimensions

Overall framed dimensions approximately 63.5 cm high by 72 cm wide by 3.75 cm deep.

Condition

Presented in good antique condition consistent with its age of over 100 years.

The canvas has historically been relined for stability. There is age-related craquelure, foxing, surface dust and some minor paint loss.

The original giltwood frame displays light wear, scuffs and small chips consistent with age and previous display.

The painting remains stable and ready to hang.

Worldwide Shipping

Professional packing and fully insured worldwide delivery are available.

Certificate of Sale and Dealer Attribution

The artwork will be supplied with a Certificate of Sale and Dealer Attribution issued by Cheshire Antiques Consultant LTD, recording the artwork's catalogue details, attribution, provenance as stated, and details of the sale. This document accompanies the work as part of its ongoing ownership and provenance record.

Cheshire Antiques Consultant LTD

Specialising in carefully curated British and European fine art, antiques and historic works

Height
63.5cm (25.00")
Width
72cm (28.35")
Depth
3.8cm (1.50")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Equestrian Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1229489
Dealers Internal Ref
CAC-SK-0048
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
1 / 11
Archive I A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.

Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner

Archive II A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View II
Archive III A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View III
Archive IV A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View IV
Archive V A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View V
Archive VI A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View VI
Archive VII A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View VII
Archive VIII A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View VIII
Archive IX A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View IX
Archive X A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View X
Archive XI A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame. View XI
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Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

By appointment
Verified Since Jan 2021
Items For Sale 250
Items Sold 214
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
250
Sold
214
A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
Frederick Albert Clark 1920 Oil Painting of Spion Kop, Epsom Derby Winner
Ref: SA1229489
A framed oil painting depicting a bay racehorse standing in a stable yard, housed in a moulded dark wood and gilt frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

British equestrian painting gained prominence during the 18th and 19th centuries, driven by the popularity of horse racing and field sports among the landed gentry. Artists specialised in depicting celebrated thoroughbreds with anatomical accuracy, documenting memorable victories and breeding lineages.

Artists during this period painted using oil-based pigments applied to stretched linen or cotton canvas. Outer frames were typically constructed from wood, embellished with gesso mouldings, and finished with gold leaf or dark timber stains.

Authentic period paintings display natural surface craquelure, canvas oxidisation on the reverse, and period-appropriate stretcher bars. Examining the signature style, brushwork technique, and frame joinery also helps verify the artworks origin.

Position the painting as a central feature above a mantelpiece, sideboard, or desk within a library or dining room. Combining traditional sporting art with contemporary furnishings or architectural features produces a balanced contrast.

Display the canvas away from direct sunlight, extreme humidity, and direct heat sources to prevent paint cracking. Dust the frame gently with a dry, soft-bristled brush and engage a professional conservator for surface cleaning.
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