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Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting
Sold by Brave Fine Art
sold SA1104972
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Brave Fine Art

Brave Fine Art

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Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

19th century
Sold 18 November 2024 · Brave Fine Art
This “Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This mid-19th-century oil painting by British artist Captain Ernest Poulson (fl. 1836-1865) depicts the brig Martha of Sunderland crossing the notorious Bay of Biscay. Poulson was a painter of maritime subjects.

The Bay of Biscay remains one of Europe’s more perilous stretches of water. Numerous ships have been wrecked by its ferocity throughout the centuries due to a combination of its unique geography and unpredictable weather patterns. In 1782, for example, a British fleet, commanded by Admiral Sir Edward Hughes, lost several vessels including the HMS Royal George, resulting in the death of over 1,000 sailors.

Here, the brig, under the command of Thomas Pearson, is portrayed as buffeted by fierce waves yet triumphing over adversity.

The Brig Martha was built at Sunderland in 1838 and put up for sale via a newspaper advertisement in 1840.

“For Sale. The fine Brig Martha, Thomas Pearson, Master. Burthen per register 279 tons o. M. and 301 tons N.M. This vessel was built at Sunderland in 1838 under the inspection of the present owners, is coppered and copper fastened, well found in stores, and only requires provisions to send her to sea: lying in the King's Dock. For further particulars apply to Captain Pearson, on board, or M. and A. Wilkin, to Harrington-chambers, North John-street.”

The advertisement sheds light on the brig’s particulars, including the fact it was ‘coppered’. Copper sheathing on a ship’s hull served a dual purpose - firstly it improved sailing performance and secondly, it provided protection against the effects of shipworm, barnacles and other marine biology.

Little is known about the artist, Captain Ernest Poulson, aside from a handful of digitised works. However, it could possibly relate to Captain Andrew Frederick Ernest Poulson (c.1822-1890) who was born in Denmark but moved to Tynemouth, Northumberland, where he married Louisa Susannah Robinson in 1853. Tynemouth is less than ten miles from Sunderland.

Signed/dated in the lower left and held within a splendid gilt frame, which could be original.

Medium: Oil on canvas

Overall size: 39½” x 30” / 101cm x 76cm

Year of creation: 1839

Labels & Inscriptions: Labels on reverse referring to previous ownership.

Provenance: With Sydney Paton / Private collection, UK.

Condition: Cleaned. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Old repairs. Frame in good condition with minor age-related wear.

Our reference: BRV2005

Date of Manufacture

Brave Fine Art has dated this Antique Marine Oil Painting to the 19th Century.

Physical Dimensions
Height
76cm (29.92")
Width
101cm (39.76")
Depth
6cm (2.36")
Reference Numbers
Sellingantiques Reference
SA1104972
Description
This mid-19th-century oil painting by British artist Captain Ernest Poulson (fl. 1836-1865) depicts the brig Martha of Sunderland crossing the notorious Bay of Biscay. Poulson was a painter of maritime subjects.

The Bay of Biscay remains one of Europe’s more perilous stretches of water.

“
Numerous ships have been wrecked by its ferocity throughout the centuries due to a combination of its unique geography and unpredictable weather patterns.
Brave Fine Art

In 1782, for example, a British fleet, commanded by Admiral Sir Edward Hughes, lost several vessels including the HMS Royal George, resulting in the death of over 1,000 sailors.

fig 1. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 1. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

Here, the brig, under the command of Thomas Pearson, is portrayed as buffeted by fierce waves yet triumphing over adversity.

The Brig Martha was built at Sunderland in 1838 and put up for sale via a newspaper advertisement in 1840.

fig 2. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 2. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

“For Sale. The fine Brig Martha, Thomas Pearson, Master. Burthen per register 279 tons o. M. and 301 tons N.M. This vessel was built at Sunderland in 1838 under the inspection of the present owners, is coppered and copper fastened, well found in stores, and only requires provisions to send her to sea: lying in the King's Dock. For further particulars apply to Captain Pearson, on board, or M. and A. Wilkin, to Harrington-chambers, North John-street.”

fig 3. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 3. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

The advertisement sheds light on the brig’s particulars, including the fact it was ‘coppered’. Copper sheathing on a ship’s hull served a dual purpose - firstly it improved sailing performance and secondly, it provided protection against the effects of shipworm, barnacles and other marine biology.

fig 4. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 4. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

Little is known about the artist, Captain Ernest Poulson, aside from a handful of digitised works. However, it could possibly relate to Captain Andrew Frederick Ernest Poulson (c.1822-1890) who was born in Denmark but moved to Tynemouth, Northumberland, where he married Louisa Susannah Robinson in 1853. Tynemouth is less than ten miles from Sunderland.

fig 5. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 5. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

Signed/dated in the lower left and held within a splendid gilt frame, which could be original.

Medium: Oil on canvas

Overall size: 39½” x 30” / 101cm x 76cm

Year of creation: 1839

Labels & Inscriptions: Labels on reverse referring to previous ownership.

fig 6. An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
fig 6. Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

Provenance: With Sydney Paton / Private collection, UK.

Condition: Cleaned. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Old repairs. Frame in good condition with minor age-related wear.

Our reference: BRV2005

Date of Manufacture

Brave Fine Art has dated this Antique Marine Oil Painting to the 19th Century.

Height
76cm (29.92")
Width
101cm (39.76")
Depth
6cm (2.36")
Reference Numbers
Sellingantiques Ref
SA1104972
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. SOLD6+ MONTHS AGO
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Archive I An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. SOLD6+ MONTHS AGO

Ernest Poulson, the Brig Martha, Crossing the Bay of Biscay - Antique Oil Painting

Archive II An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View II
Archive III An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View III
Archive IV An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View IV
Archive V An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View V
Archive VI An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View VI
Archive VII An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View VII
Archive VIII An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View VIII
Archive IX An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame. View IX
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 76
Items Sold 1,853
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
76
Sold
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An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
Ernest Poulson, The Brig Martha, Crossing The Bay Of Biscay - Antique Oil Painting
Ref: SA1104972
An antique oil painting depicting a two-masted brig navigating rough seas, enclosed within an ornate gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleVictorian Marine
  • MaterialOil paint, canvas, wood, gesso, gold leaf
  • ColourGold
  • MotifsSeascape with churning waves, Two-masted sailing brig, Ornate gilded swept frame, Detailed rigging
  • SizeH 76 cm (30 in) x W 101 cm (40 in) x D 6 cm (2 in)

Nineteenth-century maritime painting flourished alongside the expansion of global trade and naval power, with artists frequently documenting specific vessels, naval engagements, and dramatic seascapes for shipowners and captains.

These works are typically executed with oil paint on stretched linen canvas, mounted in heavily carved and gilded wood frames finished with composition ornamentation over gesso.

Authentication involves examining the canvas weave, the presence of craquelure in the paint layer, oxidation of the varnish under UV light, and the construction methods of the stretcher bars and frame.

Placing a traditional marine artwork against a moody, saturated wall colour creates a sophisticated contrast that highlights the gilding of the frame and the depth of the palette.

Maintain stable relative humidity and temperature levels away from direct sunlight and heat sources, and avoid touching the canvas or using liquid cleaners on the fragile gilded frame.
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