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ID #SA1087790
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£5,000
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River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson
Benton Fine Art
for sale €5,850     $6,350
£5,000
Benton Fine Art

Benton Fine Art

Sellingantiques Verified Since Sep 2012
Browse dealers 211 items
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    Specialists in 19th & early 20th century original oil paintings by listed artists
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Id #SA1087790
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River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

19th century
For Sale by Benton Fine Art
Description

Henry Dawson

British, (1811-1878)

Colwich Hills from the Bridge at Great Haywood

Oil on canvas, signed & dated 1860

Image size: 19.5 inches x 29.5 inches

Size including frame: 27 inches x 37 inches

A wonderful painting of Colwich Hills from the bridge at Great Harwood, Staffordshire by Henry Dawson. A man can be seen riding a horse over the bridge as another figure looks across the water towards the hills. Meanwhile, a barge sails along the canal past two fishermen. The bridge depicted in this painting lies over the canal junction of Great Haywood, a short distance away from Colwich. This junction was built to join the Grand Union Canal to the Staffordshire and Worcestershire Canals. Both the bridge and junction are still in use today and the view of the hills remains relatively unchanged.

Henry Dawson was a landscape artist born in Hull on 3 April, 1811 to William Dawson and Hannah Shardlow. The family moved to Nottingham when he was still an infant. He is known to have spent time at the national school in Nottingham, however, due to family circumstances had to leave school to start work at an early age in the lace industry. He was largely self-taught and painted during his spare time. Around 1835, he left lace making to work full time as an artist. He studied under James Baker Pyne (1800-1870) in 1838 and in the same year made his debut at the Royal Academy, exhibiting a number of works there until 1871.He also exhibited at the British Institute from 1841 and also at the Liverpool Academy, where he was elected an associate in 1846 and a Member in 1847.

He married Elizabeth Whittle in Nottingham in 1840 and they lived in Mansfield Road, Nottingham where the first of their children were born. Two of his children, Henry Thomas Dawson (1841-1918) and Alfred Dawson (1843-1931) also became artists as did his grandson Montague Dawson (1895-1973). Although he achieved some success in Nottingham, for financial reasons he decided to move his family to Liverpool, where they stayed from 1845 until 1849. He moved again for similar reasons to Croydon in Surrey living at Middle Heath Lane and from 1854 he lived in Thorpe Green, Chertsey at Prospect Cottage. Being closer to the capital helped enhance his reputation and inspired by Turner he began to produce seascapes, riverscapes and coastal scenes often featuring architectural focal points. Dawson continued to travel around the country to paint the landscapes and coasts of England, frequently including castles such as this fine example. Around 1863, he moved to The Cedars in Chiswick where he spent his final years until his death on 13 December, 1878.

His work is represented in many public art collections including the Birmingham Museum, Bury Art Museum, Ferens Art Gallery, Leicester Museum, Nottingham City Museum, Victoria & Albert Museum, Wednesbury Museum, Sheffield Museum, Wolverhampton Art Gallery and the York Art Gallery.

Presentation: The painting is housed in a new English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
68.5cm (26.97")
Width
94cm (37.01")
Depth
7.5cm (2.95")
Declaration

Benton Fine Art has dated this Victorian River Landscape Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1087790
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Henry Dawson

British, (1811-1878)

Colwich Hills from the Bridge at Great Haywood

Oil on canvas, signed & dated 1860

Image size: 19.5 inches x 29.5 inches

Size including frame: 27 inches x 37 inches

A wonderful painting of Colwich Hills from the bridge at Great Harwood, Staffordshire by Henry Dawson.
Benton Fine Art

A man can be seen riding a horse over the bridge as another figure looks across the water towards the hills. Meanwhile, a barge sails along the canal past two fishermen. The bridge depicted in this painting lies over the canal junction of Great Haywood, a short distance away from Colwich. This junction was built to join the Grand Union Canal to the Staffordshire and Worcestershire Canals. Both the bridge and junction are still in use today and the view of the hills remains relatively unchanged.

fig 1. A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
fig 1. River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

Henry Dawson was a landscape artist born in Hull on 3 April, 1811 to William Dawson and Hannah Shardlow. The family moved to Nottingham when he was still an infant. He is known to have spent time at the national school in Nottingham, however, due to family circumstances had to leave school to start work at an early age in the lace industry. He was largely self-taught and painted during his spare time. Around 1835, he left lace making to work full time as an artist. He studied under James Baker Pyne (1800-1870) in 1838 and in the same year made his debut at the Royal Academy, exhibiting a number of works there until 1871.He also exhibited at the British Institute from 1841 and also at the Liverpool Academy, where he was elected an associate in 1846 and a Member in 1847.

fig 2. A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
fig 2. River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

He married Elizabeth Whittle in Nottingham in 1840 and they lived in Mansfield Road, Nottingham where the first of their children were born. Two of his children, Henry Thomas Dawson (1841-1918) and Alfred Dawson (1843-1931) also became artists as did his grandson Montague Dawson (1895-1973). Although he achieved some success in Nottingham, for financial reasons he decided to move his family to Liverpool, where they stayed from 1845 until 1849. He moved again for similar reasons to Croydon in Surrey living at Middle Heath Lane and from 1854 he lived in Thorpe Green, Chertsey at Prospect Cottage. Being closer to the capital helped enhance his reputation and inspired by Turner he began to produce seascapes, riverscapes and coastal scenes often featuring architectural focal points. Dawson continued to travel around the country to paint the landscapes and coasts of England, frequently including castles such as this fine example. Around 1863, he moved to The Cedars in Chiswick where he spent his final years until his death on 13 December, 1878.

fig 3. A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
fig 3. River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

His work is represented in many public art collections including the Birmingham Museum, Bury Art Museum, Ferens Art Gallery, Leicester Museum, Nottingham City Museum, Victoria & Albert Museum, Wednesbury Museum, Sheffield Museum, Wolverhampton Art Gallery and the York Art Gallery.

fig 4. A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
fig 4. River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

Presentation: The painting is housed in a new English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
68.5cm (26.97")
Width
94cm (37.01")
Depth
7.5cm (2.95")
Date of Manufacture

Benton Fine Art has dated this Victorian River Landscape Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1087790
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
1 / 10
Archive I A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.

River Landscape Oil Painting of Colwich Hills from the Bridge at Great Haywood by Henry Dawson

Archive II A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View II
Archive III A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View III
Archive IV A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View IV
Archive V A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View V
Archive VI A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View VI
Archive VII A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View VII
Archive VIII A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View VIII
Archive IX A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View IX
Archive X A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame. View X
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Worcestershire
United Kingdom

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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
211
A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
River landscape oil painting of Colwich Hills from the bridge at Great Haywood by Henry Dawson
Ref: SA1087790
A framed nineteenth-century oil painting depicting a rural river landscape with a stone bridge and sailboat, enclosed in a heavily ornamented gold frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century British landscape art often focuses on detailed pastoral scenes, atmospheric light effects, and naturalistic topographical features of the English countryside.

Paintings from this period were predominantly executed using oil paints on stretched linen canvas or wood panel, framed in carved timber with gilded composition ornament.

Authenticity is verified through artist signatures, contemporary gallery labels or inscriptions on the reverse, age-appropriate craquelure patterns, and original stretcher construction.

An antique oil painting functions well as a focal point positioned above a fireplace mantelpiece, console table, or arranged within a gallery wall alongside contrasting modern frames.

Display paintings away from direct sunlight, heating vents, and high humidity. Dust frames gently with a soft dry brush and avoid chemical cleaners or water on the painted surface.
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