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ID #SA1050155
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Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt
Cheshire Antiques Consultant Ltd
for sale €5,850     $6,350
£5,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

19th century
Description

1 Fine Victorian British Work of Art Oil Painting Landscape View The Glen Sligachan, Skye Scotland.

Subject landscape view of the known Scottish landscape honeypot view of The Glen Sligachan on the Isle of Skye.

Impress your clients or guests & add a statement painting to your office or home wall space.

Signed in the bottom corner by Louis Bosworth Hurt (1856–1929).

A nice display size with the frame being 37 cm wide and 29 cm high.

Your focus is drawn to the enchanting powerful rapid waters of River Sligachan as it flows downstream, with huge stone rocky boulders in the river and also on either flanks. Thick lush oor green grass can be seen at the bottom right. Above further back in the distance are views of the green hills and then further back the jagged rocky Cuillan mountains are above with mainly overcast sky descendin. The different hues are so vivid.

Oil on board with front protective glass cover.

Set in the original highly decorative gilt frame which really enhances this painting.

Title inscribed verso "The Glen Sligachan, Skye".

Circa late 19th century Victorian era.

Artist biography Louis Bosworth Hurt (1856–1929) a well known English landscape artist. Hurt was born in Ashbourne in north Derbyshire in England. Louis B. Hurt's paintings have sold at auctions worldwide, the highest sold price is 155,806 US Dollars which was for Hills of Ross-shire, at Christie's London.

He was a student of George Turner. who was known as Derbyshire's John Constable and their paintings have similar styles. Hurt and his wife, Harriet, lived in Derbyshire where they kept Highland cattle. Hurt is renowned for his paintings of these cattle and studies he made of highland cattle in Scotland. He also painted near Bettwys-y-Coed where he had a second home.

Hurt exhibited thirteen times at the Royal Academy in the 1880s and 1890s as well as exhibiting and holding exhibitions provincially. Russell-Cotes Art Gallery & Museum in Bournemouth hold a large collection of his paintings as it was founded by one of Hurt's patrons. Hurt also has paintings in the South African National collection, in Reading, Manchester,Rotherham and Sheffield.Paintings that he originally sold for 7 to 40 pounds were valued at £80,000 in 2005.

Sources "George Turner, British (1843-1910)". Langham Gallery. Retrieved 20 July 2011.

Boyd, Rachel. "Nineteenth Century Paintings". Richard Green. Retrieved 20 July 2011.

23 artworks by or after Louis Bosworth Hurt at the Art UK site. "Hurt Painting Pushes for Record Price". Ashbourne NewsTelegraph. 24 August 2005. Retrieved 20 July 2011.

Provenance label verso for William Rodman & Co Dealers In Works of Art, London fine art auction label and now in the collection of Cheshire Antiques Consultant.

Did you know there is a legend that the water that flows beneath the River Sligachan has been enchanted by fairies. The story surrounds Scotland’s greatest warrior who lived on Skye a female warrior who's name was Scáthach. She practiced her battle skills in the Fort of Shadows which is now known as Dunscaith Castle. The Irish demi-god arrivedd at Dunscaith & confionted Scáthach to demonstrate who had the greatest strength. They fought so intensely for some days, the battle was so close between them & could of gone either way. However Scáthach was more adetpt though Cú Chulainn was so quick and powerful. The battle wuld not end until one of them was killed. Scáthach’s child called Uathach was so frightened that her mum would eventually be slaughtered. She went over to the Sligachan river and begged for the fairies to assist her mum. Uathach cried into the water, the fairies were so touched by the daughter’s endless love and sorrow, that the he fairy queen magically appeared to Uathach, & said wash your face in the river & you will then have the knowledge required to rescue her mums life..

Glen Sligachan is among

Physical Dimensions
Height
29cm (11.42")
Width
37cm (14.57")
Depth
3.5cm (1.38")
Declaration

Cheshire Antiques Consultant Ltd has dated this Victorian Landscape Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1050155
Dealers Internal Reference
537
Dealers Notes

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Description
1 Fine Victorian British Work of Art Oil Painting Landscape View The Glen Sligachan, Skye Scotland.
Subject landscape view of the known Scottish landscape honeypot view of The Glen Sligachan on the Isle of Skye.
Cheshire Antiques Consultant Ltd
fig 1. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 1. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Impress your clients or guests & add a statement painting to your office or home wall space.

Signed in the bottom corner by Louis Bosworth Hurt (1856–1929).

A nice display size with the frame being 37 cm wide and 29 cm high.

fig 2. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 2. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Your focus is drawn to the enchanting powerful rapid waters of River Sligachan as it flows downstream, with huge stone rocky boulders in the river and also on either flanks. Thick lush oor green grass can be seen at the bottom right. Above further back in the distance are views of the green hills and then further back the jagged rocky Cuillan mountains are above with mainly overcast sky descendin. The different hues are so vivid.

fig 3. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 3. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Oil on board with front protective glass cover.

Set in the original highly decorative gilt frame which really enhances this painting.

Title inscribed verso "The Glen Sligachan, Skye".

Circa late 19th century Victorian era.

fig 4. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 4. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Artist biography Louis Bosworth Hurt (1856–1929) a well known English landscape artist. Hurt was born in Ashbourne in north Derbyshire in England. Louis B. Hurt's paintings have sold at auctions worldwide, the highest sold price is 155,806 US Dollars which was for Hills of Ross-shire, at Christie's London.

fig 5. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 5. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

He was a student of George Turner. who was known as Derbyshire's John Constable and their paintings have similar styles. Hurt and his wife, Harriet, lived in Derbyshire where they kept Highland cattle. Hurt is renowned for his paintings of these cattle and studies he made of highland cattle in Scotland. He also painted near Bettwys-y-Coed where he had a second home.

fig 6. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 6. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Hurt exhibited thirteen times at the Royal Academy in the 1880s and 1890s as well as exhibiting and holding exhibitions provincially. Russell-Cotes Art Gallery & Museum in Bournemouth hold a large collection of his paintings as it was founded by one of Hurt's patrons. Hurt also has paintings in the South African National collection, in Reading, Manchester,Rotherham and Sheffield.Paintings that he originally sold for 7 to 40 pounds were valued at £80,000 in 2005.

fig 7. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 7. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Sources "George Turner, British (1843-1910)". Langham Gallery. Retrieved 20 July 2011.

Boyd, Rachel. "Nineteenth Century Paintings". Richard Green. Retrieved 20 July 2011.

23 artworks by or after Louis Bosworth Hurt at the Art UK site. "Hurt Painting Pushes for Record Price". Ashbourne NewsTelegraph. 24 August 2005. Retrieved 20 July 2011.

fig 8. A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
fig 8. Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Provenance label verso for William Rodman & Co Dealers In Works of Art, London fine art auction label and now in the collection of Cheshire Antiques Consultant.

Did you know there is a legend that the water that flows beneath the River Sligachan has been enchanted by fairies. The story surrounds Scotland’s greatest warrior who lived on Skye a female warrior who's name was Scáthach. She practiced her battle skills in the Fort of Shadows which is now known as Dunscaith Castle. The Irish demi-god arrivedd at Dunscaith & confionted Scáthach to demonstrate who had the greatest strength. They fought so intensely for some days, the battle was so close between them & could of gone either way. However Scáthach was more adetpt though Cú Chulainn was so quick and powerful. The battle wuld not end until one of them was killed. Scáthach’s child called Uathach was so frightened that her mum would eventually be slaughtered. She went over to the Sligachan river and begged for the fairies to assist her mum. Uathach cried into the water, the fairies were so touched by the daughter’s endless love and sorrow, that the he fairy queen magically appeared to Uathach, & said wash your face in the river & you will then have the knowledge required to rescue her mums life..

Glen Sligachan is among

Height
29cm (11.42")
Width
37cm (14.57")
Depth
3.5cm (1.38")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Landscape Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1050155
Dealers Internal Ref
537
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
1 / 30
Archive I A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.

Victorian Oil Painting the Glen Sligachan Skye Scotland Louis Bosworth Hurt

Archive II A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View II
Archive III A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View III
Archive IV A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View IV
Archive V A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View V
Archive VI A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View VI
Archive VII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View VII
Archive VIII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View VIII
Archive IX A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View IX
Archive X A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View X
Archive XI A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XI
Archive XII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XII
Archive XIII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XIII
Archive XIV A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XIV
Archive XV A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XV
Archive XVI A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XVI
Archive XVII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XVII
Archive XVIII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XVIII
Archive XIX A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XIX
Archive XX A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XX
Archive XXI A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXI
Archive XXII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXII
Archive XXIII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXIII
Archive XXIV A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXIV
Archive XXV A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXV
Archive XXVI A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXVI
Archive XXVII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXVII
Archive XXVIII A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXVIII
Archive XXIX A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXIX
Archive XXX A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame. View XXX
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
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A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
Victorian Oil Painting The Glen Sligachan Skye Scotland Louis Bosworth Hurt
Ref: SA1050155
A Victorian oil painting depicting a rushing river in Glen Sligachan on the Isle of Skye set within a heavy gold gilt frame.
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Victorian landscape paintings typically feature atmospheric natural vistas, detailed representations of light and weather, and romanticised views of rural or mountainous terrain. Artists of this era frequently focused on dramatic rivers, mountain ranges, and changing weather conditions.

These artworks were created using oil paints applied to canvas or wood panels, presented within heavy wooden frames decorated with composition moulding and layered gold leaf gilding.

Authentic 19th-century oil paintings usually exhibit fine surface craquelure, period-appropriate timber backings or stretcher frames, and subtle age wear to the original giltwood frames.

A Victorian landscape painting serves as a strong visual anchor when hung above a mantelpiece or console table, creating a refined contrast when paired with contemporary furnishings.

Position the artwork away from direct sunlight, radiators, and high humidity to prevent paint cracking or frame warping. Dust the surface and gilded frame lightly using a soft, dry brush.
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