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ID #SA1066451
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£395
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William Henry Hunt Watercolour ‘ Boy at the Window’
Graham Reed Fine Art
for sale €462     $502
£395
Graham Reed Fine Art

Graham Reed Fine Art

Sellingantiques Verified Since Jun 2017
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    Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.
Id #SA1066451
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William Henry Hunt Watercolour ‘ Boy at the Window’

19th century
Description

William Henry Hunt OWS 1780-1864.Painter and watercolourist of fruit and flowers,rustic genre and landscapes.Sometimes referred to as ‘ Birds ‘ Nest Hunt’ or ‘ Hedgerow Hunt’.Hunts works influenced many Victorian painters,as well as watercolourists.After an apprenticeship with John Varley.In 1807 he began to exhibit oils at the RA; in 1808 entered RA Schools.Elected ARWS 1824,RWS 1826.His early work mostly landscapes,rustic genre or architectural studies much influenced by Varley.About 1827 he began to paint fruit and flowers,and candlelight scenes.His technique also changed .Using body colour he developed an individual method if hatching and stippling over a white ground similar to that of Birket Foster. ‘ Boy at Window’ signed watercolour,image size11x8.5 cms,framed size 28x24 cms.Modern giltwood frame with Tru Vue Museum Glass.

Physical Dimensions
Height
28cm (11.02")
Width
24cm (9.45")
Depth
2cm (0.79")
Declaration

Graham Reed Fine Art has dated this Victorian Watercolour Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1066451
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Description
William Henry Hunt OWS 1780-1864.Painter and watercolourist of fruit and flowers,rustic genre and landscapes.Sometimes referred to as ‘ Birds ‘ Nest Hunt’ or ‘ Hedgerow Hunt’.Hunts works influenced many Victorian painters,as well as watercolourists.After an apprenticeship with John Varley.In 1807 he began to exhibit oils at the RA; in 1808 entered RA Schools.Elected ARWS 1824,RWS 1826.His early work mostly landscapes,rustic genre or architectural studies much influenced by Varley.About 1827 he began to paint fruit and flowers,and candlelight scenes.His technique also changed .
Using body colour he developed an individual method if hatching and stippling over a white ground similar to that of Birket Foster.
Graham Reed Fine Art

‘ Boy at Window’ signed watercolour,image size11x8.5 cms,framed size 28x24 cms.Modern giltwood frame with Tru Vue Museum Glass.

Height
28cm (11.02")
Width
24cm (9.45")
Depth
2cm (0.79")
Date of Manufacture

Graham Reed Fine Art has dated this Victorian Watercolour Portrait Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1066451
Graham Reed Fine Art
Graham Reed Fine Art
Sellingantiques verified Since Jun 2017

Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.

Dealer Profile

You can view the stock and full dealer information on the Graham Reed Fine Art Profile Page

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A Victorian watercolour portrait depicting a young blonde boy in a smocked tunic leaning his hand against a doorway frame.
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Archive I A Victorian watercolour portrait depicting a young blonde boy in a smocked tunic leaning his hand against a doorway frame.

WILLIAM HENRY HUNT WATERCOLOUR ‘ BOY AT THE WINDOW’

Archive II A Victorian watercolour portrait depicting a young blonde boy in a smocked tunic leaning his hand against a doorway frame. View II
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Enlarged Archival View
Location
Newark Antiques and Interiors
Kelham Rd
Newark
Nottinghamshire
NG24 1BX
United Kingdom
Verified Since Jun 2017
Items For Sale 254
Items Sold 341
Graham Reed Fine Art
Graham Reed Fine Art
Verified Since Jun 2017
View Dealer Info
Location: Newark Antiques and Interiors, Kelham Rd, Newark, Nottinghamshire, NG24 1BX, United Kingdom
Verified
Jun 2017
For Sale
254
Sold
341
A Victorian watercolour portrait depicting a young blonde boy in a smocked tunic leaning his hand against a doorway frame.
WILLIAM HENRY HUNT WATERCOLOUR ‘ BOY AT THE WINDOW’
Ref: SA1066451
A Victorian watercolour portrait depicting a young blonde boy in a smocked tunic leaning his hand against a doorway frame.
Detail View 1
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the Victorian era, British watercolour artists focused on naturalistic detail, genre subjects, and expressive light rendering. Artists such as William Henry Hunt pioneered techniques utilising bodycolour and fine stippling to achieve depth and atmospheric texture.

Artists primarily worked on handmade cotton or linen rag paper, applying natural mineral and botanical pigments mixed with water and gum arabic. Opaque watercolour or Chinese white was frequently added to create heightened highlights and textural contrast.

Authentic period watercolours often display age-appropriate paper oxidation, minor foxing, and period-correct artist signatures. Inspection under magnification reveals woven paper fibres, historical pigment characteristics, and hand-applied layering.

Framing traditional watercolours in slim, understated mouldings provides a clean contrast suitable for modern spaces. Grouping small framed works on a gallery wall or hanging a single artwork against a dark, dramatic backdrop enhances the historical subject matter.

Housings should utilise UV-filtering glass combined with acid-free conservation mount boards to protect against fading and discolouration. Position the artwork away from direct sunlight, radiator heat sources, and fluctuating humidity.
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