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ID #SA1058956
FOR SALE
£495
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Annie Mary Youngman Watercolour ‘ Still Life of Pelargoniums’
Graham Reed Fine Art
for sale €579     $629
£495
Graham Reed Fine Art

Graham Reed Fine Art

Sellingantiques Verified Since Jun 2017
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    Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.
Id #SA1058956
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Annie Mary Youngman Watercolour ‘ Still Life of Pelargoniums’

1900 - 1920
Description

Mary Ann Youngman RI,SWA1869-1919.Genre and still-life painter.Daughter and pupil of John Mallows Youngman.Lived London and Porton nr Salisbury.Exhibited principally su the Royal Institute of Painters in Watercolour(113 works)and the Society of Women Artists (75 works) but also at R.A.,RHA,Royal Society of Artists Birmingham and elsewhere. ‘ Still Life of Pelargoniums’ signed watercolour,image size 36x30 cms,framed size 55x48.5 cms;original gilt frame;exhibited Wolverhampton 1912(label verso)

Physical Dimensions
Height
55cm (21.65")
Width
48.5cm (19.09")
Depth
2cm (0.79")
Declaration

Graham Reed Fine Art has dated this Victorian Floral Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1058956
Dealers Notes

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Description
Mary Ann Youngman RI,SWA1869-1919.Genre and still-life painter.Daughter and pupil of John Mallows Youngman.Lived London and Porton nr Salisbury.
Exhibited principally su the Royal Institute of Painters in Watercolour(113 works)and the Society of Women Artists (75 works) but also at R.
Graham Reed Fine Art

A.,RHA,Royal Society of Artists Birmingham and elsewhere. ‘ Still Life of Pelargoniums’ signed watercolour,image size 36x30 cms,framed size 55x48.5 cms;original gilt frame;exhibited Wolverhampton 1912(label verso)

Height
55cm (21.65")
Width
48.5cm (19.09")
Depth
2cm (0.79")
Date of Manufacture

Graham Reed Fine Art has dated this Victorian Floral Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1058956
Graham Reed Fine Art
Graham Reed Fine Art
Sellingantiques verified Since Jun 2017

Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.

Dealer Profile

You can view the stock and full dealer information on the Graham Reed Fine Art Profile Page

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A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below.
1 / 4
Archive I A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below.

Annie Mary Youngman Watercolour ‘ Still Life of Pelargoniums’

Archive II A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below. View II
Archive III A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below. View III
Archive IV A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below. View IV
Enlarged Archival View
Location
Newark Antiques and Interiors
Kelham Rd
Newark
Nottinghamshire
NG24 1BX
United Kingdom
Verified Since Jun 2017
Items For Sale 244
Items Sold 352
Graham Reed Fine Art
Graham Reed Fine Art
Verified Since Jun 2017
View Dealer Info
Location: Newark Antiques and Interiors, Kelham Rd, Newark, Nottinghamshire, NG24 1BX, United Kingdom
Verified
Jun 2017
For Sale
244
Sold
352
A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below.
ANNIE MARY YOUNGMAN WATERCOLOUR ‘ STILL LIFE OF PELARGONIUMS’
Ref: SA1058956
A watercolour painting depicting white and pink pelargonium flowers blooming in a terracotta pot with fallen blossoms below.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian botanical watercolours are naturalistic studies created during the 19th century, reflecting the periods interest in horticulture and scientific observation. Artists focused on precise renderings of domestic and exotic plants, often depicting floral arrangements in pottery or natural settings.

Artists used ground mineral and plant pigments bound with gum arabic, applied directly onto woven cotton or linen rag paper. Framed works were typically protected behind glass to prevent atmospheric damage to the delicate paper fibres and water-soluble pigments.

Authentic pieces display characteristic signs of age such as natural paper toning, foxing, and faint artist signatures in pencil or watercolour. The reverse side often features period framing labels, wooden backing boards, or historical gallery tags.

Botanical watercolours integrate well into contemporary spaces when hung as part of a gallery wall or displayed as a standalone focal piece above modern wood furniture. Combining historical artwork with clean-lined frames bridges traditional art with contemporary interior design.

Watercolours must be displayed away from direct sunlight to prevent fading of organic pigments. They should be mounted using acid-free board and UV-protective glass, in environments with stable humidity levels to avoid mould growth.
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