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19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis
Hickmet Fine Arts
for sale €1,814     $1,969
£1,550
Hickmet Fine Arts

Hickmet Fine Arts

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    Established in 1936, hickmet fine arts is an international family run antiques business
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19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

19th century
Description

A very fine late 19th Century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous variegating green,brown and deep red colour and excellent hand finished detail. Signed ?E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore.

ADDITIONAL INFORMATION

Height: 22 cm

Width: 12 cm

Foundry: Societe des Bronzes, Paris

Condition: Excellent Original Condition

Circa: 1890

Materials: Bronze

Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik

Page No: 32

SKU: 8781

ABOUT

THAÏS

Emmanuel Villanis

Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp (cachet) at the back of the statue. In addition, reliefs, vases, lamps, clocks and ink stands are recorded . Vases and lamps were mostly made of tin, and there are also marble statues. Pieces in which ivory is used are as rare as silver statues.

Villanis was inspired by women. He dedicated almost his complete works to them. One model in particular was portrayed many times by him. His portrayals of children may be less known, but are nevertheless wonderfully done. His statues are always in perfect proportion and are full of expression: dreamy-eyed, happy, sirene, indifferent, cheeky, serious, sad, detached, melancholy.

His style can always be recognised by his use of hollowed out eyeballs. The name of the statue can usually be found on the base in scrolled script and the signature of Emmanuel Villanis is always visible and legible.

Physical Dimensions
Height
22cm (8.66")
Width
12cm (4.72")
Depth
12cm (4.72")
Declaration

Hickmet Fine Arts has dated this Art Nouveau Bronze Bust to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1002535
Dealers Internal Reference
8781
Dealers Notes

Please contact us for a shipping quotes.

Viewing can be arranged at our gallery and everything sold by Hickmet Fine Arts comes with a full certificate of Authenticity and Valuation.

If you have enjoyed seeing this item and wish to see more quality pieces please visit our website www.hickmet.com

Description
A very fine late 19th Century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous variegating green,brown and deep red colour and excellent hand finished detail.
Signed ?E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore.
Hickmet Fine Arts
fig 1. An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
fig 1. 19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

ADDITIONAL INFORMATION

Height: 22 cm

Width: 12 cm

Foundry: Societe des Bronzes, Paris

Condition: Excellent Original Condition

fig 2. An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
fig 2. 19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

Circa: 1890

Materials: Bronze

Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik

Page No: 32

fig 3. An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
fig 3. 19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

SKU: 8781

ABOUT

THAÏS

Emmanuel Villanis

Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp (cachet) at the back of the statue. In addition, reliefs, vases, lamps, clocks and ink stands are recorded . Vases and lamps were mostly made of tin, and there are also marble statues. Pieces in which ivory is used are as rare as silver statues.

fig 4. An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
fig 4. 19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

Villanis was inspired by women. He dedicated almost his complete works to them. One model in particular was portrayed many times by him. His portrayals of children may be less known, but are nevertheless wonderfully done. His statues are always in perfect proportion and are full of expression: dreamy-eyed, happy, sirene, indifferent, cheeky, serious, sad, detached, melancholy.

fig 5. An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
fig 5. 19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

His style can always be recognised by his use of hollowed out eyeballs. The name of the statue can usually be found on the base in scrolled script and the signature of Emmanuel Villanis is always visible and legible.

Height
22cm (8.66")
Width
12cm (4.72")
Depth
12cm (4.72")
Date of Manufacture

Hickmet Fine Arts has dated this Art Nouveau Bronze Bust to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1002535
Dealers Internal Ref
8781
Hickmet Fine Arts
Hickmet Fine Arts
Sellingantiques verified Since Apr 2012

Established in 1936, hickmet fine arts is an international family run antiques business

Dealer Profile

You can view the stock and full dealer information on the Hickmet Fine Arts Profile Page

Trade Associations

Hickmet Fine Arts is a registered member of LAPADA  BADA  CINOA

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An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
1 / 13
Archive I An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.

19th Century Art Nouveau Bust Entitled Thaïs by Emmanuel Villanis

Archive II An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View II
Archive III An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View III
Archive IV An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View IV
Archive V An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View V
Archive VI An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View VI
Archive VII An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View VII
Archive VIII An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View VIII
Archive IX An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View IX
Archive X An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View X
Archive XI An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View XI
Archive XII An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View XII
Archive XIII An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base. View XIII
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An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
19th Century Art Nouveau Bust entitled THAÏS by Emmanuel Villanis
Ref: SA1002535
An Art Nouveau bronze bust of a woman titled Thais mounted on a red marble base.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Art Nouveau bronze sculptures, produced predominantly between 1890 and 1910, are defined by fluid lines, organic forms, and naturalistic depictions of the human figure, often featuring allegorical or classical themes.

These sculptures were typically cast in bronze using the lost-wax or sand-casting method, treated with chemical patinas to achieve specific brown or green tones, and mounted on marble or stone plinths.

Authentic pieces generally display cast or cold-stamped artist signatures, foundry marks, distinct signs of age on the patina, and precise, crisp casting details around features and drapery.

Place the sculpture on a mantelpiece, sideboard, or sturdy bookshelf alongside minimalist decor or dark wood furniture to create a focal point with historical context.

Dust the surface regularly with a soft dry cloth and apply microcrystalline wax sparingly once or twice a year to protect the patina from moisture and oxidisation; avoid chemical cleaners.
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