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Vintage Open Armchairs

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These vintage open armchairs span multiple periods from the eighteenth century through to the 1930s, offering structural timber frames paired with diverse textile covers.

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Sellingantiques  ·  Guide 220922026/2027 edition

Vintage Open Armchairs

These vintage open armchairs span multiple periods from the eighteenth century through to the 1930s, offering structural timber frames paired with diverse textile covers.

Introduction

Vintage Open Armchairs

Vintage open armchairs encompass seating designed with exposed timber arms, crossing periods from the eighteenth century alongside Georgian, Victorian, and later revivals such as Edwardian, Regency, and French styles.

The selection here includes library armchairs, Gainsborough chairs, elbow chairs, and French fauteuils constructed in forms intended for desks, reading, and reception spaces.

Origins range across English, French, Swedish, and Anglo-Indian workshops, rendered in woods like mahogany, walnut, oak, and rosewood.

In brief

How they were made

Carpenters shaped structural frames from hardwoods including mahogany, walnut, oak, and rosewood, applying carved detail, blind fretwork, parcel gilding, or original painted finishes directly to the timber.

Upholstery techniques combined traditional webbing and stuffing with coverings in leather, velvet, silk tapestry, and printed fabric, secured with brass tacks or piping.

The market

Vintage Open Armchairs Retail Price Guide 2026

Entry-levelUnder £400
Typical prices£400 – £1,300
Premium examplesOver £1,300

Typical asking prices for vintage open armchairs among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Listings feature timbers including mahogany, walnut, oak, and rosewood alongside upholstery in leather, velvet, and tapestry.

What sets them apart

What varies in quality

The standard of carving defines the distinction between simpler production pieces and finely detailed workshop items, seen in the crispness of acanthus leaves, scrollwork, and gilded surfaces.

Timber selection and frame integrity dictate longevity, where dense mahogany or walnut retains stability better than softer woods, and original upholstery materials preserve historical character.

Notable makers of vintage open armchairs

Howard and Sons·Gillows·Edward Barnsley·Mellier and Co

Terms antiques dealers use

The Vintage Open Armchairs Glossary

Gainsborough chair
A wide, upholstered armchair with open padded arms, short cabriole or square legs, and a low seat designed during the eighteenth century for writing desks or libraries.
Fauteuil
An open-armed wooden armchair of French origin featuring exposed carved framework and upholstered back and seat panels.
Elbow chair
A seating piece with supportive armrests branching from the sides, historically positioned at the head of a dining table or utilised as a desk chair.
Parcel gilt
A decorative treatment where portions of a wooden or gesso frame are selectively covered in gold leaf while the underlying paint or timber remains visible.
Blind carving
Relief carving applied across a flush wooden surface without protruding mouldings, frequently associated with mid-eighteenth-century Chippendale furniture.
Questions people ask

Vintage Open Armchairs: Frequently Asked Questions

How do I identify a Gainsborough chair?

A Gainsborough chair is characterised by an open-armed timber frame enclosing an upholstered seat and back, standing on straight or cabriole legs.

These pieces typically date from the eighteenth century or later revival periods and were built primarily for library or desk use.

How should I care for antique leather upholstery?

Historic leather requires gentle dusting and occasional specialist nourishment to prevent drying and cracking across the surface.

Original hand-dyed hides benefit from minimal intervention to preserve their existing patina and colour.

Are French revival armchairs different from original pieces?

Revival items produced during the Victorian or Edwardian eras replicate earlier Louis XVI, Regence, or Directoire aesthetics using period-specific machinery and timber.

Examining the internal construction and wood ageing helps distinguish eighteenth-century originals from nineteenth-century interpretations.

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