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ID #SA1241731
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£5,500
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Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts
For sale by Antiques Decorative (Sussex)
for sale €6,435     $6,985
£5,500
Antiques Decorative (Sussex)

Antiques Decorative (Sussex)

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Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

1900 - 1920
Description

# Attributed to Louis Reid Deuchars (1870–1927)

**A Woman in the Garden at Limnerslease, Possibly Mary Seton Watts**

**Late 19th or early 20th century**

**Oil on canvas**

An atmospheric view of the walled Rose Garden at Limnerslease, the Surrey home of George Frederic Watts and his wife, the artist and Arts and Crafts designer Mary Seton Watts.

A seated woman rests beside the garden’s terracotta sundial, surrounded by flowering borders, slender evergreens and warm brick walls. Beyond rises the distinctive tiled roof of Watts’s sculpture barn. Soft greens, earthy reds and a luminous sky create a tranquil depiction of this intimate artistic setting.

Watts Gallery has identified the location and confirmed that the central sundial was designed by Mary Watts and made by Frank Mitchell. Mary’s own account describes the transformation of the former cattle-yard beside the barn into a secluded garden where her husband would rest.

The painting is attributed to Louis Reid Deuchars, the Scottish painter and sculptor who worked closely with both George and Mary Watts. He assisted Mary with the decoration of the Watts Cemetery Chapel at Compton and subsequently worked at the pottery she established at Aldourie, her family home on Loch Ness.

The attribution is supported by correspondence from Deuchars researcher Louise Boreham, who wrote on 21 October 2026 that she was **“sure [the painting] was done by Deuchars.”**

The composition closely corresponds to Deuchars’s portrait of George Frederic Watts seated in the same garden, sharing the brick gateway, tiled building and central sundial. Here, the woman appears within a broader view of the surroundings. Comparison of the available photographs suggests more fully articulated flowers and brickwork in the present painting, while greater definition is given to the sitter’s face in the George Watts portrait.

**The seated woman may be Mary Seton Watts, although her identity remains unconfirmed.** Watts Gallery considered Mary a possibility but expressed reservations, suggesting that the figure might alternatively represent a member of the household staff. Mary has therefore not been ruled out, but the painting is offered with the sitter’s identity left open.

**This painting presents a rare opportunity to acquire a work with strong associations with the British Arts and Crafts movement and the artistic circle of George Frederic and Mary Seton Watts.** Its identifiable setting within their private garden at Limnerslease, together with its attribution to Louis Reid Deuchars, an artist closely involved in their creative lives, gives the composition particular historical and artistic interest.

Presented in an ornate gilt frame, this evocative garden scene offers collectors of British art and the Arts and Crafts movement an unusual connection to one of the most significant artistic households of the period.

With grateful thanks to Dr Louise Boreham for her generous assistance and expertise in researching the attribution to Louis Reid Deuchars.

**An illustrated research report is available on request.**

Measurements: 87 x 108 cm in frame.

Condition

Slightly discoloured varnish and a small previous repair

Watch the full video on Youtube https://youtu.be/WE71Fk4-j4U

Physical Dimensions
Width
90cm (35.43")
Declaration

Antiques Decorative (Sussex) has dated this Antique Garden Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1241731
Dealers Notes

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Description
# Attributed to Louis Reid Deuchars (1870–1927)

A Woman in the Garden at Limnerslease, Possibly Mary Seton Watts**

Late 19th or early 20th century**

Oil on canvas**

“
An atmospheric view of the walled Rose Garden at Limnerslease, the Surrey home of George Frederic Watts and his wife, the artist and Arts and Crafts designer Mary Seton Watts.
Antiques Decorative (Sussex)
fig 1. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 1. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

A seated woman rests beside the garden’s terracotta sundial, surrounded by flowering borders, slender evergreens and warm brick walls. Beyond rises the distinctive tiled roof of Watts’s sculpture barn. Soft greens, earthy reds and a luminous sky create a tranquil depiction of this intimate artistic setting.

fig 2. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 2. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

Watts Gallery has identified the location and confirmed that the central sundial was designed by Mary Watts and made by Frank Mitchell. Mary’s own account describes the transformation of the former cattle-yard beside the barn into a secluded garden where her husband would rest.

fig 3. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 3. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

The painting is attributed to Louis Reid Deuchars, the Scottish painter and sculptor who worked closely with both George and Mary Watts. He assisted Mary with the decoration of the Watts Cemetery Chapel at Compton and subsequently worked at the pottery she established at Aldourie, her family home on Loch Ness.

fig 4. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 4. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

The attribution is supported by correspondence from Deuchars researcher Louise Boreham, who wrote on 21 October 2026 that she was **“sure [the painting] was done by Deuchars.”**

The composition closely corresponds to Deuchars’s portrait of George Frederic Watts seated in the same garden, sharing the brick gateway, tiled building and central sundial. Here, the woman appears within a broader view of the surroundings. Comparison of the available photographs suggests more fully articulated flowers and brickwork in the present painting, while greater definition is given to the sitter’s face in the George Watts portrait.

fig 5. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 5. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

The seated woman may be Mary Seton Watts, although her identity remains unconfirmed.** Watts Gallery considered Mary a possibility but expressed reservations, suggesting that the figure might alternatively represent a member of the household staff. Mary has therefore not been ruled out, but the painting is offered with the sitter’s identity left open.

fig 6. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 6. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

This painting presents a rare opportunity to acquire a work with strong associations with the British Arts and Crafts movement and the artistic circle of George Frederic and Mary Seton Watts.** Its identifiable setting within their private garden at Limnerslease, together with its attribution to Louis Reid Deuchars, an artist closely involved in their creative lives, gives the composition particular historical and artistic interest.

fig 7. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 7. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

Presented in an ornate gilt frame, this evocative garden scene offers collectors of British art and the Arts and Crafts movement an unusual connection to one of the most significant artistic households of the period.

fig 8. An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
fig 8. Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

With grateful thanks to Dr Louise Boreham for her generous assistance and expertise in researching the attribution to Louis Reid Deuchars.

An illustrated research report is available on request.**

Measurements: 87 x 108 cm in frame.

Condition

Slightly discoloured varnish and a small previous repair

Watch the full video on Youtube https://youtu.be/WE71Fk4-j4U

Width
90cm (35.43")
Date of Manufacture

Antiques Decorative (Sussex) has dated this Antique Garden Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1241731
Antiques Decorative (Sussex)
Antiques Decorative (Sussex)
Sellingantiques verified Since May 2024

Timeless treasures: elevate your space with decorative art and antiques

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An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
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Film of Attributed to Louis Reid Deuchars (1870–1927)  Oil Painting  of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts
Archive I An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.

Attributed to Louis Reid Deuchars (1870–1927) Oil Painting of a Woman in the Garden at Limnerslease, Possibly Mary Seton Watts

Film
Archive II An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View II
Archive III An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View III
Archive IV An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View IV
Archive V An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View V
Archive VI An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View VI
Archive VII An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View VII
Archive VIII An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View VIII
Archive IX An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View IX
Archive X An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View X
Archive XI An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View XI
Archive XII An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View XII
Archive XIII An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View XIII
Archive XIV An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame. View XIV
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An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
Attributed to Louis Reid Deuchars (1870–1927) oil painting of A Woman in the Garden at Limnerslease, Possibly Mary Seton Watts
Ref: SA1241731
An antique oil painting depicting a woman seated in a walled garden surrounded by trees and a country house, set in an ornate gilded frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period1900 - 1920
  • StyleEdwardian
  • MaterialOil on Canvas, Gesso, Wood
  • ColourGreen and Gold
  • MotifsWalled garden, Ornate gilded frame, Seated figure, Red brick wall
  • SizeW 90 cm (35 in)

This oil painting on canvas depicts an Edwardian garden scene attributed to the artist Louis Reid Deuchars, dating from the late 19th or early 20th century. The composition shows a seated figure within a walled garden featuring a red brick structure, terracotta sundial, flowering borders, evergreen trees and a tiled roof, rendered in soft greens and earthy reds. The artwork is set within an ornate gilded frame displaying elaborate moulded decoration, scroll corners and textured relief work across its wide borders. Measuring 90 cm in width, the piece suits display above a mantel in a sitting room or drawing room styled with English country house furnishings. The heavy metallic finish of the frame and the muted natural palette complement traditional interiors with timber furniture and neutral wall coverings.

Paintings from this era frequently focus on domestic garden scenes, impressionistic foliage, and natural outdoor lighting. Influenced by the Arts and Crafts movement, artists depicted structured brick borders, formal lawns, and figures in quiet repose.

Artists typically painted with oil pigments applied to stretched linen or cotton canvas. The finished artwork was commonly housed in heavy pine frames decorated with cast gesso detailing and finished in gold leaf.

Authentic oil paintings exhibit period-appropriate craquelure across the paint surface, natural oxidisation on the reverse of the canvas, and hand-constructed wooden stretcher bars, often accompanied by original framer labels.

Position the painting as a focal point above a mantelpiece or side cabinet to contrast traditional gilded textures against contemporary wall colours. Pairing period art with modern minimalist furnishings highlights the craftsmanship of the frame and artwork.

Dust the frame and canvas light-handedly using a soft, dry brush, avoiding water, spray cleaners, or chemical solvents. Keep the artwork away from direct sunlight, radiators, and high humidity to prevent paint cracking or frame deterioration.
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