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Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting
Sold by Brave Fine Art
sold SA1175991
Sorry, but this item has been sold.
Brave Fine Art

Brave Fine Art

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Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

18th century
Sold 29 December 2025 · Brave Fine Art
This “Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This skilfully rendered mid-18th-century Swedish oil painting depicts the biblical figure of Saint Peter in penitence.

“Regrets, I've had a few”, explained Frank Sinatra, and indeed so did Saint Peter. Upon the arrest of Jesus, Peter was questioned by those who recognised him as a follower. Despite his earlier declarations, he declined knowing Christ on three occasions when threatened by his inquisitors. Guilt and personal suffering inevitably followed.

Jesus had foreseen this, stating "Truly, I tell you, this very night, before the rooster crows, you will deny me three times" (Luke 22:34). After his third denial, following the crow of the aforementioned rooster, he broke down and wept. Yet, Peter’s story is also a tale of remorse and forgiveness, as he was later restored by Christ and became the first pope. His tomb rests under Saint Peter’s Basilica in Rome.

Depicted here with hands clutched in prayer, sullen eyes staring forlornly towards the heavens, this image represents the overwhelming desire to turn back the clock. A brief moment of understandable fear, leading to a permanent state of inner wretchedness.

The painting is a copy, produced in 1760, after the original by Dutch master, Gerrit van Honthorst (1590-1656). At this time, the original had found its way to Sweden, following a sale in Amsterdam, so this is very likely to be a sanctioned commission. One can imagine that the owner of van Honthorst’s masterpiece allowed artists to work directly, with the painting within arm’s reach.

On the reverse, an inscription in Swedish refers to one of the many Swedish currencies in circulation at the time, the ‘Banco’. This is preceded by the number 20 or 210, and the word ‘Kostar’, meaning costs. So it’s evidently communicating the price in 1760. It’s also dated.

The original was sold through Bonhams in 2007 for £132,000.

Held in a period frame, which is possibly original.

Medium: Oil on canvas

Overall size: 36½” x 44” / 93cm x 112cm

Year of creation: 1760

Labels & Inscriptions: Inscribed on the reverse with a date and price.

Provenance: Private collection, Sweden / Private collection, Spain.

Condition: Cleaned. Revarnished. Three patched repairs. Stretcher imprint. Craquelure throughout. The paint layer is stable. Frame with various marks and showing its age.

Our reference: BRV2151

Date of Manufacture

Brave Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Physical Dimensions
Height
112cm (44.09")
Width
93cm (36.61")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Reference
SA1175991
Dealers Internal Reference
BRV2151
Description
This skilfully rendered mid-18th-century Swedish oil painting depicts the biblical figure of Saint Peter in penitence.

“Regrets, I've had a few”, explained Frank Sinatra, and indeed so did Saint Peter. Upon the arrest of Jesus, Peter was questioned by those who recognised him as a follower.

“
Despite his earlier declarations, he declined knowing Christ on three occasions when threatened by his inquisitors.
Brave Fine Art

Guilt and personal suffering inevitably followed.

fig 1. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 1. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

Jesus had foreseen this, stating "Truly, I tell you, this very night, before the rooster crows, you will deny me three times" (Luke 22:34). After his third denial, following the crow of the aforementioned rooster, he broke down and wept. Yet, Peter’s story is also a tale of remorse and forgiveness, as he was later restored by Christ and became the first pope. His tomb rests under Saint Peter’s Basilica in Rome.

fig 2. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 2. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

Depicted here with hands clutched in prayer, sullen eyes staring forlornly towards the heavens, this image represents the overwhelming desire to turn back the clock. A brief moment of understandable fear, leading to a permanent state of inner wretchedness.

fig 3. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 3. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

The painting is a copy, produced in 1760, after the original by Dutch master, Gerrit van Honthorst (1590-1656). At this time, the original had found its way to Sweden, following a sale in Amsterdam, so this is very likely to be a sanctioned commission. One can imagine that the owner of van Honthorst’s masterpiece allowed artists to work directly, with the painting within arm’s reach.

fig 4. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 4. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

On the reverse, an inscription in Swedish refers to one of the many Swedish currencies in circulation at the time, the ‘Banco’. This is preceded by the number 20 or 210, and the word ‘Kostar’, meaning costs. So it’s evidently communicating the price in 1760. It’s also dated.

fig 5. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 5. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

The original was sold through Bonhams in 2007 for £132,000.

Held in a period frame, which is possibly original.

Medium: Oil on canvas

Overall size: 36½” x 44” / 93cm x 112cm

Year of creation: 1760

Labels & Inscriptions: Inscribed on the reverse with a date and price.

fig 6. An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
fig 6. Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

Provenance: Private collection, Sweden / Private collection, Spain.

Condition: Cleaned. Revarnished. Three patched repairs. Stretcher imprint. Craquelure throughout. The paint layer is stable. Frame with various marks and showing its age.

Our reference: BRV2151

Date of Manufacture

Brave Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Height
112cm (44.09")
Width
93cm (36.61")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Ref
SA1175991
Dealers Internal Ref
BRV2151
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. SOLD6+ MONTHS AGO
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Archive I An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. SOLD6+ MONTHS AGO

Gerrit Van Honthorst (After), Saint Peter in Penitence, 18th-century Oil Painting

Archive II An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View II
Archive III An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View III
Archive IV An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View IV
Archive V An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View V
Archive VI An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View VI
Archive VII An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame. View VII
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 76
Items Sold 1,853
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
76
Sold
1,853
An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
Gerrit Van Honthorst (After), Saint Peter In Penitence, 18th-Century Oil Painting
Ref: SA1175991
An 18th-century oil painting depicting an elderly bearded man with clasped hands looking upwards, set within an ornate carved wooden frame.
Detail View 1
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleBaroque
  • MaterialOil paint, Linen canvas, Gilded wood
  • ColourDark Brown
  • MotifsClasped hands, Bearded figure, Chiaroscuro lighting, Carved ornate frame
  • SizeH 112 cm (44 in) x W 93 cm (37 in) x D 3 cm (1 in)

18th-century painting often continued the dramatic chiaroscuro and emotional intensity established during the Baroque period, focusing on narrative depth, realistic human emotion, and religious themes.

These works typically utilise oil pigments applied to hand-stretched linen canvases, framed in heavily carved and gilded or painted wood frames assembled with traditional joinery.

Authentication involves examining the canvas weave, craquelure patterns, pigment composition under magnification, and the construction marks of the period wooden stretcher frames.

Pairing a dark, dramatic historic canvas with clean contemporary walls creates a striking focal point, allowing the rich tones and textures to anchor the room.

Maintain stable temperature and humidity levels, keep the artwork out of direct sunlight, and consult a professional conservator for periodic cleaning of the canvas and varnish.
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